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Iris Murdoch: a life by Peter J. Conradi
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Iris Murdoch: a life (2001)

by Peter J. Conradi

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148473,618 (4.03)1 / 27
  1. 00
    From a Tiny Corner in the House of Fiction: Conversations With Iris Murdoch by Iris Murdoch (JuliaMaria)
    JuliaMaria: Dieses Buch enthält verschiedene Interviews, die im Laufe der Jahre mit Iris Murdoch geführt wurden und so einen guten Einblick in ihre Persönlichkeit und Hintergründe zu ihren Büchern gibt.
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Showing 4 of 4
Enjoying this bio tremendously so far. Not just a bio but gives a fair critique of her work for those who don't know her a good introduction. Not quite finished but extracts of her writing & journals are really inspiring me. I also had no clue she was bisexual.

Truly inspirational. ( )
  velvetink | Mar 31, 2013 |
Like many people, I watched the film Iris and wanted to know more about this fascinating author. This is an amazing biography and I am sure it will be the definite account of Iris Murdoch's life for some time. Because she was an extremely complex character the book is necessarily complex and in places difficult to read. (not from any failing on the part of the author, but because my brain needed to work a little harder than normal!)

It explores her books, her philosophy and her life in amazing detail, though is a little light on her relationships with other women. I suspect this is because it is the most controversial area of her life and the author knew and loved her. As an aspiring writer myself I love reading biographies of writers and this is one of the best plus I was immediately pre-disposed to like Murdoch as she spent some time with the author in my area and loved it's beauty as I do. ( )
  starryjen | Jul 13, 2010 |
Sometime in 1987, a review of Iris Murdoch’s latest novel, The Book and the Brotherhood, intrigued me. I started to read it, but could not get past the first fifty pages. This was even before the days of the “rule of 50.” A couple of months later, I was in the hospital for a few days, and I asked my then wife to bring me a couple of books from the table alongside my easy chair. She misheard me, and brought the wrong pile. The only one I had not read was the Murdoch. I decided to give it another try. I was awake all night, finishing it about 8:00 AM the next morning. Since then, I have loved her work, and I am making my way through all of her 26 published novels (about 16 to go!), although after this biography, I see that I missed so much in what I read, I think I will start over and go through all of them in order.

Her novels are complex in characters, plot, relationships, and philosophy, but they are worth every single second I spend with her. From this biography, I have learned many new vocabulary words, ideas, historical events, and philosophy. This incredibly detailed and documented biography of the great (-est?) 20th century British novelist does her justice – and then some. There are 60 pages of end notes, 10 pages of selected bibliography organized by chapter, Murdoch’s complete bibliography (5 pages), and an extremely detailed index that runs to 32 pages.

An example of the detail: at one point, Conradi mentions that when World War II broke out, Iris and some friends were evacuated from Oxford, and “Iris was painting a lot; many of her paintings of the time had ladders in them. One survives: a copy of Joyce’s Ulysses – the first UK edition came out in 1936 – lying by a blue pottery jar of coltsfoot” (112). He then endnotes this detail by quoting three letters Iris wrote mentioning the “coltsfoot” growing around the area. I can only presume this is some sort of plant – pity that wasn’t explained in a note! So, to my dictionary which explained this as, “Tussilara farfara, a plant with yellow, daisy-like flowers considered a weed, but used as a cough remedy. Named for the shape of its leaves.”

On another occasion, the author mentions a professor Iris admired, and then he describes photos of this professor’s mentors hanging in his office, their names, dates, what and where they taught (118). This was truly a labor of the utmost affection and respect. Conradi was a close friend of Iris and her husband John Bayley.

Much like Murdoch’s novels, there is a lot to learn here. I have learned so much about her personal life, I know I will have a better understanding of her novels. As I read (or re-read) each novel, I think I will copy the notes from the biography and keep them nearby.

Keep Latin, German, and French dictionaries handy, because not all phrases are translated. Some are explained, some evident from the context with even a smattering of these languages, but I had to puzzle out a least a third of these quotes (usually) from her letters and journals.

This might seem boring and dry, but it is anything but! Iris was a vivacious, funny, brilliant, clever, and popular woman at Oxford in the late 30s, during the war working for the British Treasury Department, at St. Anne’s in the 50s, and later the Royal College of Art. All this detail comes out in Conradi’s delightful prose. Maybe more that a reader could ever imagine about the life of Murdoch, but if you love her novels as much as I do, it is decidedly NOT too much.

I knew how it would end, since I read John Bayley’s Iris: an Elegy, but I could not help the emotional effect of her loss as I closed the book today. Five stars

--Chiron, 5/17/08 ( )
1 vote rmckeown | May 17, 2008 |
This is the definitive biography of my favourite author, Dame Iris Murdoch. ( )
1 vote mcshaw2 | Dec 6, 2007 |
Showing 4 of 4
Peter Conradi’s biography is an immensely long book, and it sometimes seems long as one reads it. The trouble is that the biographer has been almost smothered by the abundance of his sources. . . . He has written a good book but it presupposes a sturdy interest in Murdoch.
 
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Amazon.com Amazon.com Review (ISBN 0393048756, Hardcover)

Peter Conradi is literary executor of the estate of Iris Murdoch (1919-99) and was her close friend in the 1980s and '90s, so sensible readers will not expect this to be a warts-and-all biography of the distinguished novelist and philosopher. What they get instead is a warm, appreciative portrait focused on Murdoch's formative years: happy Anglo-Irish childhood; intellectual fulfillment at Oxford University, where she joined the Communist Party and formed many enduring friendships; a stint in the civil service and work with refugees during World War II; and the postwar decade, when she began to write the intellectually challenging yet wickedly entertaining novels that made her reputation. John Bayley movingly described his wife's struggle with Alzheimer's disease in Elegy for Iris, and Conradi wisely does not reiterate that material. He concentrates on recapturing the intense young woman who awed fellow students with her brains and enticed men with her blonde hair and generous figure, yet kept everyone at a slight distance, finding epistolary relationships more manageable than the tangled sexual intrigues her fiction explores so acutely. She had many affairs, including a painful one with expatriate (and married) European intellectual Elias Canetti, but marriage to Bayley in 1956 gave her the stability she needed; over the next 40 years she produced 25 steadily more assured and provocative novels, from Under the Net through A Severed Head and The Black Prince to The Green Knight. Conradi uses interviews and Murdoch's journals to good effect in a lengthy but readable text that illuminates the personal experiences that so intimately informed her fiction. --Wendy Smith

(retrieved from Amazon Mon, 14 Jan 2013 19:37:31 -0500)

(see all 3 descriptions)

Traces the life and career of the philosopher and novelist, from her student days at Oxford, through her marriage to John Bayley, to Murdoch's influence on literary England, from 1940 to the present day.

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