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The Bonesetter's Daughter by Amy Tan
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The Bonesetter's Daughter

by Amy Tan

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I have got several of Amy Tan's books in my stacks of TBR books, each of which I have picked up just because it sounded interesting to me. This is the first of her books that I have actually read, though. I really did enjoy it. Lu Ling was both sad (due to her dementia) at times and funny. I enjoyed the sections of the book that were narrated by Ruth, but enjoyed the part narrated by LuLing the best. ( )
ladybug74 | Mar 21, 2009 |  
Good read. I was especially interested in the mother-daughter relationships and how they each blindly made choices in life without realizing the consequenses...and how the bad choices were each in a way redeemed in the end.

See more of my reviews at http://myobsessionwithbooks.blogspot....
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nicchic | Oct 21, 2008 |  
I found this book to be very interesting. For some reason I could never leave it alone. Even when I thought of myself loosing interest i was quickly proven wrong because i'd quickly be in grossed in it.
This book was beautifully written in an interseting way. It masterfully follows the lives of two people, mother and daughter, at different times of each of thier lives. I found it smart ot use two differnet time periods to revel the book's true nature.
This book really is sad because of all the stuff that happens and all of the family drama that occurs within the book. One of the books main characters LuLing is a very strong person whom overcame all of the hurtles thrown at her and her daughter is the same way. It is just so beautifully written.
This book, though great, is not for the normal reader. The person reading it has to have patience because the plot unfolds rather slow. The reader has to also be able to be at a certain intellect to appreciate the level of beauty in the book. All in all i would have to say that this book is a must read. ( )
Twilight-fan_4life | Sep 22, 2008 | 1 vote
In The Bonesetter's Daughter, Amy Tan draws the heartbreaking, complex picture of the relationship between Ruth Young, the middle-aged Chinese-American daughter of LuLing. LuLing's story is woven into Ruth's life just as quickly and mercilessly as it is threaded into the reader's life. It is a sad tale involving dragon bones, World War II China, love, death, and acceptance. Ruth assists in the writing of self-help books; on top of her problems with the authors she helps, she is increasingly finding difficulty with her home situation - Art, her boyfriend, is a divorcee with two daughters, and her struggle to understand her mother's words is apparent.

LuLing has given her a chance to understand her, however; Ruth receives a diary of sorts describing - well, she isn't sure. She holds on to it for a long time as her Chinese is terrible, and it's not until she finally submits it to an expert to translate that she realizes LuLing's signs of Alzheimer's aren't quite as bad as she suspects. She discovers with the reader the truth of LuLing's past, the significance of ghosts, and the beauty that can come from healing past scars.

It's hard to formulate a real review of this book; there is so much going on in it - I haven't even summarized the half of it. It is divided into three parts. The first describes Ruth in a bit of detail including what she's dealing with and her concern for her mother. The second is the translation of LuLing's diary as presented to Ruth by the translater who, we discover in the third part, has fallen in love with LuLing through her words. It's not quite as miraculous as it seems; there is depth in the details presented and one easily feels he/she is struggling through World War II era China right along with LuLing and her family. The third part illustrates Ruth's reactions to the tale, and her decision of what to do with her mother.

This is an engrossing book which I barely found time to put down. The characters drew me in more than anything else. Ruth reminds me a bit of myself - nitpicky, a little unreasonable, but extremely concerned for those she loves. LuLing shows a strength of will and heart that is almost incomparable by any of the other characters in my life; I imagine it would be an honor to know such a formidable woman. Art, despite Ruth's misgivings, is an ever-supportive partner. GaoLing, LuLing's sister (of sorts), shows admirable confidence in her sister's ability to survive; she also sticks by her through and through without hesitation. It was a quick read, but by no means a light one. I found myself crying several times throughout this book, maybe in part because of the river-flow of smooth, eloquently chosen words, but I think it is mostly because I was sincerely torn when the characters were. I felt for them. I felt like I was with them.

As Ruth finds her voice in the course of this book, so I also felt like I had found something unrecognized previously within me. At the beginning, she is frustrated, feeling useless as one able to speak but unable to speak for her mother - in her defense? Or perhaps she is upset because she cannot find the words to tell her mother how she feels. Once she has read LuLing's story, however, she finds her voice once again. She speaks out to GaoLing, to Art, to every influence in her life she feels is wanting. Her voice returns as her strength deepens, and I had the impression this is because she discovered a part of her that was once lost. She never knew, of course, LuLing's struggles, but by learning the truth she has gained bits and pieces of her own past, as well as her mother's and grandmother's, thus puzzling together a whole Ruth who feels more complete to face the changes coming in her life. Her voice returns, and I felt full again too.

The Bonesetter's Daughter is an illustrious painting of the lives within. Layers reveal hidden intricacies of each character - like a special cream-filled surprise. I enjoyed this book, but it hasn't encouraged me to read other books by the author. This is my first Amy Tan book, unlike most other readers who started with Joy Luck Club (I haven't even seen the movie!), but as beautifully executed as it was, it wasn't memorable. It's been four days since I've finished it, but I sadly can't think of very much else to say in my review. I loved it while I was reading it. I was inside it (as I mentioned); I felt I was part of the story. If I had reviewed it immediately, this post would probably be much longer and full of details pertaining to ink-making and hard work, Ruth and LuLing's voices, mother-daughter relationships, love in times of war, and who knows what else! But I quickly forgot all the details I wanted to impress in relation to these themes; even now, I can only recall that these were themes, but I wouldn't be able to give a detailed account.

It was an extremely good book and I would recommend it to anyone, but only under the expectation that the joy won't last. This is not one of those books that will become a "favorite book;" you won't cry for the characters after the last page is turned. You'll have a fond memory of it, knowing that you really loved it, but you won't be able to say why. ( )
amateras | Sep 10, 2008 | 1 vote
The Bonesetter's Daughter, by Amy Tan, tells the story of three generations of women. In the present day, Ruth Young discovers her mother, LuLing Young, has Alzheimer's disease. LuLing has already given Ruth a manuscript written in Chinese titled, Things I Know Are True, which Ruth has not read. Then, as she is cleaning her mother's house, Ruth discovers anther manuscript - Things I Must Not Forget. Ruth has these translated, and LuLing's story comprises the main portion of The Bonesetter's Daughter.

LuLing's story about growing up in rural China while being taken care of by Precious Auntie, going through WWII and the cultural revolution, and finally moving to America to find a new life, is wonderfully told. However, the first and third parts, about Ruth and LuLing in present-day America, were somewhat disjointed. I found it especially difficult to connect the present-day LuLing to her younger self - the woman that LuLing becomes is almost a caricature of a harping, overbearing mother, but there is almost no evidence of this woman in the younger LuLing. ( )
Talbin | Jul 18, 2008 | 1 vote
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Epigraph
Dedication
On the last day that my mother spent on earth, I learned her real name, as well at that of my grandmother. This book is dedicated to them. Li Bingzi and Gu Jingmei
First words
These are the things I know are true:
Quotations
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Amazon.com Amazon.com's Best of 2001 (ISBN 0804114986, Mass Market Paperback)

At the beginning of Amy Tan's fourth novel, two packets of papers written in Chinese calligraphy fall into the hands of Ruth Young. One bundle is titled Things I Know Are True and the other, Things I Must Not Forget. The author? That would be the protagonist's mother, LuLing, who has been diagnosed with Alzheimer's disease. In these documents the elderly matriarch, born in China in 1916, has set down a record of her birth and family history, determined to keep the facts from vanishing as her mind deteriorates.

A San Francisco career woman who makes her living by ghostwriting self-help books, Ruth has little idea of her mother's past or true identity. What's more, their relationship has tended to be an angry one. Still, Ruth recognizes the onset of LuLing's decline--along with her own remorse over past rancor--and hires a translator to decipher the packets. She also resolves to "ask her mother to tell her about her life. For once, she would ask. She would listen. She would sit down and not be in a hurry or have anything else to do."

Framed at either end by Ruth's chapters, the central portion of The Bonesetter's Daughter takes place in China in the remote, mountainous region where anthropologists discovered Peking Man in the 1920s. Here superstition and tradition rule over a succession of tiny villages. And here LuLing grows up under the watchful eye of her hideously scarred nursemaid, Precious Auntie. As she makes clear, it's not an enviable setting:

I noticed the ripe stench of a pig pasture, the pockmarked land dug up by dragon-bone dream-seekers, the holes in the walls, the mud by the wells, the dustiness of the unpaved roads. I saw how all the women we passed, young and old, had the same bland face, sleepy eyes that were mirrors of their sleepy minds.
Nor is rural isolation the worst of it. LuLing's family, a clan of ink makers, believes itself cursed by its connection to a local doctor, who cooks up his potions and remedies from human bones. And indeed, a great deal of bad luck befalls the narrator and her sister GaoLing before they can finally engineer their escape from China. Along the way, familial squabbles erupt around every corner, particularly among mothers, daughters, and sisters. And as she did in her earlier The Joy Luck Club, Amy Tan uses these conflicts to explore the intricate dynamic that exists between first-generation Americans and their immigrant elders. --Victoria Jenkins

(retrieved from Amazon Fri, 24 Apr 2009 07:57:51 -0400)

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