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On Writing: A Memoir of the Craft by Stephen King
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On Writing: A Memoir of the Craft

by Stephen King

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This book is a curious mix of King's memoirs and some of his thoughts on what helps to make a successful writer. It was an odd book for me to pick up, since I have not read a single Stephen King book (a fact of which I'm obscurely proud!) However, I am rather in awe of the fact that he consistently churns out best-selling doorstop novels, and I figured he would have interesting things to say about how to write.

I was not wrong at all - he wrote very easily about the dos and, more crucially, the don'ts of writing, and I was fascinated by some of his methods. The idea that he often proceeds into massive novels with no more than a 'what if?' scenario is, frankly, amazing.

The problem was that I ended up far more interested in the memoir aspect of this little book. The snippets of his life - covering humorous escapades with his brother; his fight against alcoholism; and the course his published career took. I would have liked to read far more of this.

In fact, I concur with a number of the other reviewers - this book didn't know whether it was an autobiography or a 'how-to' manual on writing, and suffered as a result. I do think that either could have stood up to being a lengthier book in its own right.

Overall, a neat little look at the craft of a writer, but King does not say anything new and certainly doesn't say anything more enlightening than you can find for free on any decent author's website these days. ( )
magemanda | Jul 6, 2009 |  
On Writing is two very different books rolled into one. The first is more of a memoir, with King recalling early life experiences that ultimately led to his becoming a writer in the first place. Disconnected from this section, yet part of it, is the epilogue, where King addresses the accident that nearly took his life, and the part finishing this book played in his professional recovery. The other part of the book is mechanics -- some of it is what to do, but good portion more is what NOT to do. I could almost hear my own editors echoing his words; everything he said not only rings true, but also can't be said often enough. And rarely does one hear it put in such elegant prose..."don't DO THAT!" "Cut that shit out!" Not only is he very encouraging towards anyone who really wants to make a run at it, but after hearing King describe the nuts and bolts of "the craft," it becomes apparent why himself and other bankable authors churn out consistently high quality work.

While King is quick to admit there is no magic bullet to becoming a good writer (and, in his opinion, it is not possible for a truly bad writer to learn to be significantly better, nor is it possible for a good writer to become great...however, it is possible for a decent writer to become good), there are two inescapable truths he does harp on. A writer has to write, and just as importantly, a writer has to read. King suggests that one will learn more reading a bad writer than a good one, to which I laughed, thinking, "but Uncle Stevie, I learn more about writing from reading you than I do any other author!" But he adds that it can be a terrific morale boost reading someone who obviously has reached a measure of success (they are published) while knowing you can do better.

I think Stephen King has a lot to say on the art of writing, and would have liked to have seen this part of the book expanded to make it a dedicated volume. He was a former English teacher, so he is classically educated on the subject, although I think his style better communicates the basics than your typical college composition class. I also think his autobiography would be worth a look (his life is no Jack London, but well-lived in any event), and would read that as a separate book. For all of his success, it didn't seem like King was confident that his fans would like either, so it all ended up in a single volume. Hopefully he'll be with us a lot more years and reconsider both in time. ( )
JeffV | Jun 28, 2009 | 1 vote
An excellent look at writing as a craft, as Stephen King's life. It isn't a magic "get published" tell-all, but definitely interesting to aspiring writers, and King fans alike. ( )
thatgirlmanning | May 14, 2009 | 1 vote
A book that should be on the shelves of any author, January 9, 2009

I enjoyed this book, and I highly recommend it, especially for aspiring writers.

'On Writing' is not your ordinary, boring, english how-to manual. It is a book written by a successful author (who started off as an unknown himself), who gives the reader tips on writing a good story... their story.

Throughout, we learn of Stephen's past which not only keeps our interest but allows us to relate to him as a person - not just another successful, unreachable author. He has endured problems in his life, much as many of us have, and through each one he has conquered and improved as a person and as a writer.

As an author myself, I personally like the quick, to-the-point tips that he gives, as well as the encouragement for all of us to keep writing. After all, he is 'the great Stephen King'... he could just as easily give us a tip or two and then hope that he stays at the top forever. Instead, he encourages company at his desk of success, and notes that he enjoys reading our books just as much as we enjoy reading his.

I found Stephen King's 'On Writing' an enjoyable read and one that should be on the shelves of all authors.

J.R. Reardon
author, 'Confidential Communications' ( )
jrreardon | May 13, 2009 | 1 vote
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Series (with order)
Canonical Title
Original publication date
People/Characters
Important places
Important events
Awards and honors
Epigraph
Honesty's the best policy. -- Miguel de Cervantes
Liars prosper. -- Anonymous
Dedication
First words
I was stunned by Mary Karr's memoir, The Liar's Club.
Quotations
"I believe the road to hell is paved with adverbs and I will shout it from the rooftops."
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
Publisher's editors
Blurbers
Book description

Amazon.com (ISBN 0671024256, Paperback)

Short and snappy as it is, Stephen King's On Writing really contains two books: a fondly sardonic autobiography and a tough-love lesson for aspiring novelists. The memoir is terrific stuff, a vivid description of how a writer grew out of a misbehaving kid. You're right there with the young author as he's tormented by poison ivy, gas-passing babysitters, uptight schoolmarms, and a laundry job nastier than Jack London's. It's a ripping yarn that casts a sharp light on his fiction. This was a child who dug Yvette Vickers from Attack of the Giant Leeches, not Sandra Dee. "I wanted monsters that ate whole cities, radioactive corpses that came out of the ocean and ate surfers, and girls in black bras who looked like trailer trash." But massive reading on all literary levels was a craving just as crucial, and soon King was the published author of "I Was a Teen-Age Graverobber." As a young adult raising a family in a trailer, King started a story inspired by his stint as a janitor cleaning a high-school girls locker room. He crumpled it up, but his writer wife retrieved it from the trash, and using her advice about the girl milieu and his own memories of two reviled teenage classmates who died young, he came up with Carrie. King gives us lots of revelations about his life and work. The kidnapper character in Misery, the mind-possessing monsters in The Tommyknockers, and the haunting of the blocked writer in The Shining symbolized his cocaine and booze addiction (overcome thanks to his wife's intervention, which he describes). "There's one novel, Cujo, that I barely remember writing."

King also evokes his college days and his recovery from the van crash that nearly killed him, but the focus is always on what it all means to the craft. He gives you a whole writer's "tool kit": a reading list, writing assignments, a corrected story, and nuts-and-bolts advice on dollars and cents, plot and character, the basic building block of the paragraph, and literary models. He shows what you can learn from H.P. Lovecraft's arcane vocabulary, Hemingway's leanness, Grisham's authenticity, Richard Dooling's artful obscenity, Jonathan Kellerman's sentence fragments. He explains why Hart's War is a great story marred by a tin ear for dialogue, and how Elmore Leonard's Be Cool could be the antidote.

King isn't just a writer, he's a true teacher. --Tim Appelo

(retrieved from Amazon Fri, 24 Apr 2009 07:58:19 -0400)

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