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Zorro: A Novel (P.S.) by Isabel Allende

Zorro: A Novel (P.S.) (original 2005; edition 2006)

by Isabel Allende

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2,609892,295 (3.59)125
Title:Zorro: A Novel (P.S.)
Authors:Isabel Allende
Info:Harper Perennial (2006), Edition: Rep Tra, Paperback, 416 pages
Collections:Your library

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Zorro: A Novel by Isabel Allende (2005)

  1. 30
    The Princess Bride by William Goldman (Alliebadger)
    Alliebadger: Both full of romance and adventure, and both fantastically written. Who doesn't love a daring swashbuckler?
  2. 20
    The Mark of Zorro by Johnston McCulley (jseger9000)
    jseger9000: McCulley created Zorro
  3. 10
    Daughter of Fortune by Isabel Allende (Alliebadger)
    Alliebadger: Both beautifully written, and Daughter of Fortune's Zorro references are hard to miss. :^)

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» See also 125 mentions

English (76)  Spanish (5)  Dutch (3)  French (1)  Italian (1)  Portuguese (Portugal) (1)  German (1)  Catalan (1)  All languages (89)
Showing 1-5 of 76 (next | show all)
It was fun, the writing was excellent and it made me want to read it without putting it down. I find much less to criticise about a book when that's the case. Some people seemed to have a problem with the fact that it was narrated by someone who is only revealed at the end and felt that it kept them distanced from the story and, most importantly, the action. I felt that it made it more personal. To each her own, I suppose. I thoroughly enjoyed it. ( )
  BuffyBarber | Jun 5, 2016 |
A well-written, fun read with lots of historical information about oppressed people, in this case Native Americans in California and Romani in Spain. We learn how Diego learned all the skills and acquired the deceptive dilettante appearance that make him Zorro---horseback riding from Romani, magic tricks from a ship's cook, sword-fighting from a fencing master who also belongs to a secret organization dedicated to justice, swinging from ropes as a ship's passenger---as he grows up in Spanish California and then travels to Spain while Napoleon is in power.

A quote:
We shall soon be saying good-bye, dear readers, since the story ends when the hero returns to where he began, transformed by his adventures and by obstacles overcome. This is the norm in epic narratives from the Odyssey to fairy tales, and I shall not be the one to attempt innovation. ( )
  raizel | Mar 14, 2016 |
This is a fine, romantic tale of the swashbuckling hero. It's a good read. But it's not the kind of literature I've come to expect from Allende. The date noted is when my book club read it; another book club has chosen it for our January 2009 selection - I'm not sure I'll re-read it. ( )
  BookConcierge | Feb 13, 2016 |
Fun book to read that tells the story of a young Zorro. There are multiple locations involved, as well as historical settings that kept me interested. ( )
  Pmaurer | Feb 2, 2016 |
I got the feeling while reading this book that Allende was intimidated by the character of Zorro and she kept skirting around him, spending her time instead building the characters and world that shaped Diego de la Vega and inspired Zorro. At other times I felt like she was too wrapped up in paying homage to Douglas Fairbanks and it seemed like she tried to merge the Black Pirate (1926) and the Mark of Zorro (1920) into one timeline/one character. The first 200 hundred pages take too long to get into the action. By the time Zorro had emerged I was ready for the book to be over. ( )
  pussreboots | Oct 25, 2014 |
Showing 1-5 of 76 (next | show all)
This hard-charging style, nicely captured by Margaret Sayers Peden's translation, is one of Allende's strengths: she dashes off long, sweeping paragraphs that dance with energy. Her prose is casually sensuous (''power was passed from hand to hand like a coin''), and her characters are large and archetypal, cut from mythic patterns. Mischievous Don Diego, the future Zorro, and his ''milk brother,'' Bernardo, move through the California landscape like Western versions of Tom and Huck.
added by SimoneA | editNew York Times, Max Byrd (May 15, 2005)
…Allende wants to have some fun, and in this she succeeds with a variety of spunk and good cheer.

…I am amazed at how enjoyable a picaresque novel can be, particularly one imbued with swashbuckling, swordplay, honor, hidden desire, unlikely coincidence and a good old-fashioned villain. Such elements are a reminder of the attractions of one of the main strains of world literature that starts with Don Quixote.

…the book has plenty of what Hollywood would call non-stop action, and this is told with a pleasure so keen on the author's part that it's difficult not to be swept up in it.

Reckless, unstable, attention-seeking, hysterical, sexually provocative, given to histrionic gestures, and with at least a split, dual or possibly even a multiple personality, Zorro is the archetypal neurotic-as-hero. He also wears a mask. Obviously, out in the real world, you'd lock him up and throw away the key. On the page, though, he's absolutely irresistible.

The story of Diego de la Vega, the son of an aristocratic Spanish landowner and a Native American Shoshone warrior, who becomes Zorro while traveling the world with his dependable sidekick Bernardo, is clearly a perfect fit for the author of The House of the Spirits and The Stories of Eva Luna.


» Add other authors (15 possible)

Author nameRoleType of authorWork?Status
Isabel Allendeprimary authorall editionsconfirmed
Peden, Margaret SayersTranslatorsecondary authorsome editionsconfirmed
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This is the story of Diego de la Vega and of how he became the legendary Zorro.
Let us begin at the beginning, at an event without which Diego de la Vega would not have been born.
„Didvyriškumas – nedėkingas amatas, dažniausiai lemiantis ankstyvą žūtį, todėl vilioja fanatikus arba, liguistai besižavinčius mirtimi.“; „Indėnai negalėjo suvokti, kodėl baltieji garbina ant kryžiaus nukankintą žmogų ir kodėl reikia atsižadėti malonumų šiame pasaulyje dėl tariamo gėrio kitame.“;
„ kaip tai gali atsitikti, kad jį, tokį menkystą, mylinti pati gražiausia pasaulio mergina, ir ji atsakė nežinanti, jog moteris sunku suprasti. Paskiau, šelmiškai mirktelėjusi, pridūrė, kad bet kuri moteris įsimylėtų vien tik su ją kalbantį vyrą.“; „Vaikystė – nelaimingas laikotarpis, pilnas nepagrįstų baimių, tokių kaip įsivaizduojamų pabaisų ir pajuokos baimės.“;
„Širdis – užgaidi, kartais staigiai persimaino, tačiau švelni seseriška meilė visada pastovi.“;

„Esu girdėjusi, kad kai kurie išradėjai svajoja sukurti rašymo aparatą, tačiau, mano įsitikinimu, toks keistas išradimas niekada nesulauks pasisekimo. Kai kurių rūšių neįmanoma mechanizuoti, nes joms reikia meilės, o rašymas yra viena jų.“;
„Meilė - tai tokia būklė, kurioje paprastai vyrams aptemsta protas, bet tai nepavojinga, apskritai pakanka to, kad ligoniui būtų atliepta, tuomet jis atsipeikėja ir ima žvalgytis kitos aukos.“; „Atmintis silpna ir aikštinga, kiekvienas žmogus prisimena ir pamišta tai, ką nori. Praeitis – tai storas sąsiuvinis, kuriame užsirašome gyvenimo įvykius rašalu, atitinkančiu dvasios būseną.“
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Amazon.com Product Description (ISBN 0060779004, Paperback)

A child of two worlds -- the son of an aristocratic Spanish military man turned landowner and a Shoshone warrior woman -- young Diego de la Vega cannot silently bear the brutal injustices visited upon the helpless in late-eighteenth-century California. And so a great hero is born -- skilled in athleticism and dazzling swordplay, his persona formed between the Old World and the New -- the legend known as Zorro.

(retrieved from Amazon Thu, 12 Mar 2015 18:07:03 -0400)

(see all 5 descriptions)

Diego de la Vega, the son of an aristocratic Spanish landowner and a Shoshone mother, returns to California from school in Spain to reclaim the hacienda on which he was raised and to seek justice for the weak and helpless.

(summary from another edition)

» see all 8 descriptions

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