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It's Fine By Me by Per Petterson

It's Fine By Me (original 1992; edition 2012)

by Per Petterson, Don Bartlett (Translator)

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1841464,254 (3.74)4
Title:It's Fine By Me
Authors:Per Petterson
Other authors:Don Bartlett (Translator)
Info:Greywolf Press
Collections:Your library
Tags:Norway, coming-of-age

Work details

It's Fine By Me by Per Petterson (1992)

  1. 10
    Saturday Night and Sunday Morning by Alan Sillitoe (browner56)
    browner56: Superbly written character studies of two working class young men who experience the alienation and anger that come with growing up.
  2. 00
    Beatles by Lars Saabye Christensen (rrmmff2000)
    rrmmff2000: Both tremendously evokative accounts of working class boys growing up in Vietnam era Oslo.

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English (11)  Norwegian (1)  Danish (1)  All (13)
Showing 1-5 of 11 (next | show all)
Basically I was wrong about thinking this an inferior work by Per Petterson. It was simply not what I like to read, but it was very well-written and well worth my time. There is much to like about this book and anything I might have to say about it would ruin the experience for somebody else so inclined to read it. But whatever anyone decides to do is fine by me. ( )
  MSarki | Jan 24, 2015 |
As is true of most of Petterson’s novels, not a lot happens on the surface – it’s the inner life of his characters that provides depth. In this back catalogue release, we meet Audun Sletten, a troubled teenager who determinedly keeps his distance from the world and from his troubled family. His only confidant is his friend Arvid Jansen whom readers will remember from I Curse the River of Time. A thoughtful and rewarding novel from multi prize winning Norwegian novelist Per Petterson.
  vplprl | Nov 15, 2013 |
At first blush, this is a heartbreaking coming-of-age novel, which takes place in a small town in Norway. When we meet Auden, he is 13. It is his first day at school and he is late. He is rude to the headmaster and then to his teacher. He is wearing sunglasses and refuses to take them off. He says he has terrible scars around his eyes. He is a loner, a bit of a fibber, and a storyteller when he wants to avoid something. He seems to always be running away from something, perhaps from himself and his thoughts. He seems like a very angry, and perhaps unhappy, young man. His glasses symbolize only one of the things he hides behind. In order to conceal who he really is, he wears odd outfits. His lies are another way of hiding. His air of bravado overshadows his fears and hides his sensitive nature. He carries himself with a chip on his shoulder, sometimes has violent outbursts and shows very little alarm when confronted. He takes orders from no one and follows his own drummer. He is definitely his own person, although in private, he is not as brash as he seems. He can be emotional, philosophical and cerebral, in spite of his, often antisocial, behavior. He entertains dreams of being a writer and loves to read, devouring books when he can, even attempting to write something beautiful himself.
At the playground, on this first day at school, he unexpectedly makes a friend, Arvid, someone who passes muster with him and who becomes a confidant. As the timeline moves around, we learn, through Auden’s thoughts and memories, that his father was very abusive, a drunk and a brute. His brother has drowned in an accident and his sister has run off with her boyfriend. He and his mother live together, and he has newspaper routes to augment their income.
As the years pass, Auden’s life is one of survival on a daily basis: survival at home, survival outside on the streets, survival at school, survival at work. He has a quick temper and often makes split second decisions that are not well thought out. Always, lurking in the background, there is a disaster waiting to happen, and yet, the story never seems contrived, rather it seems authentic in the realm in which it is being played out, a small, unsophisticated, perhaps a bit backward, Norwegian town, filled with poorly educated, unworldly characters, who work very hard to make ends meet, are often bullies and sometimes take the law into their own hands. It is a place where the weak sometimes prey upon the poor.
Although Petterson seems to present a simple message, using the matter-of-course occurrences of everyday life in this rural environment, his message is always profound. Often, after reading several sentences or paragraphs or pages, there is a moment of awareness and a larger message comes through to the reader. It isn’t just about a boy who works to help support his mother, it is about a boy who does many things to try and discover who he is, what his purpose in life will be and how will he attain it. It is about the characters’ philosophy of acceptance about what befalls them, as in the title, all things are fine with them, they believe that things will work out, in the end.
Auden manages to bear all of the crises he has to face, and he bears them well. The reader is always wondering how he will deal with what comes his way, but he faces his ordeals and his pain like a champion. Petterson turns the events of a simple, ordinary day into a magical moment, worthy of further thought, and he makes painful events easier to bear and understand, simply with his writing style which is so easy and comfortable to read. In conclusion, this is a novel of hope as well as despair. The writer leaves the door open for both. ( )
  thewanderingjew | Jun 2, 2013 |
I received this book as a Goodreads ARC giveaway. This was a great book and I really enjoy it ( )
  slvoight | Mar 31, 2013 |
At the age of thirteen Audun moves with his family, but without his father, to a working class area on the east of Oslo. Audun is self assured but reserved, and already had determined how he will conduct himself inn his new home. Almost despite himself he strikes up a close friendship with fellow schoolboy and near neighbour, Arvid, a friendship that will see him through the rest of his schooling.

The novel follows Audun to his nineteenth year, by which time just he lives with his mother, while the shadow of his father still lurks somewhere. Both Audun and Arvid are independent thinkers, and neither is the sort to take the course of inaction, so it is not surprising they get in the odd scrape. But is is clear that while he rubs many up the wrong way, Audun endears himself to some of his neighbours as well of some of the those with whom he works - as no doubt he will to the reader.

It's Fine By Me is a relatively short read, but far from short in content and impact. Characters are well drawn and convincing, and it is this that really makes if it so fully engaging. ( )
  presto | Feb 7, 2013 |
Showing 1-5 of 11 (next | show all)
Petterson's beautifully spare prose subtly captures the effort that comes with this seeming inaction, this lack of fight, providing us with a lens through which we come to see Audun's grim inertia as a paralysing struggle to forget the past and get on with the task of living.
added by ozzer | editThe Guardian, Kristen Treen (Dec 1, 2012)
Han er i familie med de socialt bevidste kolleger Fløgstad og især Solstad, men 50-årige Per Petterson har sin egen distinkte stemme, som har indbragt ham flere priser og en indstilling til Nordisk Råds Litteraturpris ... I et muskuløst og ofte galgenhumoristisk sprog beskriver Petterson Auduns liv i lillebyen, og når man har fuldt ham til begyndelsen af hans voksenliv, føler man, at man har kendt ham personligt. Og det er ikke så ringe endda, som man siger i Vendsyssel, hvor Pettersons mor kommer fra.
added by 2810michael | editFyens Stiftstidende, Mogens Damgaard
Man kommer tæt på hovedpersonen - men uden at blive trættet af utidig, bedrevidende psykologiseren - og når Per Petterson samtidig lader Auduns fraværende far spøge i baggrunden, er det med til at tilføre romanen elementær uhygge og spænding. Alt i alt et stykke fornem skrivekunst fra en forfatter, der ved, hvad han vil, og som docerer sine virkemidler med en præcision, der virker velgørende.
added by 2810michael | editBerlingske Tidende, Søren Kassebeer
Endnu engang viser Per Petterson sig som en glimrende stilist med sans for den mindste detalje; et hurtigt blik, et tøvende skridt ... Per Petterson er en psykologiserende sjælegraver. Han kan vist sin Freud og han skriver udfra en stor personlig indsigt i et sind, der bevæger sig indad, en indsigt i forsigtigheden og i beskyttelsesmekanismernes tågeslør. Temaerne er ofte de samme; at finde sig selv, at komme overens med sin fortid og sin arv. Hans persontegning er fantastisk præcis. Den rammer lige på kornet af en bestemt type nordisk melankoli, som jeg bedst kan sammenligne med Herman Bangs følsomme gemytter ... Det er denne her knaphed hos personer og i stil, der gør Per Pettersons romaner værd at læse. Han skriver som en slags nordisk Hemingway, der har fundet både faderkomplekser og omsorgssvigt frem fra den dunkle maskulinitets dyb. Stilen er hårdkogt og præcis, men i modsætning til Hemingway, for hvem maskuliniteten var et mantra, så er Per Pettersons mandlige fortællere aldrig mere sikre i deres sag, end at de konstant har ondt i maskuliniteten. De er kommet ned fra bygden, de er holdt op med at hugge brænde og jage vildt i de store skove og jagter i stedet sig selv i store ansigtsløse forstadskvarterer i udkanten af Oslo.
added by 2810michael | editDR Kulturnyt, Jacob Kreutzfeldt
Der er en vidunderligt drift over den norske litteratur i disse år. Det knager og brager i fjeldene og det myldrer frem med eminente bjergkrystaller, som suger liv og længsler ud af folk og gør én helt rundtosset af begejstring. Og Batzer & Co. - det lille forlag med det store mod - står lykkeligt parat som en anden geolog og samler op uden at gøre det store væsen af sig. Det er ikke nødvendigvis de største og mest synlige klumper, der puttes i rygsækken, men det er så absolut nogle af de mest spændende ... En realistisk roman som Det er okay med mig er i en eller anden forstand altid brutal, fordi billederne skrives frem uden skånsomme filtre. Men at det brutale ligefrem kan eje sin egen særlige blidhed er Per Petterson et suverænt bevis på. For medens brutaliteten ligger i selve den skånselsløse udlevering af menneskets brister, ligger blidheden i den stilfærdige accept af, at sådan er livets vilkår.
added by 2810michael | editJyllands-Posten, Henriette Bacher Lind
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I was thirteen years old and about to start the seventh class at Veitvet School.
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On his first day of school, a teacher welcomes Audun to the class by asking him to describe his former life in the country. But there are stories about his family he would prefer to keep to himself, such as the weeks he spent living in a couple of cardboard boxes, and the day of his little brother's birth, when his drunken father fired three shots into the ceiling. So he refuses to talk and refuses to take off his sunglasses. In his late teens Audun is the only one of his family who remains with his mother in their home in a working-class district of Oslo. He delivers newspapers when he is not in school and talks for hours about Jack London and Ernest Hemingway with his best friend Arvid. But he's not sure that school is the right path for him, feeling that life holds other possibilities.… (more)

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