|
Loading... Wild Lifeby Molly Gloss
LibraryThing recommendationsMember recommendations
Loading...
won't like
will probably not like
will probably like
will like
will love Sign up for LibraryThing to find out whether you'll like this book. Need to read--review pending I was all grinning and ready to give this book five glowing, thrilled stars. The first 150 pages were the stuff of genius (my definition of genius, of course): a strong female character, a glimmering tongue-in-cheek narrative, Pacific Northwest scenery and lore, and a historical setting that was as real as it was charming. This is really a lovely book. The characters are sharp and lovable. I'd find it really hard to dislike our wickedly shrewd and fearless protagonist, a (shockingly) single mother in early-20th-century rural Washington, along the Columbia River. Of course, she's kind a terrible mother (to five sons!), but that just somehow makes her even better. The adventure begins when she--Charlotte--heads out into the wilderness and logging camps near present-day Battleground, Wash., to look for her housekeeper's missing granddaughter. That still stays wonderful, as she dons men's digs and gets all muddy and real. Then things get crazy and fantastical. I can't decide that this melting into fantasy is brilliance or a letdown after such a romping first half. I think I still liked it, but it didn't have the resounding freshness of the reality segments of the novel. Charlotte's frame of mind in the end of the story is hard for me to identify with. Overall, highly recommended, especially if you are interested in the Pacific Northwest, homestead-era history, logging history or, well, giant ape things. I loved this historical novel about a woman raising her family alone in the west. The slipstream-iness is what takes it beyond a "feisty independent" heroine story, into deeper territory exploring responsibility and wildness. If you liked the slipstream historical aspect try Sarah Canary by Karen Joy Fowler and God's Fires by Patricia Anthony (although the latter is rather darker). 0.142 seconds to build listing no reviews | add a review
Amazon.com (ISBN 0618131574, Paperback)One of the many pleasures of Molly Gloss's extraordinary third novel is watching it repeatedly change shape and direction before your eyes--a feat all the more wonderful since the narrative consists almost entirely of the fictional diaries of one woman. Charlotte Bridger Drummond--an early-20th-century single mother who supports five young sons in the just-tamed wilderness fringe of western Oregon by writing pulp fiction--presents herself as a bluff, free-thinking feminist, the kind of woman who would tumble her youngest son off her lap and onto the floor for whining. When her housekeeper's frail young granddaughter disappears from a logging camp, Charlotte unhesitatingly sets out to join the inept search parties. So, within 90 pages, Molly Gloss (The Dazzle of Day and The Jump-Off Creek) whisks us from pitch-perfect historical fiction to unsentimental lament over the devastation of the "dark and supernatural woods" of the Pacific Northwest to a kind of wild and woolly mystery story.All of this is immensely engaging, mostly because Charlotte herself is such excellent if occasionally astringent company. But the book really catches fire when Charlotte herself gets lost in the woods. The diary continues through the harrowing days of wet, cold, hunger, hope, despair, and then her fantastic rescue by a band of semihuman giants of the deep woods. Introducing the Sasquatch legend into an otherwise scrupulously realistic historical novel might seem like a risky narrative ploy, but Gloss brilliantly pulls it off. Indeed, so deft is her fusing of the fantastic and the actual that by the end, the narrative transmogrifies once more into a profound and troubling meditation on wildness, nature, and human nature. Wild Life brings to mind the works of Jean M. Auel, Marilynne Robinson, Ken Kesey (that dank Oregon setting of Sometimes a Great Notion), and more distantly Willa Cather--but the breadth and daring of Gloss's imagination really puts it in a class of its own. In a sense, unifying all of the many strands of this fictional tour de force is a fiercely candid portrait of the artist, an artist who in Charlotte's words fears "coming face-to-face with my Self on the printed page--it would chill me through to the heart," but who does it anyway. --David Laskin (retrieved from Amazon Fri, 24 Apr 2009 07:58:03 -0400) The first test round has been closed. Visit the Open Shelves Classification group for details. |
Abebooks |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The story is told via fictional journal entries, snippets of a novel in progress, magazine articles and essays written by the protagonist Charlotte, a very strong, independent woman living in Southwest Washington in the early 1900s. She embarks on an amazing journey into the forest to search for a lost child. Imaginative and compelling. Part of the charm of this book for me is the location - my home ground of the Pacific Northwest, the forests and rivers and mountains. Gloss includes some fascinating history about the area and about logging, which was already beginning to have extreme adverse effects over 100 years ago. (