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The Egyptologist: A Novel by Arthur Phillips
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The Egyptologist: A Novel

by Arthur Phillips

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911424,565 (3.39)57
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Random House Trade Paperbacks (2005), Paperback, 416 pages

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Showing 1-5 of 40 (next | show all)
An Egyptologist is obsessed with finding the tomb of an apocryphal king and the result is a witty, inventive and brilliantly constructed novel. As you read you wonder if the narrator is a reliable source, but if not him....who?
  RABooktalker | Nov 11, 2009 |
In 1922 while Howard Carter is uncovering King Tut’s tomb, Ralph Trilipush, also an Egyptologist, is obsessed with finding the tomb of Atum-hadu, supposed Egyptian king and erotic poet. Trilipush is engaged to marry Margaret Finneran, a Boston socialite, whose father is bank rolling the expedition. Australian detective, Harold Ferrell, sticks his nose into their business while investigating the death of Paul Caldwell, an Australian soldier stationed in Egypt at the same time as Trilipush. He finds inconsistencies in Trilipush’s background and starts to believe he killed Caldwell.

The story is told through journal entries, letters and cables. Most of the narrative comes from Trilipush’s journal from 1922. The other half of the narrative comes from Ferrell’s letters to Margaret’s nephew written in 1955. Both narrators are unreliable. Trilipush’s narrative can not be relied upon because he is so focused and sure of Atum-hadu’s existence that he can’t accept when the expedition starts to fall apart. Ferrell’s letters are also unreliable because he is writing from a rest home and piecing the story together from thirty-three year old notes and his own memories.

The theme of the story is immortality. Egyptian kings thought they would achieve immortality through the Egyptian burial rituals; being buried in tombs with objects that would help them in the afterlife and mummification. Trilipush believes his immortality lies in finding Atum-hadu’s tomb. As Ferrell writes to Macy, he talks about how they can team up to publish Ferrell’s cases as a series of detective stories.

There are no heroes in this novel. All of the characters are flawed; Margaret is a drug addict and her father hopes Trilipush’s find will pay off his underworld debts. Ferrell falls for Margaret and tries to sabotage her engagement to Trilipush.

Some of Trilipush’s journal entries are tedious. I found myself looking ahead to see when Margaret or Ferrell would add one of their letters to the narrative. Near the end though, Trilipush’s entries became so interesting I couldn’t put the book down. I highly recommend this novel to anyone interested in the psychology of obsession. ( )
  craso | Sep 16, 2009 |
Loved it, great imposter who actually believes his own story. There might be a tragic element there, it definitely makes for a good read. I love imposters, esp. the great ones. ( )
  maup | Aug 6, 2009 |
The book is written in the form of documents: letters, journal entries, maps, and figures. The epistolary novel has a rapid pace, good character development, humor, and action. The main theme is passion of the mind, a personality trait that can take a person out of the most devastating developmental environment and into a world of dreams. Passion, however, can change to delusion that in archeology may go undetected for a millennium. Arthur Phillips’ great story is very different from his more sophisticated psycho-historical novel, Prague (see my review on Amazon). Recently, I bought the author’s novel, Angelica and look forward to reading it on my Kindle 1. ( )
  Gary237 | Jul 4, 2009 |
The author must have been paid by the word as he repeats him self constantly. I am befuddled by the reviewers that state that they were surprised by the ending as I had figured it out less than 1/2 way through and kept waiting to be fooled. It is a good read but could have been much shorter. I was very disappointed that they had the Ahrib that worked with the explorer (and was convicted of his murder) and they never had him take them to the dig sight where apparently the bodies were. A very big disappointment.
  kenthighhouse | Jun 3, 2009 |
Showing 1-5 of 40 (next | show all)
The cast of Arthur Phillips's comic novel "The Egyptologist" could have come from one of those deliciously campy old Hollywood mummy movies.
 
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Epigraph
Dedication
FOR JAN, OF COURSE
First words
31 Dec. Sunset. Outside the tomb of Atum-hadu. On the Victrola 50: "I'm Sitting on the Back Porch Swing (Wont You Come Sit by Me, Dear?)."
Quotations
If, Margaret, you are reading this letter, sobbing, horrified at your double loss but girding yourself and your pen for the vital tasks ahead of you, then I do not hesitate to accuse from here, before the commission of the dreadful crime itself, the maniacal Howard Carter, whose name you may perhaps have heard in recent weeks, the half-mad, congenitally lucky bumbler who tripped over a stair and fell into the suspiciously well-preserved tomb of some minor XVIIIth-Dynasty boy-kinglet named Trite-and-Common and who, in crippling jealousy, has several times threatened my person in the past months, both whilst sober and whilst intoxicated on a variety of local narcotic inhalants.
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Book description

Amazon.com Product Description (ISBN 0812972597, Paperback)

From the bestselling author of Prague comes a witty, inventive, brilliantly constructed novel about an Egyptologist obsessed with finding the tomb of an apocryphal king. This darkly comic labyrinth of a story opens on the desert plains of Egypt in 1922, then winds its way from the slums of Australia to the ballrooms of Boston by way of Oxford, the battlefields of the First World War, and a royal court in turmoil.
Just as Howard Carter unveils the tomb of Tutankhamun, making the most dazzling find in the history of archaeology, Oxford-educated Egyptologist Ralph Trilipush is digging himself into trouble, having staked his professional reputation and his fiancée’s fortune on a scrap of hieroglyphic pornography. Meanwhile, a relentless Australian detective sets off on the case of his career, spanning the globe in search of a murderer. And another murderer. And possibly another murderer. The confluence of these seemingly separate stories results in an explosive ending, at once inevitable and utterly unpredictable.

Arthur Phillips leads this expedition to its unforgettable climax with all the wit and narrative bravado that made Prague one of the most critically acclaimed novels of 2002. Exploring issues of class, greed, ambition, and the very human hunger for eternal life, this staggering second novel gives us a glimpse of Phillips’s range and maturity–and is sure to earn him further acclaim as one of the most exciting authors of his generation.


From the Hardcover edition.

(retrieved from Amazon Fri, 24 Apr 2009 07:58:18 -0400)

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