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Loading... Good Masters! Sweet Ladies!: Voices from a Medieval Village (2007)by Laura Amy Schlitz
What an odd assortment of really great ideas, a whole curriculum really, on the medieval days, combined with a drama that a whole class can perform, and some great illustrations. The only thing marring this from being perfect is the writing which tries to be poetry and fails. ( )Series of dramatic poems from the point of view of young adults in a medieval village. I enjoyed them quite a bit, although I felt in several poems that Schlitz was projecting a very modern point of view onto her characters. (Feb. 2008) I realized recently that I've gotten out of touch with children's books in recent years, so I decided my new project would be reading the Newbery Medal and Honor Books in reverse order, starting with this year's winners. After just the first book, I knew this had been a good idea. The author teaches in what sounds like a really neat school, where the kids were studying the Middle Ages. She wrote these dramatic monologues (a few are parallel monologues for two actors) featuring the young inhabitants of a medieval village, so that each child could be the star of a playlet. The book also includes sidenotes and occasional two-page essays on aspects of medieval life. Schlitz doesn't sugarcoat some of the more repellent features of the Middle Ages, but her characters have a universality that would help young readers and actors see what they and the medieval young people have in common. This was a really good choice for the medal, and different when compared to the usual novel or occasional non-fiction title. Although, in theory, illustrations are not considered as part of the judging process (there's the Caldecott Medal for that), Robert Byrd's illustrations are an integral part of this book and have a lovely medieval feel to them. I would recommend this for teachers, home-schoolers, and anyone old or young who's interested in the period. I'll probably get comments from strangers on this, demanding I explain myself. I don't think this should have gotten the Newbery medal. I know I've ranted about the Newbery committee in the past, how they pick feel-good books with more emotional growth than plot development. And I know that the Newbery medal is for excellence in writing in children's books, not for engrossing material that kids will eat up with spoons. But they consistently choose books with more adult appeal than kid-appeal, books that well-meaning adults praise as "brilliant" or "insightful" while the intended audience (kids) is bored silly, and this is another of those books. It's a good book, well-researched and presented in an engaging manner. The monologues and dialogues are a good way to introduce kids to medieval history. This isn't a book kids are going to stumble on and pick up as a pleasure read. It practically has "SCHOOL" written all over it. I think it's an excellent book to have in a school curriculum, and when the kids encounter it in history class, they'll really enjoy it. It is fairly dynamic, not the usual boring presentation of facts. The writing is mostly okay--inconsistencies in style can be chalked up to different characters having different voices, but it's still jarring to have five or six voices in a row be in virtually indistinguishable verse, then switch to prose for one, then to rhyming verse. The sections in verse are a little clumsy; a stanza or two will be in a strict, regular iambic quadrameter, and then there's a line that's too short or too long, or stressed or unstressed in all the wrong places. It wouldn't trip the ear if not for the regularity of the rhythm preceding it. Overall impressions: great book for school unit on medieval history. Excellent choice for facilitating class discussions, or for sparking an interest in further research in motivated students. Few kids will pick this up on their own, and for the ones that do, the uneven writing will discourage several from finishing. 3.5 stars, if I could. A lovely collection of monologues that tell the human stories of young people living in a 13th century medieval village -- the Half Wit, the Knight's son, the Varlet's daughter, etc. Each compelling in its own right, they merge to form something larger than the sum of the parts. Beautifully illustrated, beautifully written, a book to be savored and re-read by adults and teens alike. The collection is reminiscent of Edgar Lee Masters' "Spoon River Anthology."
Schlitz (The Hero Schliemann) wrote these 22 brief monologues to be performed by students at the school where she is a librarian; here, bolstered by lively asides and unobtrusive notes, and illuminated by Byrd's (Leonard, Beautiful Dreamer) stunningly atmospheric watercolors, they bring to life a prototypical English village in 1255. Adopting both prose and verse, the speakers, all young, range from the half-wit to the lord's daughter, who explains her privileged status as the will of God. The doctor's son shows off his skills ("Ordinary sores/ Will heal with comfrey, or the white of an egg,/ An eel skin takes the cramping from a leg"); a runaway villein (whose life belongs to the lord of his manor) hopes for freedom after a year and a day in the village, if only he can calculate the passage of time; an eel-catcher describes her rough infancy: her "starving poor [father] took me up to drown in a bucket of water." (He relents at the sight of her "wee fingers" grasping at the sides of the bucket.) Byrd, basing his work on a 13th-century German manuscript, supplies the first page of each speaker's text with a tone-on-tone patterned border overset with a square miniature. Larger watercolors, some with more intricate borders, accompany explanatory text for added verve. The artist does not channel a medieval style; rather, he mutes his palette and angles some lines to hint at the period, but his use of cross-hatching and his mostly realistic renderings specifically welcome a contemporary readership. Ages 10-up. (Aug.) Copyright 2007 Reed Business Information Good Readers! Sweet Librarians! This delightfully unusual collection of monologues, dialogues, and poems presents the voices of various inhabitants of an English village in 1255—but this description does not begin to convey the life, humor, empathy, and drama that imbue every page. Not so slowly, but oh so surely (and slyly), the characters—Thomas, the doctor's son; Mogg, the villein's daughter; Lowdy, the varlet's child; Nelly, the sniggler; and eighteen more—mesmerize the reader with their stories and observations. Even Schlitz's marginal notes, in which she explains unfamiliar words and imparts fascinating tidbits, are written with panache. (A varlet, by the way, means scoundrel today, but was a word used for a man who looked after animals in the Middle Ages; a sniggler is a person who fished for eels by dangling bait in their riverbank holes.) Schlitz packs more plot in these interconnected vignettes than can be found in many novels. Sometimes she does it with rhyme that is sophisticated yet accessible (Thomas the doctor's son begins, "My father is the noble lord's physician/And I am bound to carry on tradition"). Sometimes she does it in prose (Nelly the sniggler describes eels as "Fresher than the day they were born—and fat as priests"). She presents, in tandem, the musings of Jacob ben Salomon, the moneylender's son, and Petronella, the merchant's daughter, as they breach the divide between Jews and Christians by skipping stones with each other across a stream. The vignettes are supplemented by several two-page sidebars on issues such as Jews in medieval society, falconry, medieval pilgrims, and more. Byrd's colorful pen-and-ink drawingsreflect the style of a thirteenth-century illuminated manuscript, greatly enhancing the reader's experience of this remarkable book. Schlitz takes the breath away with unabashed excellence in every direction. This wonderfully designed and produced volume contains 17 monologues for readers ten to 15, each in the voice of a character from an English town in 1255. Some are in verse; some in prose; all are interconnected. The language is rich, sinewy, romantic and plainspoken. Readers will immediately cotton to Taggot, the blacksmith's daughter, who is big and strong and plain, and is undone by the sprig of hawthorn a lord's nephew leaves on her anvil. Isobel the lord's daughter doesn't understand why the peasants throw mud at her silks, but readers will: Barbary, exhausted from caring for the baby twins with her stepmother who is pregnant again, flings the muck in frustration. Two sisters speak in tandem, as do a Jew and a Christian, who marvel in parallel at their joy in skipping stones on water. Double-page spreads called "A little background" offer lively information about falconry, The Crusades, pilgrimages and the like. Byrd's watercolor-and-ink pictures add lovely texture and evoke medieval illustration without aping it. Brilliant in every way. (foreword, bibliography) (Nonfiction. 10-15)
References to this work on external resources.
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