An assassin creeps upstairs to murder the only survivor of a slaughtered family. But the baby boy is gone. Innocently he has climbed from his crib, bottom-bumped downstairs, and headed outside, before toddling into a nearby graveyard. There ghostly Mrs. Owens, who has always longed for a child, realizes his danger and determines to adopt him. A lively debate erupts among the graveyard ghosts. Mrs. Owens finally gets her way after Silas, a mysterious visitor in the graveyard, volunteers to be his guardian and to bring him food. The baby, formally named Nobody Owens, is voted the freedom of the graveyard and there he thrives, loved and cared for. The freedom of the graveyard bestows ghostly talents, and Bod is taught useful skills like Fading and Haunting. But beyond his safe home there is danger. Bod stumbles into frightening adventures in this world and another, and Silas faces death fighting an ancient Fraternal Order determined to kill the boy. Gaiman writes with charm and humor, and again he has a real winner. Readers quickly begin to care about Bod and the graveyard residents. Bod's encounter with the ghouls is brilliantly inventive. Miss Lupsecu, his substitute guardian while Silas is away, is dry-as-dust strict, a bad cook, and a friend to the death. The conclusion is satisfying, but it leaves room for a sequel. Everyone who reads this book will hope fervently that the very busy author gets around to writing one soon. Reviewer: Rayna Patton

While “The Graveyard Book” will entertain people of all ages, it’s especially a tale for children. Gaiman’s remarkable cemetery is a place that children more than anyone would want to visit. They would certainly want to look for Silas in his chapel, maybe climb down (if they were as brave as Bod) to the oldest burial chamber, or (if they were as reckless) search for the ghoul gate. Children will appreciate Bod’s occasional mistakes and bad manners, and relish his good acts and eventual great ones. The story’s language and humor are sophisticated, but Gaiman respects his readers and trusts them to understand.

Gaiman's narratives tend toward the episodic, and there are chapters of The Graveyard Book that could stand alone as discrete short stories. All the better for reading at bedtime, though, and what's lost in forward momentum is more than made up for by the outrageous riches of Gaiman's imagination

Like a bite of dark Halloween chocolate, this novel proves rich, bittersweet and very satisfying.

A lavish middle-grade novel, Gaiman's first since Coraline, this gothic fantasy almost lives up to its extravagant advance billing. The opening is enthralling: "There was a hand in the darkness, and it held a knife." Evading the murderer who kills the rest of his family, a child roughly 18 months old climbs out of his crib, bumps his bottom down a steep stairway, walks out the open door and crosses the street into the cemetery opposite, where ghosts take him in. What mystery/horror/suspense reader could stop here, especially with Gaiman's talent for storytelling? The author riffs on the Jungle Book, folklore, nursery rhymes and history; he tosses in werewolves and hints at vampires-and he makes these figures seem like metaphors for transitions in childhood and youth. As the boy, called Nobody or Bod, grows up, the killer still stalking him, there are slack moments and some repetition-not enough to spoil a reader's pleasure, but noticeable all the same. When the chilling moments do come, they are as genuinely frightening as only Gaiman can make them, and redeem any shortcomings. Ages 10-up. (Oct.)

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