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Loading... A Canticle for Leibowitz (original 1959; edition 2006)▾LibraryThing recommendations ▾Will you like it?
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| Dedication |
a dedication is only a scratch where it itches - for ANNE, then in whose bosom RACHEL lies muselike guiding my clumsy song and giggling between the lines - with blessings, Lass W  | |
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Brother Francis Gerard of Utah might never have discovered the blessed documents, had it not been for the pilgrim with girded loins who appeared during that young novice's Lenten fast in the desert.  | |
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There were spaceships again in that century, and the ships were manned by fuzzy impossibilities that walked on two legs and sprouted tufts of hair in unlikely anatomical regions. They were a garrulous kind. They belonged to a race quite capable of admiring its own image in a mirror, and equally capable of cutting its own throat before the alter of some tribal god, such as the deity of Daily Shaving. It was a species which often considered itself to be, basically, a race of divinely inspired tool makers; any intelligent entity from Arcturus would instantly have perceived them to be, basically, a race of impassioned after-dinner speechmakers.  “The closer men came to perfecting for themselves a paradise, the more impatient they seemed to become with it, and with themselves as well. They made a garden of pleasure, and became progressively more miserable with it as it grew into richness and power and beauty; for then, perhaps, it was easier for them to see that something was missing in the garden, some tree or shrub that would not grow. When the world was in darkness and wretchedness, it could believe in perfection and yearn for it. But when the world became bright with reason and riches, it began to sense the narrowness of the needle’s eye, and that rankled for a world no longer willing to believe or yearn. Well, they were going to destroy it again, were they-this garden Earth, civilized and knowing, to be torn apart again that Man might hope again in wretched darkness.” (page 285)  | |
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A wind came across the ocean, sweeping with it a pall of fine white ash. The ash fell into the sea and into the breakers. The breakers washed dead shrimp ashore with the drifwood. Then they washed up the whiting. The shark swam out to his deepest waters and brooded in the cold clean currents. He was very hungry that season. (Click to show. Warning: May contain spoilers.) | |
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Miller published a short story in 1955 with this title. Please do not combine the novel with the short story.  | |
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▾References References to this work on external resources. Wikipedia in English (2)
▾LibraryThing members' description
| Book description |
Set in a Catholic monastery in the desert of the southwestern United States after a devastating nuclear war, the story spans thousands of years as civilization rebuilds itself. The monks of the fictional Albertian Order of Leibowitz take up the mission of preserving the surviving remnants of man's scientific knowledge until the day the outside world is again ready for it.  | |
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▾Book descriptions Amazon.com Amazon.com Review (ISBN 0060892994, Paperback)
Walter M. Miller's acclaimed SF classic A Canticle for Leibowitz opens with the accidental excavation of a holy artifact: a creased, brittle memo scrawled by the hand of the blessed Saint Leibowitz, that reads: "Pound pastrami, can kraut, six bagels--bring home for Emma." To the Brothers of Saint Leibowitz, this sacred shopping list penned by an obscure, 20th-century engineer is a symbol of hope from the distant past, from before the Simplification, the fiery atomic holocaust that plunged the earth into darkness and ignorance. As 1984 cautioned against Stalinism, so 1959's A Canticle for Leibowitz warns of the threat and implications of nuclear annihilation. Following a cloister of monks in their Utah abbey over some six or seven hundred years, the funny but bleak Canticle tackles the sociological and religious implications of the cyclical rise and fall of civilization, questioning whether humanity can hope for more than repeating its own history. Divided into three sections-- Fiat Homo (Let There Be Man), Fiat Lux (Let There Be Light), and Fiat Voluntas Tua (Thy Will Be Done)-- Canticle is steeped in Catholicism and Latin, exploring the fascinating, seemingly capricious process of how and why a person is canonized. --Paul Hughes
(retrieved from Amazon Wed, 02 Jan 2013 14:26:03 -0500) (see all 7 descriptions) ▾Library descriptions A masterful achievement that ranks with Brave New World and 1984, this mesmerizing tale of the terrible aftermath of nuclear war has captivated generations of readers since its first publication in 1959. (summary from another edition) » see all 5 descriptions
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The novel takes place in three parts, all revolving around a Catholic abbey somewhere in the deserts of the American south-west many centuries after a nuclear war. The first is about 600 years later and roughly corresponds to the Dark Ages; the second is about 1,200 years later and roughly corresponds to the Renaissance; the third is about 1,800 years later and has the nations of mankind once again threatening each other with nuclear war.
I was surprised, given that I’d assumed this was a novel with literary pretensions, by Miller’s style of writing. I mean, it does have literary pretensions, but that’s exactly what they are – pretensions. He reminded me of his fellow mid-century science fiction writer, Robert Heinlein, in that his writing was littered with a weirdly comic sense of humour among ostensibly serious subjects, and that he occasionally got a little preachy. Much of the third act, for example, revolves around a battle of wills between the abbot and a government doctor tasked with euthanising people suffering from terminal radiation sickness. I don’t know if Miller was himself Catholic – not that it should matter, since the character is – but the section is told from the abbot’s point of view and, while certainly not verging on Heinlein levels of preachiness, doesn’t quite do a fair and balanced job of presenting the opposite opinion.
I actually enjoyed that segment nonetheless, though, because it was the first part of the book that seemed to touch on anything weighty. The novel is saturated in Catholicism, but it’s mostly skin-deep references. I was expecting such a well-regarded book to tackle big subjects like faith, nuclear war and the struggle between religion and science a little more skillfully. Instead, I was mostly left wondering what Miller was trying to accomplish.
Overall, though, the problem I mostly had with A Canticle for Leibowitz was that it was dull. Miller is a wordy writer and doesn’t create particularly memorable characters – not helped by the fact the novel is really just three novellas, introducing a new set of characters each time. Nor is his imagined world of the future very interesting, existing mostly to serve the morals and allegories of the plot, mirroring fairly obvious stages in real history – and it shouldn’t take 338 pages to spell out the tired old axiom that history repeats itself. A Canticle for Leibowitz may be considered a science fiction classic, but my advice is to skip it. (