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Death of a Salesman by Arthur Miller
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Death of a Salesman

by Arthur Miller

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Willie Loman is a salesman. He travels more than he'd like. He doesn't do as well as he'd wish. He's generally disappointed with his life. When his sons visit for a few days, Willie slips into a reminiscent mode, in which he relives past events, and spends a lot of time talking with his recently deceased older brother.

This concerns the Lomans, and they try to help. But at the same time, Willy's two sons learn a lot about their father from his flashbacks. Some things good, but other things bad.

The play itself is masterfully written by Arthur Miller, playwright of other notable works, including The Crucible and All My Sons. Miller masterfully paints a picture of a salesman, down on his luck, dissatisfied with life, and at the end of his rope, resorting to crazy (both highly irrational and legitimately insane) means to cope with his wasted life.

The play is both beautiful and tragic, wonderful and horrible, showing the dichotomy of visceral real life. Showing you a world that's too real, and too sad. Showing you a world that makes you glad it's not happening to you.

If you enjoy dramatic writings, then you must read Death of a Salesman. If you read it in school and HATED it, then you MUST reread it. Don't worry about extracting and dissecting during your reading. Enjoy, let yourself get wrapped up in its words. But don't get in too deep. Be careful not to get in too deep. ( )
  aethercowboy | Nov 30, 2009 |
This is my second experience of reading Arthur Miller (I've never seen him in performance, alas), and though Death of a Salesman lacks the emotional punch of The Crucible, it's still pretty dang good. Willie Loman is one of those people I can't help but empathize with, as he throws himself into his work to the utmost extent. Shame he's got two lackadaisical sons, and shame even more that it appears to be his fault. The flashbacks are confusing on the written page, but I'd imagine they'd look pretty good on stage. A damning indictment of the principles by which I sometimes feel I live my own life.

I was struck by the closeness of the ending to some aspects of It's a Wonderful Life, which came out only three years before this, and though the two very obviously have different tones, I can't help but think there's something in that. Death of a Salesman attacks the very principles upon which that film rests; furthermore, it attacks the entire 1950s before they even happened, which is both clever and depressing.
  Stevil2001 | Aug 19, 2009 |
One of the best American dramas.
  msbjr6 | Jun 9, 2009 |
"And now, I get here, and I don't know what to do with myself. I've always made a point of not wasting my life, and everytime I come back here I know that all I've done is to waste my life."

Arthur Miller's 1949 drama basically revolves around the American dream of a father who makes many mental errors that lead to his downfall.

The inner life of the father, Willy, is presented by the use of monologues in his head. He is a washed up salesman that does not realize it, and tries to rub off his overwhelming cockiness on his two sons.

Biff, one of his sons, transforms from a cocky, young football player into a doubtful, young man. Biff understands the reality of life through the falseness of the American dream, which ultimately, destroys his father who is living a virtual American dream. If Biff had listened to his father his whole life, he would still just be a cocky, young football player. Instead Biff realizes what a ridiculous lie his life has been!

He realizes he does not want to follow in his father's footsteps and become a washed up salesman. Biff just wants to live a normal life where Willy is not pressuring him about everything. Willy is one of those fathers who think their child is the greatest at everything no matter what. That is good in some cases, but not when Willy sets unrealistic goals for his child.

This drama portrays how many parents treat their children. Most parents try to push their children, but some go over the line, as seen in this drama. But what Willy has truly failed in is his family life and his married life. That is the corruption of the true American dream.

The theme of this drama is seen in the mental approaches Willy has in his life. You have to think about what you say to certain individuals and spot errors. Could Willy Lomans downfall have been avoided or not?

This drama has a tragic but far-fetched ending that puts a twist on the entire novel. Willy does something drastic, which he thinks is best for his children. We will leave that for you to decide if this decision was the best one he could have made.

Book Details:

Title Death of a Salesman
Author Arthur Miller
Reviewed By Purplycookie ( )
  | Apr 10, 2009 | edit | |
a classic play not my fav. ( )
  TakeItOrLeaveIt | Feb 21, 2009 |
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Epigraph
Dedication
First words
A melody is heard, played upon a flute.
Quotations
You don't understand: Willy was a salesman. And for a salesman, there is no rock bottom to the life... He's a man way out there in the blue, riding on a smile and a shoeshine. And when they start not smiling back - that's an earthquake.
He's liked, but he's not well liked.
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
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Wikipedia in English

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Book description

Amazon.com (ISBN 0140481346, Paperback)

Arthur Miller's 1949 Death of a Salesman has sold 11 million copies, and Willy Loman didn't make all those sales on a smile and a shoeshine. This play is the genuine article--it's got the goods on the human condition, all packed into a day in the life of one self-deluded, self-promoting, self-defeating soul. It's a sturdy bridge between kitchen-sink realism and spectral abstraction, the facts of particular hard times and universal themes. As Christopher Bigsby's mildly interesting afterword in this 50th-anniversary edition points out (as does Miller in his memoir, Timebends), Willy is closely based on the playwright's sad, absurd salesman uncle, Manny. But of course Miller made Manny into Everyman, and gave him the name of the crime commissioner Lohmann in Fritz Lang's angst-ridden 1932 Nazi parable, The Testament of Dr. Mabuse.

The tragedy of Loman the all-American dreamer and loser works eternally, on the page as on the stage. A lot of plays made history around 1949, but none have stepped out of history into the classic canon as Salesman has. Great as it was, Tennessee Williams's work can't be revived as vividly as this play still is, all over the world. (This edition has edifying pictures of Lee J. Cobb's 1949 and Brian Dennehy's 1999 performances.) It connects Aristotle, The Great Gatsby, On the Waterfront, David Mamet, and the archetypal American movie antihero. It even transcends its author's tragic flaw of pious preachiness (which undoes his snoozy The Crucible, unfortunately his most-produced play).

No doubt you've seen Willy Loman's story at least once. It's still worth reading. --Tim Appelo

(retrieved from Amazon Fri, 24 Apr 2009 07:58:09 -0400)

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