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Iron Council by China Mieville
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Iron Council

by China Mieville

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1,392282,217 (3.64)28
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After reading this, the last of Mieville's trio of Bas Lag novels, I have to say I was a bit disappointed. Iron Council is definitely my least favorite of the three, despite (or perhaps because of) being the most overtly political. Perhaps because of the focus on revolution, I felt the characters of this novel were much less interesting then the previous two. Unlike Isaac or Bellis, I never really connected with or identified with Cutter, Ori, Ann Hari or any other person or felt drawn into their conflicts (which I was completely with Perdido Street Station and the Scar). In particular, I felt the character of Judah to be fairly bland and I admit to being a bit bored with him and the whole Iron Council saga that took up a majority of the middle of the novel.
However, Mieville does continue with his unique brand of world building, making the blend of a corrupt industrial-magical society seem not only completely alien but also very real, from the bizarre Cacotopic Stain to the various neighborhoods of New Crobozon.
I also liked that, as in his previous novels, there is a bit of genre blending taking place in Bas Lag, which I find interesting. Perdido Street Station, for instance mixed a lot of horror and some noir into its fantasy while the Scar was very much a swashbuckling adventure story. In Iron Council, there is some definite Western stylings showing up, though the extra genre is a little less evident then in previous Bas Lag stories.
In conclusion, I felt that Iron Council was a bit slow moving with comparatively undeveloped characters, though I enjoyed this last exploration of the world of Bas Lag and particularly, the city of New Crobozon and continues with Mieville's brand of genre blending. ( )
Spoonbridge | Apr 8, 2009 | 2 vote
The author's biography should inspire one to read this...a book which defines genre...yea ( )
Dakoty | Mar 22, 2009 |  
A Book I really wanted to like - but didn't particularly. ( )
jonathon.hodge | Feb 28, 2009 | 1 vote
Winner of Arthur C. Clarke for Best Novel, Hugo and World Fantasy nominee for Best Novel; this third book set in Bas Lag combines fantasy, sci-fi, and western genres in a dark, dystopian mix. The city-state of New Crobuzon is in turmoil, at war with Tesh, and insurrection blossoms as the Collective takes over a number of districts. A small party sets out to find the Iron Council, an utopian group of races and Remade convicts who 20 years earlier took over a train on a new route across unexplored lands. As the Iron Council makes its way back to the city, the militia regains control and waits to crush the Iron Council and the dreams of freedom and equality it represents for the oppressed citizens of New Crobuzon. Explicit language, graphic violence, sex, including homosexual intercourse, and drug use.
chosler | Nov 20, 2008 |  
Mieville (no I am not bothering with the stupid accent) seems to have come down with an unfortunate case of Magic ex machina this time around. Perhaps he was bitten by a rabid Steven Erickson? Especially over the last 100 or so pages where you've got, in no particular order, elementals, golems, and magical information monks. Irritating as hell the way the book ends. But also throughout the book, where you get hit over the head with more weird races, creatures, malignant eruptions of hell on earth than anything this side of CS Lewis. Add to that there being a fair bit of his Neo-Trotskyite political beliefs leaking in, at times it felt like being whipsawed between, oh I dunno, an episode of Yu-gi-Oh and a copy of Foreign Affairs magazine.

Yet for all that, all that other stuff he does he does very well indeed. Bas Lag is a truly original world, New Crobuzon almost a real place by itself, and in all honesty, despite what others seem to be saying, characters that I thought all worked quite well.

As an absoultely worthless aside: i started having these weird thoughts of Iron Council as the anti-Atlas Shrugged. Granted the analogy isn't perfect, but you've got your band of savagely suppressed socialists hijacking a train and nipping off for parts unknown. Look at it a certain way and all that was needed was a fifty page speech starting off, "This is Judah Low speaking." Sorry, but I couldn't resist. ( )
worldsedge | Nov 12, 2008 |  
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Series (with order)
Canonical Title
Original publication date
People/Characters
Important places
Important events
Awards and honors
Epigraph
'Erect portable moving monuments on the platforms of trains.' Velimir Khlebnikov, Proposals
Dedication
To Jemima, my sister
First words
In years gone, women and men are cutting a line across the dirtland and dragging history with them.
Quotations
Last words
Disambiguation notice
Publisher's editors
Blurbers
Book description

Amazon.com (ISBN 0345458427, Paperback)

China Miéville's novel Iron Council is the tumultuous story of the "Perpetual Train." Born from monopolists' greed and dispatched to tame the western lands beyond New Crobuzon, the train is itself the beginnings of an Iron Council formed in the fire of frontier revolt against the railroad's masters. From the wilderness, the legend of Iron Council becomes the spark uniting the oppressed and brings barricades to the streets of faraway New Crobuzon. The sprawling tale is told through the past-and-present eyes of three characters. The first is Cutter, a heartsick subversive who follows his lover, the messianic Judah Low, on a quest to return to the Iron Council hidden in the western wilds. The second is Judah himself, an erstwhile railroad scout who has become the iconic golem-wielding hero of Iron Council's uprising at the end of the tracks. And the third is Ori, a young revolutionary on the streets of New Crobuzon, whose anger leads him into a militant wing of the underground, plotting anarchy and mayhem.

Miéville (The Scar, Perdido Street Station) weaves his epic out of familiar and heavily political themes--imperialism, fascism, conquest, and Marxism--all seen through a darkly cast funhouse mirror wherein even language is distorted and made beautifully grotesque. Improbably evoking Jack London and Victor Hugo, Iron Council is a twisted frontier fable cleverly combined with a powerful parable of Marxist revolution that continues Miéville's macabre remaking of the fantasy genre. --Jeremy Pugh

(retrieved from Amazon Fri, 24 Apr 2009 07:58:02 -0400)

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