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The Bluest Eye by Toni Morrison
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The Bluest Eye (original 1970; edition 1970)

by Toni Morrison, Photo Cover (Illustrator)

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7,090102453 (3.87)230
Member:David_Cain
Title:The Bluest Eye
Authors:Toni Morrison
Other authors:Photo Cover (Illustrator)
Info:New York: Pocket Books / Washington Square # 53146 14th Printing no date (1970), Edition: ., Mass Market Paperback
Collections:Your library
Rating:*****
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The Bluest Eye by Toni Morrison (1970)

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Showing 1-5 of 99 (next | show all)
Morrison's prose is quite pretty, but I had difficulty connecting to the book. I couldn't identify with the central character and the events in the book are very divorced from my own experiences. I would read Morrison again, but this book wasn't for me. ( )
  The_Kat_Cache | Apr 17, 2013 |
Morrison addresses so many issues in this compelling yet devastating book, but the dominant one is the effect of entrenched racism on individuals.
The story centers mainly on Pecola Breedlove, a young girl who, when she is noticed at all, is the object of vicious cruelty by her classmates, her neighbors and most appallingly, by her parents. Tormented by everyone, Pecola is convinced that the reason for everyone’s brutality toward her is her ugliness, that is, that she is darker than everyone else. Because of what her skin color and hair represent, Pecola is the family and community target and scapegoat. In her desperation for acceptance, she tries to attain society’s image of beauty. Pecola drinks quarts and quarts of milk in a Shirley Temple mug, hoping to drink in not only the whiteness of the milk, but the blueness of Shirley Temple’s eyes. Eventually, she begins to pray each night for blue eyes.
The book also details the stories of Pecola’s parents and the two girls who are kind to her. Each of these characters has methods of dealing with their own or vicarious experience with racist cruelty, animosity and humiliation. These methods range from immersion in and exclusive love for a white employer to preemptive hostility and in one case criminality and extreme violence. This last instance demonstrates the exertion of power on one who has even less power.
Apart from the story itself, I think that what makes this book so compelling is the writing style. Most chapters begin with excerpts from the old Dick and Jane reading primer. Simple idyllic statements about white families living a comfortable life run into each other and become a driving and ironic counterpoint to the plot and characters’ situations. Most of the story is narrated by the two girls who show Pecola some compassion, but there are several chapters describing various characters and their histories that seem to be in the author’s voice. These different voices might be viewed as distracting and incongruous in another book, but here serve as part of the fluid trajectory of this heartbreaking story. This is a really tough story to read, but is rendered beautifully and powerfully. ( )
  plt | Apr 3, 2013 |
morrison's first book...i wonder how she'd write it now if she could do it all again. it's not perfection, but i love this book. she gives a clear look (maybe not so clear to everyone?) into racism and society's hand in perpetuating it, the effect this has on young people of color (self-hatred, redirected hate of whites and the power they wield onto women of color, intra-racism, etc), and into other issues as well, like sexual violence and what that can look like. her language is precise but beautiful. i only wish it was slightly more galvanizing, so readers would put the book down and immediately rise up to fight all the issues she puts on the table. (i remember really liking this book years ago when i first read it, but i'm ashamed to say it didn't move me to fight racism. perhaps i shouldn't fault the author/book for that at all, but merely myself.) ( )
  elisa.saphier | Apr 2, 2013 |
review coming soon ( )
  velvetink | Mar 31, 2013 |
Read for a class. Really didn't think I'd like it as much as I did.

I'm finding it hard to really put words to my thoughts about it other than it stuck with me for days afterwards. My version had an Afterward written by the author some twenty years after publication and she has a number of criticisms about the book, namely that it didn't capture what she was aiming to do as clearly as she wanted to. This, I'll agree with. Rather than an overall narrative, it read more like a series of vignettes, the life stories of a number of people living in a little town in Ohio that are all connected by this intentionally mysterious "Pecola". The narrator's afterward, wherein the girl explains that Pecola is the focus of the black community's hatred of itself, comes off as forced - as if we were reading a SparkNotes summary after the fact; "Here's the point in case you missed it." I felt it could've been constructed better.

Still...some of the images stick with you. Some of them aren't welcome. I suppose that's the point of literature sometimes. ( )
  cyafer | Mar 30, 2013 |
Showing 1-5 of 99 (next | show all)
I have said "poetry." But "The Bluest Eye" is also history, sociology, folklore, nightmare and music. It is one thing to state that we have institutionalized waste, that children suffocate under mountains of merchandised lies. It is another thing to demonstrate that waste, to re-create those children, to live and die by it. Miss Morrison's angry sadness overwhelms.
 

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Author nameRoleType of authorWork?Status
Toni Morrisonprimary authorall editionsconfirmed
Dorsman-Vos, W.A.Translatorsecondary authorsome editionsconfirmed
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To the two who gave me life
and the one who made me free
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Quiet as it's kept, there were no marigolds in the fall of 1941. We thought, at the time, that it was because Pecola was having her father's baby that the marigolds did not grow. A little examination and much less melancholy would have proved to us that our seeds were not the only ones that did not sprout; nobody's did. Not even the gardens fronting the lake showed marigolds that year. But so deeply concerned were we with the health and safe delivery of Pecola's baby we could think of nothing but our own magic: if we planted the seeds, and said the right words over them, they would blossom, and everything would be alright. It was a long time before my sister and I admitted to ourselves that no green was going to spring from our seeds. Once we knew, our guilt was relieved only by fights and mutual accusations about who was to blame. For years I thought my sister was right: it was my fault. I had planted them too far down in the earth. It never occured to either one of us that the earth itself might have been unyielding. We had dropped our seeds in our own little plot of black dirt just as Pecola's father had dropped his seeds in his own plot of black dirt. Our innocence and faith were no more productive than his lust or despair. What is clear now is that of all of that hope, fear, lust, love, and grief, nothing remains but Pecola and the unyielding earth. Cholly Breedlove is dead; our innocence too. The seeds shriveled and died; her baby too. There is really nothing more to say--except why. But since why is difficult to handle, one must take refuge in how.
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Amazon.com Amazon.com Review (ISBN 0452282195, Paperback)

Oprah Book Club® Selection, April 2000: Originally published in 1970, The Bluest Eye is Toni Morrison's first novel. In an afterword written more than two decades later, the author expressed her dissatisfaction with the book's language and structure: "It required a sophistication unavailable to me." Perhaps we can chalk up this verdict to modesty, or to the Nobel laureate's impossibly high standards of quality control. In any case, her debut is nothing if not sophisticated, in terms of both narrative ingenuity and rhetorical sweep. It also shows the young author drawing a bead on the subjects that would dominate much of her career: racial hatred, historical memory, and the dazzling or degrading power of language itself.

Set in Lorain, Ohio, in 1941, The Bluest Eye is something of an ensemble piece. The point of view is passed like a baton from one character to the next, with Morrison's own voice functioning as a kind of gold standard throughout. The focus, though, is on an 11-year-old black girl named Pecola Breedlove, whose entire family has been given a cosmetic cross to bear:

You looked at them and wondered why they were so ugly; you looked closely and could not find the source. Then you realized that it came from conviction, their conviction. It was as though some mysterious all-knowing master had given each one a cloak of ugliness to wear, and they had each accepted it without question.... And they took the ugliness in their hands, threw it as a mantle over them, and went about the world with it.
There are far uglier things in the world than, well, ugliness, and poor Pecola is subjected to most of them. She's spat upon, ridiculed, and ultimately raped and impregnated by her own father. No wonder she yearns to be the very opposite of what she is--yearns, in other words, to be a white child, possessed of the blondest hair and the bluest eye.

This vein of self-hatred is exactly what keeps Morrison's novel from devolving into a cut-and-dried scenario of victimization. She may in fact pin too much of the blame on the beauty myth: "Along with the idea of romantic love, she was introduced to another--physical beauty. Probably the most destructive ideas in the history of human thought. Both originated in envy, thrived in insecurity, and ended in disillusion." Yet the destructive power of these ideas is essentially colorblind, which gives The Bluest Eye the sort of universal reach that Morrison's imitators can only dream of. And that, combined with the novel's modulated pathos and musical, fine-grained language, makes for not merely a sophisticated debut but a permanent one. --James Marcus

(retrieved from Amazon Thu, 14 Feb 2013 13:37:43 -0500)

(see all 7 descriptions)

Pecola Breedlove, a young black girl, prays every day for beauty. Mocked by other children for the dark skin, curly hair, and brown eyes that set her apart, she yearns for normalcy, for the blond hair and blue eyes that she believes will allow her to finally fit in.Yet as her dream grows more fervent, her life slowly starts to disintegrate in the face of adversity and strife. A powerful examination of our obsession with beauty and conformity, Toni Morrison's virtuosic first novel asks powerful questions about race, class, and gender with the subtlety and grace that have always characterized her writing.… (more)

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