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The Book of the Courtier by Baldassare Castiglione
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The Book of the Courtier

by Baldassare Castiglione

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Several centuries ago, writing was simpler and more direct. Even though the sentences were longer, the word choice and meaning were always precise. This book is a Socratic exploration about greatness, framed as the recollection of a discussion held at court sometime in the early 1400's. Various characters discuss what traits are most important for those who would comprise a prince's court. Included in these virtues are grace, health, knowledge of arms, candor, trust, and beauty. All of these are explained through clever dialogue that invokes a sense of the 15th century and their appreciation of the classics. My favorite excerpt: "I have discovered a universal rule which seems to apply more than any other in all human actions or words: namely, to steer away from affectation at all costs, as if it were a rough and dangerous reef, and (to use perhaps a novel word for it) to practice in all things a certain nonchalance which conceals all artistry and makes whatever one says or does seem uncontrived and effortless." ( )
1 vote jpsnow | Nov 29, 2009 |
"He [SJ] said the best book ever written upon good breeding grew up at the little court of Urbino -- Il Cortegiano by Castiglione." Boswell's Journal for October, 1773.
  SamuelJohnsonLibrary | Oct 10, 2008 |
The Book of the Courtier

There really was a Camelot. But it was in Italy, Urbino in northern Italy to be exact, in the 1500s. Perched on top of a couple of hills in the region Le Marche, Urbino was ruled by the Montefeltro family. From 1444 to 1482 Federigo de Montefeltro skillfully steered his tiny domain through the rough storms of Italian Renaissance realpolitik. Federigo was a successful soldier of fortune yet maintained one of the largest libraries in Italy, spoke Latin, read Aristotle, helped orphans and in general earned the love of his people. He built a beautiful fairy-tale palace and had Paolo Uccello and Piero della Francesca decorate it.

His less fortunate son Guidobaldo inherited this charming and well-run dukedom. Guidobaldo married the cultivated Elisabetta of the Gonzaga family from Mantua. He was an invalid and not made of his father’s stern military stuff. A victim of the brilliant military campaigns of Cesare Borgia that so enchanted Machiavelli, Guidobaldo was temporarily deposed. When the Borgias (Cesare and his father Pope Alexander VI) died, the people of Urbino rose up, drove out Borgia’s soldiers and cheered Guidobaldo and Elisabetta upon their return.

For the next few years the court of Elisabetta and Guidobaldo was the most beautiful, enlightened, genteel place on earth. They attracted musicians, scholars and artists. Conversation was honed into a fine art. Into this paradise strode our Lancelot, Baldasare Castiglione, a diplomat descended from minor Italian nobility. He loved Elisabetta, but as far as we know the devotion remained platonic

It is because of Castiglione that we believe we have a sense of what the court of Montefeltro was like, or at least how they would have like to have been remembered. His “The Book of the Courtier” (Il Cortigiano) painstakingly analyzes the attributes of a gentleman through conversations (probably highly idealized) of refined visitors to Urbino.

It’s a long, slow, but thoroughly enjoyable book. It is a window into the renaissance mind. It does not describe how the Italians of the sixteenth century were, Machiavelli and Cellini are probably more useful there. But it tells how they wanted to be. The book was read and studied by nobility all over Europe.

It’s also how I wanted them to be. Urbino is one of my favorite places. It’s a crowded student city now. But on a quiet morning when only a few people are about and the sun has made its way over the hills from the Adriatic, I can imagine that I can see the ghosts of Elisabetta and Guidobaldo walking on the cobbled streets outside their beautiful palace. Fussy, snobbish, yet kind and gentle Castiglione and his wonderful book help make that fantasy more real. ( )
  BillMcGann | Aug 16, 2008 |
REENACTORS NOTES: 367 pages: A handbook for young gentlmen from the period. Shameless opportunism, melancholy about the state of the human condition and the traping of court life abound. Italian but more global in it's scope as it deals with the proper courting of power by those who seek it anywhiere. Maybe, if you are playing a high ranking officer you might have even read it if you had done your 'finishing' in Italy. ( )
  hsifeng | Mar 27, 2008 |
This is a review of the Singleton translation found in the Norton Critical Edition (2002).

One of the most popular books of the 16th century. Written at a time when the Italian Renaissance was drawing to a close as France invaded Italy, Castiglione looked back at all the best qualities of the Renaissance and applied them to the model of the French court in the form of the "perfect courtier". Highly influential for generations its echo's on western civilization can still be felt to this day. ( )
  Stbalbach | Apr 29, 2007 |
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I have a long time douted with my self (moste loving M. Alphonsus) whiche of the two were harder for me, either to denie you the thing that you have with such instance many times required of me, or to take it in hand ...
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Elisabetta Gonzaga

The Book of the Courtier

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Amazon.com Book Description (ISBN 0140441921, Paperback)

The Book of the Courtier (1528) is a series of fictional conversations by courtiers of the Duke of Urbino that takes place in 1507, while Castiglione was himself attaché to the Duke. Today the Book remains the most reliable and illuminating account of Renaissance court life and of what it took to be the "Perfect Courtier" and "Court Lady." The Singleton translation—the most acclaimed and accurate available—is accompanied by annotations.

"Criticism" features ten essays on The Book of the Courtier, which represent the best interpretations from the United States, Italy, and England including the backgrounds-rich essays by Amedeo Quondam and James Hankins. A Selected Bibliography, a Chronology, and an Index are included.

About the series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.

(retrieved from Amazon Fri, 24 Apr 2009 07:58:19 -0400)

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