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Loading... The Forgery of Venus: A Novelby Michael Gruber
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will love Sign up for LibraryThing to find out whether you'll like this book. I have read a number of Gruber's books and have found them quite engaging. This book, however, was a real challenge to read. It was way too convoluted. Needed a good editor. ( )This review refers to an unabridged audio edition of the book. I found this in my library right before a recent trip, and thought it sounded like something I would love...art, history, intrigue. My trip was approximately 12 hours of driving, and I am afraid that this book made it seem twice as long. What a disappointment. No character in this book engaged me. I didn't like them, I didn't dislike them...I just didn't care about them, or what happened to them. I felt the author just repeated the same passages in slightly different settings over and over (and over) again. Even the historical flashbacks to another painter in another time were disappointing. I did not feel transported, and I did not feel that I learned anything about the time period. Interestingly, when I clicked on "will I like this book" on LibraryThing, it suggested that, "yes, you will love it." My general reading interests completely fit the profile of someone who would, indeed, enjoy this book. Obviously, profiling has its limits. Drugged artist spends half his time in 18thC Spain. What is reality? How did he “win”? Michael Gruber is one of those rare writers who do not hesitate to surprise the reader with some strange and unexpected twist: the ingenious Book of Air and Shadows had an Olympian weight lifter as the hero of a delicate literary mystery. This novel concerns a priceless and newly discovered Velazquez Venus which is both a forgery, since it is painted by 21st Century artist Chaz Wilmot, yet not a forgery, since at the time of painting the artist was possessed by the spirit of Velazquez. Not quite as good perhaps as its predecessor but never-the-less The Forgery of Venus is an educated, informative, intriguing and interesting literary novel. Michael Gruber is one of my favorite authors, and I think I've read all of his novels at this point.. This one is about the world of artists and forgers, but the central question is whether the main character is mad (always an intriguing question). I found the information about the art world somewhat too detailed at times, but as the story progressed and the main character's dilemma came into focus, the difficulty of determining which of his experiences were real became quite a scary proposition to contemplate. no reviews | add a review
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Chaz Wilmot is a painter born outside his time. He possesses a virtuosic command of the techniques of the old masters. He can paint like Leonardo, Goya, Gainsborough—artists whose works sell for millions—but this style of painting is no longer popular, and he refuses to shape his talent to fit the fashion of the day. So Wilmot makes his living cranking out parodies for ads and magazine covers. A break comes when an art dealer obtains for him a commission to restore a Venetian palace fresco by the eighteenth-century master Tiepolo, for a disreputable Italian businessman. Once there, Wilmot discovers that it is not a restoration but a re-creation, indeed a forgery. At first skeptical of the job, he then throws himself into the creative challenge and does the job brilliantly. No one can tell the modern work from something done more than two hundred years ago.
This feat attracts the attention of Werner Krebs, an art dealer with a dark past and shadier present who becomes Wilmot's friend and patron. Wilmot is suddenly working with a fervor he hasn't felt in years, but his burst of creative activity is accompanied by strange interludes: Without warning, he finds himself reliving moments from his past—not as memories but as if they are happening all over again. Soon, it is no longer his own past he's revisiting; he believes he can travel back to the seventeenth century, where he lived as the Spanish artist Diego Rodríguez de Silva Velázquez, one of the most famous painters in history. Wilmot begins to fantasize that as Velázquez, he has created a masterpiece, a stunning portrait of a nude. When the painting actually turns up, he doesn't know if he painted it or if he imagined the whole thing.
Little by little, Wilmot enters a mirror house of illusions and hallucinations that propels him into a secret world of gangsters, greed, and murder, with his mystery patron at the center of it all, either as the mastermind behind a plot to forge a painting worth hundreds of millions, or as the man who will save Wilmot from obscurity and madness.
In Chaz Wilmot, we meet the rarest breed of literary hero, one for whom the reader feels almost personally responsible. By turns brutally honest and self-deceptive, scornful of the world while yearning to make his mark on it, Wilmot comes astonishingly alive for the reader, and his perilous journey toward the truth becomes our own.
The Forgery of Venus, a blend of erudition, unflagging narrative brio, and emotional depth, brings us inexorably toward the intersection where genius and insanity collide. Miraculously inventive, this book cements Gruber's reputation as one of the most imaginative and gifted writers of our time.
(retrieved from Amazon Fri, 24 Apr 2009 07:58:04 -0400)
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