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Loading... Monster, 1959by David Maine
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will love Sign up for LibraryThing to find out whether you'll like this book. This was an interesting book, for the most part. It's a take on the monster movies of the mid-20th century that's been injected with some rather toned down anti-capitalist, anti-American sentiments. This is no discussion of the merits one economic system over another, to be sure, and it certainly isn't the last word (by far), but at least Maine provides references for the most serious of charges he raises. Maine is one to watch. Even though his political leanings tend towards the dippy end of the spectrum, he knows how to structure and tell a story, AND he knows how to write. I haven't read any of his previous books, but there's a really good chance I'll be checking out his future works. I wanted to like this book, and by and large I did. I think this novel tries to be equal parts homage, parody and social commentary, and it's in that last capacity that it stumbles. This miscalculation weakens what is otherwise a very entertaining and original sendup of the monster movie genre. I only bought this book because of the cover, I admit it. Plus I have a weird fascination with the darker side of the 1950s era. It was interesting but once the monster escaped from the theater, I was bored. "Please go ahead and smoosh all these characters as soon as possible," I kept telling the monster. Eventually he pretty much did. The continuing leitmotif of 1950s racism I also found rather annoying. I get it already. You don't have to keep reminding me constantly. no reviews | add a review
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(retrieved from Amazon Fri, 24 Apr 2009 07:58:19 -0400)
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Maine, however, wants to thrust his subtext forward to garner equal coverage to the beast, and that's where Monster, 1959 falters, not fatally, but substantially. Maine has a point of view, mocking the world through his presentation of K. and juxtaposing his plight with those of displaced cultures the world over, most notably the Palestinians. And there is nothing inherently wrong with this, but Maine's B-movie plot structure cannot hold up under the deadly seriousness of his agenda.
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