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The Rose and the Beast: Fairy Tales Retold by Francesca Lia Block
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The Rose and the Beast: Fairy Tales Retold

by Francesca Lia Block

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Showing 1-5 of 9 (next | show all)
A post feminist interpretation of archetypal fairy tales that moves the heart and the mind. The spare prose flows effortlessly like a comb through Rapunzel's hair! Though some of the themes are disturbing and suitable only for mature readers, the heroines do ultimately prevail. A good choice for a curriculum unit: comparitive analysis of fairy tales and exploration of their themes and allegories. ( )
  IEliasson | Jul 22, 2009 |
Nine fairy tales retold in the Block manner -- edgy, blunt, and with no language spared. Lyrical in voice, yet satirical, too, these tales are short, not so sweet, and irreverent.

Block is not my cup of tea, but probably popular with teens.
1 vote Kaybowes | Apr 6, 2009 |
Unpredictable endings. Most of the tales' origin are obvious, but there are a few that I'm not sure of. My favourite would be Beast, I really liked how she ended the story. Though a little on the dark side, it's a refreshing read.
  deadgirl | Nov 9, 2008 |
These short stories are well-written in poetic form adding to the emotional intensity. They turn the original fairy tale on its ear. Instead of enjoying them as I expected, I ended up sorry I'd read them. Some are less offensive than others. Fairy tales reveal truths and themes of culture, and unfortunately this book tells more of a culture I reject. In particular, one story portrays a homosexual relationship as being the redemption of a sexually abused child. ( )
  jcharris | Jul 2, 2008 |
Nine short stories based on fairy tales.

Francesca Lia Block is a writer like no other. Her books and stories focus on emotion, above all else. She weaves a rich tapestry with her words, eschewing technical details in favour of an approach that captures the feel of the story more than the actual events. To read her is to be swept along at breakneck speed, unsure of where you'll be at journey's end.

I could spew cliches all day. The bottom line is, they're all true of FLB. She's one hell of an author, and her stories pack a huge wallop.

The tales in this collection are no exception. Block is in fine form here. Though these stories were inspired by nine fairy tales, (Snow White, Thumbelina, Cinderella, Sleeping Beauty, Little Red Riding Hood, Rose Red, Bluebeard, Beauty and the Beast and The Snow Queen), Block makes them her own. You may get more out of them if you're familiar with the source material, but I don't think you really need to know the fairy tales in order to get the most out of these stories.

As is always the case, Block focuses on the emotions involved more than the specifics. She demands intuitive leaps from her readers, but each piece of the puzzle is set up so nicely that there's really no effort involved. She tugs at our heartstrings and reminds us of places we've all been before. We can empathize with these characters, even as we're dazzled by the trappings of the strangely familiar realms in which they reside.

I most definitely recommend this to anyone with an interest in innovative short fiction and/or fairy tale retellings. Be aware, however, that this is not a collection for all readers. It deals with some difficult themes, including abuse, and some readers may find it triggering. ( )
1 vote xicanti | May 25, 2008 |
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When she was born her mother was so young, still a girl herself, didn't know what to do with her.
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"He said he thought smoking was a primitive reflex to the cold—like building fires. The cold inside, too."
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Book description

Amazon.com (ISBN 0064407454, Paperback)

Francesca Lia Block, whose Weetzie Bat novels have often been called pop fairy tales, here turns to the real thing for some very different imaginings of Snow White, Thumbelina, Cinderella, Rose Red and Rose White, and other tales. Block's stories are more resonance than retelling, fevered dreams behind which the outlines of the traditional tales move fitfully like figures glimpsed now and then through a summer fog. Veiled references to Block's own Los Angeles appear in the twisty house of the seven dwarfs built into a canyon like Laurel or Topanga, the redwood forest on a seaside cliff through which Beauty travels to her Beast, the tree-darkened canyon houses with French doors that open onto exuberant neglected gardens lush with irises and roses. In these evocations Bluebeard becomes an aging blue-haired producer, Sleeping Beauty pricks her arm with a heroin needle, Red Riding Hood's wolf is a lecherous stepfather, and the Snow Queen is a sex goddess who lives in a marble mansion with her boy toy, possibly in Beverly Hills. Sensuous images enrich these languid and darkly ironic visions: jasmine-scented night gardens, leopard couches with velvet pillows, luscious food flavored with mint, coconut milk, or pomegranate sauce, cool candlelit baths. As always, Block's poetic allegories of adolescence are strikingly original and a bit dangerous, a feast for connoisseurs of YA fiction and savvy older teens. (Ages 14 and older) --Patty Campbell

(retrieved from Amazon Fri, 24 Apr 2009 07:58:03 -0400)

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