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Loading... The poisonwood Bible : a novel (original 1998; edition 1998)by Barbara Kingsolver
Work detailsThe Poisonwood Bible by Barbara Kingsolver (1998)
1001 1001 books 20th century Africa American American literature Belgian Congo book club Christianity colonialism Congo contemporary fiction family favorite fiction historical historical fiction Kingsolver literary fiction literature missionaries novel Oprah's Book Club own read religion sisters to-read unread women ( )The Price family–Nathan,a Baptist missionary; his wife, Orleanna; and their four daughters, Rachel, twins Leah and Adah, and Ruth May–arrived in the Congo in 1959, shortly before the country gained independence from Belgium. Nathan is driven to convert all the Congolese to Christianity in order to save them. He is so totally driven by his goal that he fails to learn about the people themselves. For example, they refuse to go into the river to be baptized because they fear the crocodiles that dwell there. He is a severe, controlling man who insists that everyone carry his burden. His treatment of his wife and daughters is hardly better than that he gives to the Africans. When Independence comes, he is warned by other westerners to leave the country for their safety. He refuses because he hasn’t finished his work. His wife and daughters each tell their own stories in their own words, moving the plot along. Orleanna’s story is primarily told in retrospect. The daughters is told in real time. Each of the daughters relates to their relocation and the Congolese differently. Rachel was a popular, vain, airhead teenanger in the United States and misses her previous life more than anyone else. Leah wants to be close to her father and is the one with the most involvement with and understanding of the people. Adah has a birth deformity which has crippled her. She spends most of her time in solitude with her books but is aware of what is going on around her. Ruth May, a five-year-old, gets along well with the children of the village but speaks in a voice much too old for her. Most of the plot deals with how the Congolese people were affected by the arrival of the Europeans. Near the end of the book, we learn that four hundred years ago the people were well-dressed, self-sufficient, and had established a workable government. The Europeans came in, kidnapped many of the strongest and brightest, and sold them into slavery. The discovery of diamonds and other mineral wealth lead them to rape the country and cause horrendous suffering to the native people. The people are forbidden to be educated but manage to survive through their own ingenuity and sense of community. When the Belgians leave in preparation of the country forming its own government, the Western nations, especially Belgium, France, and the United States, don’t approved of who the people elect and are determined to assassinate the new leader, Patrice Lumumba. Eventually the family splits up. The latter part of the novel is about how they live their lives as adults, some remaining in Africa and some returning to the United States. The book offers comparisons between the Westerners who respect the Congolese and those who don’t. It is current in that it shows what is still happening when we don’t respect other cultures enough to learn about them before we insist on them changing to our ways, what can happen when we get excited about countries having elections and forming democracies without the end results looking anything like we expected, and what our push for riches overrides people’s lives. It is a lesson worth learning Each character's personality fights to find their roots, their voices clear, but working to ground themselves in unforgiving African soil - flooded with flora to becoming cracked with thirst. For such a long book, it is a remarkably quick read. Not a word wasted, nor a description over extended. The precision of her writing allows the reader to jump in, she give the reader the respect of intelligence. Giving you questions and clues to the direction of the story, that you trust and are rewarded with being answered. The sort of book that you keep at your side too fill every free moment, until closing the last page with a content sigh. Politically immaculate, but technically clumsy, this is a book I get into arguments about
Kingsolver once wrote that ""The point [of portraying other cultures] is not to emulate other lives, or usurp their wardrobes. The point is to find sense.'' Her effort to make sense of the Congo's tragic struggle for independence is fully realized, richly embroidered, triumphant. A writer who casts a preacher as a fool and a villain had best not be preachy. Kingsolver manages not to be, in part because she is a gifted magician of words--her sleight-of-phrase easily distracting a reader who might be on the point of rebellion. Her novel is both powerful and quite simple. It is also angrier and more direct than her earlier books. The Congo permeates ''The Poisonwood Bible,'' and yet this is a novel that is just as much about America, a portrait, in absentia, of the nation that sent the Prices to save the souls of a people for whom it felt only contempt, people who already, in the words of a more experienced missionary, ''have a world of God's grace in their lives, along with a dose of hardship that can kill a person entirely.'' Although ''The Poisonwood Bible'' takes place in the former Belgian Congo and begins in 1959 and ends in the 1990's, Barbara Kingsolver's powerful new book is actually an old-fashioned 19th-century novel, a Hawthornian tale of sin and redemption and the ''dark necessity'' of history. Has as a reference guide/companionBarbara Kingsolver's The Poisonwood Bible: A Reader's Guide (Continuum Contemporaries) by Linda Wagner-Martin Has as a study
References to this work on external resources.
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In fact they can and they do. The first part of The Poisonwood Bible revolves around Nathan's intransigent, bullying personality and his effect on both his family and the village they have come to. As political instability grows in the Congo, so does the local witch doctor's animus toward the Prices, and both seem to converge with tragic consequences about halfway through the novel. From that point on, the family is dispersed and the novel follows each member's fortune across a span of more than 30 years.
The Poisonwood Bible is arguably Barbara Kingsolver's most ambitious work, and it reveals both her great strengths and her weaknesses. As Nathan Price's wife and daughters tell their stories in alternating chapters, Kingsolver does a good job of differentiating the voices. But at times they can grate--teenage Rachel's tendency towards precious malapropisms is particularly annoying (students practice their "French congregations"; Nathan's refusal to take his family home is a "tapestry of justice"). More problematic is Kingsolver's tendency to wear her politics on her sleeve; this is particularly evident in the second half of the novel, in which she uses her characters as mouthpieces to explicate the complicated and tragic history of the Belgian Congo.
Despite these weaknesses, Kingsolver's fully realized, three-dimensional characters make The Poisonwood Bible compelling, especially in the first half, when Nathan Price is still at the center of the action. And in her treatment of Africa and the Africans she is at her best, exhibiting the acute perception, moral engagement, and lyrical prose that have made her previous novels so successful. --Alix Wilber
(retrieved from Amazon Mon, 13 Sep 2010 00:15:02 -0400)
The tale of one family's tragic undoing and remarkable reconstruction over the course of three decades in post-colonial Africa. An evangelical minister discovers that everything--from garden seeds to Scripture--is transformed on African soil.
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