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Relic (Pendergast, Book 1) by Douglas…

Relic (Pendergast, Book 1) (original 1995; edition 1996)

by Douglas Preston, Lincoln Child

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3,7521011,388 (3.86)127
Title:Relic (Pendergast, Book 1)
Authors:Douglas Preston
Other authors:Lincoln Child
Info:Tor Books (1996), Mass Market Paperback, 480 pages
Collections:Your library
Tags:thriller, Pendergast, New York, 2012

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Relic by Douglas Preston (1995)


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English (91)  Spanish (3)  Dutch (3)  German (1)  French (1)  All (99)
Showing 1-5 of 91 (next | show all)
Preston and Child would have to rank as two of my favourite authors. How can you go past characters like Pendergast and D'Agosta?

I'm going to gradually make my way through the Pendergast series over the coming months, having bought most of them. The only uncertainty is whether or not I'll re-read Cemetery Dance and Still Life With Crows. ( )
  TysonAdams | Jun 20, 2017 |
I feel like I've heard amazing things about this series (though I couldn't tell you where)… But I can't say I'm impressed. Relic is a thriller, a sort-of mystery in which the murderer isn't going to be the butler or anyone else remotely as ordinary but something entirely Other. It's not a genre I ordinarily go in for, but since I've picked up an installment of the series here and there in various formats I thought I'd start at the beginning.

It didn't begin well. It opened with the sort of prologue that usually makes me sigh, this one in a South American jungle with an expedition going sideways and pear-shaped all at once. And then it picked up and dropped down in Manhattan, as bodies began to drop.

One question: How can you get ballistics on blood spatter? Because Preston & Child seemed to think that's a thing.

Some of the science and technology in the book seemed … kind of adorable. Originally published in 1995, you wouldn't think it would be quite as outdated as it was – but it really was. The information gained from the DNA analysis seemed pretty far-fetched. Can you really tell from reading the DNA how long a gestation period is, or whether a species' estrous cycle is suppressed? Or even the average weight of a given creature?

The storytelling was at times very nice. I made a note at one point: "What the hell happened to that guard?" He was placed in apparently imminent danger, and then … not mentioned again for long enough that I honestly started wondering if he'd been forgotten by the authors. And then, "Oh. There he is. Nicely done." But I have to say I was pretty surprised when what I assumed was the climax of the book came eight hours into a twelve-hour book. I don't think it's a spoiler to mention that in the midst of all the action there is substantial damage done to the museum and, of course, to a number of exhibits – and that hurt. Artifacts thousands of years old, smashed to bits for no good reason. That always hurts – more, in some cases, than character deaths do.

There's a fair amount of repetition in the style of writing. There were at least a couple of mentions of how the creature looked just like the little figurine from South America – and then someone who should know better asks "what does it look like?" And if the New York FBI agent had given the same directions to the SWAT team one more time I would have started swearing. The whole plot was a little predictable – although there was at least one death I didn't expect. At one point Pendergast murmured "not yet" to himself over and over as he waited for his shot … which was absolutely moronic given how often everyone stressed the creature's enhanced senses. He might as well have been yelling "Hey! Come kill me over here!"

It was such a shame that the old botanist told our heroes about the Mbwun legend, and then a few minutes later (audiobook time) the long-lost journal told almost the exact same story. There was no new revelation, no surprise, despite the fact that it was a first-hand account from someone who seemed to actually have experience of the terrible bargain the Kathoga tribe made. Nothing. The story of a bargain with the devil in which people have to eat their own children should not be boring, but, told for the second time in the space of a handful of chapters, it was.

I wasn't overwhelmed with excitement about the characters; they skirted the borders of cliché at times, with the irascible cop, the high-handed Fed who swanned through doing what he needed to, the scientists so focused on their jobs that they've forgotten about life, the journalist who … well, ditto, in his way. Margot not quite but almost escaped being a token Girl. I will say I grew to enjoy FBI agent Smithback, with his Southern gentility and complete disregard for anything trying to get in his way.

I wish the journalist in the group hadn't chosen to act like an idiot journalist at a really stupid time. It would have made so much more sense for him to be helpful and useful, and then capitalize on that later for a story. And were the mayor's fine words real, or because he just heard the reporter called out as such? I don't believe that was ever clarified – in this book, at least.

There was a sort of anti-sexism that surprised me, and kept surprising me – both in its usage and in how it affected how I absorbed the book: the redoubtable Miss Rickman is consistently referred to as just "Rickman". And almost every time, right up to the end, I kept thinking they were talking about a male character. Women just aren't often referred to by their last name alone (I think it happens to my brother all the time, but to me only once at one job, because there were two of us with my first name and the other one came first). What particularly made it odd was that Margot Green is consistently referred to as Margot, but Rickman is Rickman.

I know there are plenty of real examples of Evil Bureaucracy putting profit, pride, and publicity before public safety, and so on – but it gets old. They're never my favorite stories. They're not unrealistic – and maybe that's why they're not my favorites. I don't understand why, say, the directors of a museum would insist on proceeding with an exhibition opening when doing so might put thousands at grave risk. Or why an FBI agent in uncharted waters would fail to take heed of every concern, no matter who it came from, when thousands of lives were about to be at grave risk.

I think it would have been a lot of fun to have everything going on below the surface – the beast or whatever cornered and captured in the basements, everything fixed and solved by the heroes of the piece while the nasties celebrate uninterrupted above, and then the good guys showing up disheveled and blood-spattered and exhausted, maybe damaged – and triumphant.

The sound effects in the audiobook were incredibly obnoxious: echoes in the basement, a muffled overlay for someone on the phone or walkie, etc. Please. Don't. It was especially annoying because it was obviously meant to add a touch of realism – but something that could more naturally have added realism and urgency, a simple amping up of intensity in the narrator's voice in speed and timbre, didn't happen. Part of the climax was read as calmly and sedately as the places in which emails and computer readouts are read. The delivery of Smithbeck and his accent was enjoyable, though.

After a while, that extended climax began to feel like The Towering Inferno or The Poseidon Adventure or something, with several discrete groups struggling to survive against a force greater than they are, amounting to a disaster. It just kept going, and going, a difficult situation becoming almost impossible, becoming almost unsurvivable. On the whole, it wasn't entirely my cuppa. I think I will keep going with the series, though; there was enough there that gave me hope for later stories that no longer involve the plot points of this one and its immediate sequel. Anyhow, I own 'em – I'll probably get around to 'em. ( )
  Stewartry | Mar 27, 2017 |
First by the pair and one of the best ( )
  bensdad00 | Jan 10, 2017 |
A great audio book and story. The narration, sound effects, made this chilling action-packed tale a truly entertaining listen. I want to be set free to explore the sub-basement of the New York Natural History Museum. (Now that the creature is gone, of course). Looking forward to continuing this series (as soon as Audible comes back with it, not sure where it went since I purchased the first one from there). Pendergast was quite an interesting character. And with the ending left as it was, I can't just leave it there. ( )
  she_climber | Dec 20, 2016 |
One of the few thrillers I have enjoyed both on the page and on the screen. ( )
  tmusso | Nov 25, 2016 |
Showing 1-5 of 91 (next | show all)
En 1986, en plena selva amazónica, un grupo de científicos encuentra la talla de un enigmático dios adorado por una tribu de salvajes. El extraño ídolo es enviado a Nueva York, donde queda arrumbado en los sótanos de un enorme y antiguo museo. Poco después, los científicos son masacrados por los indígenas y todo el proyecto cae en el olvido. Sin embargo, con ocasión de una importante exposición, las sinuosas galerías y los vetustos subsuelos del museo se convierten en escenario de varios asesinatos horrendos e inexplicables... Un mundo de maldiciones y pesadillas ancestrales instalado en el corazón del Nueva York actual. The Relic ha sido adaptado al cine en una película del productor de Alien y del creador de los efectos especiales de Parque Jurásico.
added by Pakoniet | editLecturalia

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Author nameRoleType of authorWork?Status
Douglas Prestonprimary authorall editionscalculated
Child, Lincolnmain authorall editionsconfirmed
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To Charles Crumby - D.P.

To Luchie, who came along for the ride. And in memory of Nora and Gaga - L.C.
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At noon, the clouds clinging to the top of Cerro Gordo broke free and scattered.
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(Click to show. Warning: May contain spoilers.)
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Book description
Just days before a massive exhibition opens at the popular New York Museum of Natural History, visitors are being savagely murdered in the museum's dark hallways and secret rooms. Autopsies indicate that the killer cannot be human....

But the museum's directors plan to go ahead with a big bash to celebrate the new exhibition, in spite of the murders.

Museum researcher Margo Green must find out who--or what--is doing the killing But can she do it in time to stop the massacre?
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Days before a massive exhibition at the New York Museum of Natural History, visitors are being murdered. Autopsies indicate that the killer cannot be human. The museum's directors decide to go ahead with the bash in spite of the murders. Now museum researcher Margo Green must find out who or what is doing the killing. Does she have time to stop a massacre?… (more)

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