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Ancient History by Garth Ennis
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Ancient History

by Garth Ennis

Series: Preacher (4)

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689106,449 (3.96)2
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"Preacher" is a graphic novel series that follows the footseps of the three very different characters - Jesse Custer (a former Reverend and vassal of the mysterious entity Genesis, which may be more powerful than God), Tulip (once a flame of Custer's), and Cassidy (a vampire), as they get into adventures in Jesse's search to find God.

Volume Four of this series is a compilation of back stories for several characters who have appeared in the series. We have The Saint of Killers, Arseface (does LibraryThing have a swear block or not?) and Jody and TC, who were bodyguards of Jesse Custer's mother. However, the preludes are best appreciated with the background knowledge of the first three stories.

The first two stories (the Saint of Killers and Arseface) are both quite well-done, and are well-worth reading. They both expand upon the characters of the series, they change our understanding of the characters. They also feature much of what is enjoyable of the previous books of Ennis's gaphic novel series - the dark humour, and the explicit violence. Both of these are worth five out of five stars.

However, the third story, "Good Old Boys" is something of an anomaly here. The two characters of the third story are dead, so their back story (particularly since it does not involve any other novel characters) is irrelevant to the current progression of the story. Another major contrast to the first two stories is that there is no character development - Jody is a cunning and vicious thug at the start of the book, T. C. is still a depraved sadist, and nothing has changed at the end of the book. And, although "Good Old Boys" seems to be a satire, it doesn't say anything particularly interesting or insightful about the type of story it satires, nor is a satire fitting with the rest of the stories that have occured in the series. The story that is told here is quite different to the rest of the stories in this series, but the difference is not of any interest.

Unfortunately, the third story in this comic brings down the rating of this book when the first two comics were both quite worthy reading. ( )
  rojse | Dec 1, 2009 |
Again - awesome. ( )
  Anagarika | Nov 3, 2009 |
unescesarily horrible and depressing. ( )
  pgimmo | Apr 10, 2008 |
http://nhw.livejournal.com/815165.htm...

The second half of Volume 3 in this series was devoted to the reminiscences of one of the main characters; Volume Four gives us three backstories about some of the background characters - the Saint of Killers, Arseface and Jesse's redneck relatives Jody and T.C. - altogether more enjoyable than any of the previous volumes, I thought, and in fact I would recommend readers wanting to get to know the series to start with this volume rather than any of the previous three. ( )
  nwhyte | Feb 19, 2007 |
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His son was at N.Y.U., and that mad the old man happy, though he could feel the world between them growing wider every day.
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Garth Ennis

Book description

Amazon.com (ISBN 156389405X, Paperback)

While technically the fourth book in the Preacher series, Ancient History isn't part of the main Preacher story line and doesn't even use any of the main characters (Reverend Jesse Custer, his girlfriend, Tulip, and his vampire buddy Cassidy). Instead, this collection of side stories delves into the freakish, perverse, and downright mythic supporting characters. The main feature is the 106-page demonic Western featuring the "Saint of Killers." In many ways this guy--and the spirit of the ruthless frontier he represents--is the soul of the Preacher series. Writer Garth Ennis said, taking all of the characters of the series into account, "I felt one more character was needed to round out the cast: someone who would directly represent the Old West, who had walked straight out of history, and who brought with him the horror and terror of those times." If this is the soul of the book, then its heart is the "Story of You Know Who," a reference to the character Arseface, whose self-imposed shotgun wound to the face has left him rather disfigured. This boy's abusive family is so overblown, his tragedy so all-encompassing, that a lesser writer would let this swerve into complete silliness. Ennis's talent is to pull pathos out of such outrageousness. He succeeds here again. --Jim Pascoe

(retrieved from Amazon Fri, 24 Apr 2009 07:58:03 -0400)

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