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Lucky Girls: Stories by Nell Freudenberger
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Lucky Girls: Stories

by Nell Freudenberger

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This collection of short stories is not awesome. She's a horrible storyteller.
  HomeGirlQuel | Apr 14, 2009 |
good stories, well written, perfect gift for a graduate on their way around the world... ( )
  gailparis | Nov 7, 2008 |
A New York Times Notable Book; Winner of the PEN/Malamud Award. I wanted to like this book, and in fact I identified with a great deal of it. I understood the differentness of living. . . being identified. . .trying to lose my identity. . .as an American in another country. One story, The Tutor, spoke so clearly to me I cried at the end, filled with admiration. However, the last story, The Last Bastion, was so painful that I couldn't finish it. My problem, I readily admit. I think you should read this. I cannot. ( )
  akagracie | Feb 26, 2008 |
These short stories start out as novels and are beautifully written, and with a interlacing of East and West that satisfies me. Of course, the title is mostly misleading.
  shantisdottir | Feb 23, 2008 |
The writing in these stories is excellent. There is an easy use of thoughtful language that you wish you could see more often.
The only minus, which may be more to do with the form than anything else, is that some of the stories come to a stop without any resolution, and though the journey has been good, you end up thinking: "so..?".
Looking forward to reading more. ( )
  thelistener | Jul 31, 2007 |
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Book description

Amazon.com (ISBN 0060088796, Hardcover)

Nell Freudenberger knows from lucky girls. She has had a lot of luck herself in her short writing career: Her debut story was featured in The New Yorker, with a glossy full-color author photo alongside; a quick book contract ensued, on the strength of that one published story; and now comes a debut collection full of stories that are actually good. The Lucky Girls collected here are far-flung Americans, young women trying to figure out where they belong in the world. In "The Tutor," teenage Julia and her businessman father are living in Bombay; her mother has returned to the United States. Julia crams for the SATs with her tutor Zubin, smokes cigarettes, and goes to nightclubs; her father hovers at home. Freudenberger gets just right the moments when Julia and her father find themselves alone together, trying to be a family: "It was just the two of them at the table then; even with the leaves taken out and stored against the wall in the coat closet, they had to half-stand in order to pass the soup." Too, she knows the upper-class world of which she writes. In "The Orphan," Mandy's parents and brother come to visit her in Thailand, where she is working with "AIDS babies." Mandy's brother Josh appears, and Freudenberger skewers his type, neatly, in a sentence: "Josh looks like someone coming out of trench warfare in the Balkans, rather than college in Maine." But Freudenberger isn't telling easy rich-kid stories. She's forever pushing her narration. In "The Tutor," we hear from Zubin, an overeducated Indian, as well as from Julia. "The Orphan," in turn, is told by Mandy's mom, a woman bewildered by yet proud of her daughter's choice to remain in Thailand. Freudenberger's stories are cosmopolitan, expansive, and richly detailed, a beguiling combination of qualities. --Claire Dederer

(retrieved from Amazon Fri, 24 Apr 2009 07:58:03 -0400)

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