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Enduring Love by Ian McEwan
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Enduring Love (1997)

by Ian McEwan

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4,180671,098 (3.69)172
Recently added byAshlyns, private library, arlongworth, Undreya, ljhliesl, lauj, brita, 02REY, Jane100
  1. 10
    Heading Out to Wonderful by Robert Goolrick (Limelite)
    Limelite: Both are literary love stories. Both spiral into violence.
  2. 00
    The Reader by Bernhard Schlink (lucyknows)
    lucyknows: The Reader could be successfully paired with Enduring Love for English Studies. In addition either book could also be be paired with the film The Talented Mr Ripley under the theme of obsession or even Border Crossing by Pat Barker
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I read this book last year; you can find my review of Enduring Love over at my blog (contains some spoilers): http://www.rulethewaves.net/blog/?p=1587 ( )
  caffeinatedlife | Apr 26, 2013 |
I'm not the world's biggest fan of Ian McEwan, thus far. I didn't particularly enjoy Saturday, and I didn't get into Atonement the first time I picked it up, and so he has to work against quite a bit of scepticism from me.

Still, there is something compelling about his writing, and more so when he's not writing two pages all about the modern improvements in kettle technology, as he memorably did in Saturday. His narrators strike me as a bit pompous and over-talkative, but it usually works with their characters -- I didn't like a single character much, in this book, I have to say. I think I felt most about Jed Parry, and his hopeless obsession.

I think Ian McEwan writes reasonably well about the way people approach events like the ones he writes about here, and there is a frustrated sense of suspense here. On the other hand, I found some of his tricks to prolong suspense transparent and wearing, and while he does his research well, the layers of detail also got wearing.

I'm still not a convert, but I did like it more than Saturday. ( )
  shanaqui | Apr 9, 2013 |
It took me quite a while to start reading this book and when I finally did, I wasn't sure I'd make it to page 100. (See my status updates for the remarks.)

But... I'm glad I stuck with it, because somewhere around page 60 I started to like the book. I'm not so enthousiastic about it as some other readers whose reviews I've read, but it was a nice read. It gave me the creeps.
Realising that what is written might be fiction, but might easily become reality too. There's hardly any protection against something (someone) like this... No, I really don't want to think about that very much. Just hope it'll never happen around me.

I don't think it was a great book, but I'm glad I read it :-) ( )
  BoekenTrol71 | Mar 31, 2013 |
Everything I've read from McEwan's pen had that certain way of drawing universal themes from the circumstances of the characters. Here's one about guilt and attachment to it. It's suspenseful, the prose is marvelous and if I was a little let down at the end (it's no Atonement) it's all peachy. ( )
  palaverofbirds | Mar 29, 2013 |
Ian McEwan has an amazing capacity to write the moment and then build moment upon moment to a storied crescendo. The main character creates a word picture that might just as well be used to describe the author's writing, "Imagine the smallest possible bit of water that can exist." And later, "Now think of billions, trillions, of them, piled on top of each other in all directions, stretching almost to infinity. And now think of the river bed as a long shallow slide, like a winding muddy chute, that’s a hundred miles long stretching to the sea ..." It takes my breath away.

I was flinching for so much of the story that I didn't hope for a outcome, with which I could rest. But Enduring Love shone through for so many of the characters. I can live with that. ( )
  bsiemens | Mar 16, 2013 |
Showing 1-5 of 57 (next | show all)
Ian McEwan's reputation as a writer of small, impeccably written fictions is secure. His gift for the cold and scary is well established, too: among the critical praise that festoons his book jackets, the word "macabre" crops up more than once. But his books are more than tales of suspense and shock; they raise issues of guilt and love and fear, essentially of what happens when the civilized and ordered splinters against chaos.
 
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to Annalena
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The beginning is simple to mark.
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When it's gone, you'll know what a gift love was.
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(Click to show. Warning: May contain spoilers.)
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Amazon.com Amazon.com Review (ISBN 0385494149, Paperback)

Joe Rose has planned a postcard-perfect afternoon in the English countryside to celebrate his lover's return after six weeks in the States. To complete the picture, there's even a "helium balloon drifting dreamily across the wooded valley." But as Joe and Clarissa watch the balloon touch down, their idyll comes to an abrupt end. The pilot catches his leg in the anchor rope, while the only passenger, a boy, is too scared to jump down. As the wind whips into action, Joe and four other men rush to secure the basket. Mother Nature, however, isn't feeling very maternal. "A mighty fist socked the balloon in two rapid blows, one-two, the second more vicious than the first," and at once the rescuers are airborne. Joe manages to drop to the ground, as do most of his companions, but one man is lifted sky-high, only to fall to his death.

In itself, the accident would change the survivors' lives, filling them with an uneasy combination of shame, happiness, and endless self-reproach. (In one of the novel's many ironies, the balloon eventually lands safely, the boy unscathed.) But fate has far more unpleasant things in store for Joe. Meeting the eye of fellow rescuer Jed Parry, for example, turns out to be a very bad move. For Jed is instantly obsessed, making the first of many calls to Joe and Clarissa's London flat that very night. Soon he's openly shadowing Joe and writing him endless letters. (One insane epistle begins, "I feel happiness running through me like an electrical current. I close my eyes and see you as you were last night in the rain, across the road from me, with the unspoken love between us as strong as steel cable.") Worst of all, Jed's version of love comes to seem a distortion of Joe's feelings for Clarissa.

Apart from the incessant stalking, it is the conditionals--the contingencies--that most frustrate Joe, a scientific journalist. If only he and Clarissa had gone straight home from the airport... If only the wind hadn't picked up... If only he had saved Jed's 29 messages in a single day... Ian McEwan has long been a poet of the arbitrary nightmare, his characters ineluctably swept up in others' fantasies, skidding into deepening violence, and--worst of all--becoming strangers to those who love them. Even his prose itself is a masterful and methodical exercise in defamiliarization. But Enduring Love and its underrated predecessor, Black Dogs, are also meditations on knowledge and perception as well as brilliant manipulations of our own expectations. By the novel's end, you will be surprisingly unafraid of hot-air balloons, but you won't be too keen on looking a stranger in the eye.

(retrieved from Amazon Thu, 03 Jan 2013 12:30:52 -0500)

(see all 5 descriptions)

Totally compelling and utterly convincing, Enduring Love is the story of how an ordinary man can be driven to the brink of murder and madness by another's delusions.

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