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Loading... Bones (Alex Delaware, No. 23) (original 2008; edition 2008)by Jonathan Kellerman, John Rubinstein (Reader)
Work detailsBones by Jonathan Kellerman (2008)
None. I couldn't wait to finish this book. It was not one of Jonathan's better books. Oh dear! I only read half a dozen pages of this and now it is going back to the charity shop. This is hardly a review but there are many books of this type and one must have an incentive to read another. Kellerman is clearly a prolific and popular author so I wonder if this rather late work is a reflection of the tedium that sometimes afflicts prolific authors turning out yet another story for public, publisher or just plain cash. Maybe I'll try another, earlier, work - but not just yet. I listened to about half the audio book for this one. It gripped me at first, but just seemed to lose tension. I usually give books I fail to finish 1 star, but I think I gave up on this one partly because the narrator's voice annoyed me. It would be unfair to score it 1 star when I might otherwise have got through the rest of the tale. Kellerman is so readable and I always enjoy his books but I must admit there is a loss of tension or threat in this one and another or two of his latest. Still, highly readable, neatly plotted and consistent. no reviews | add a review
Amazon.com Product Description (ISBN 0345495136, Hardcover)When it comes to writing deftly layered, tightly coiled novels of suspense, #1 New York Times bestselling author Jonathan Kellerman reigns supreme as “master of the psychological thriller” (People). Now, Kellerman has worked his magic again in this chilling new masterpiece.The anonymous caller has an ominous tone and an unnerving message about something “real dead . . . buried in your marsh.” The eco-volunteer on the other end of the phone thinks it’s a prank, but when a young woman’s body turns up in L.A.’s Bird Marsh preserve no one’s laughing. And when the bones of more victims surface, homicide detective Milo Sturgis realizes the city’s under siege to an insidious killer. Milo’s first move: calling in psychologist Alex Delaware. The murdered women are prostitutes–except the most recent victim; a brilliant young musician from the East Coast, employed by a wealthy family to tutor a musical prodigy, Selena Bass seems out of place in the marsh’s grim tableau. Conveniently–perhaps ominously–Selena’s blueblood employers are nowhere to be found, and their estate’ s jittery caretaker raises hackles. But Milo’s instincts and Alex’s insight are too well-honed to settle for easy answers, even given the dark secrets in this troubled man’s past. Their investigation unearths disturbing layers–about victims, potential victims, and suspects alike–plunging even deeper into the murky marsh’s enigmatic depths. Bizarre details of the crimes suggest a devilish serial killer prowling L.A.’s gritty streets. But when a new murder deviates from the pattern, derailing a possible profile, Alex and Milo must look beyond the suspicion of madness and consider an even more sinister mind at work. Answers don’t come easy, but the darkest of drives and desires may fuel the most devious of foes. Bones is classic Kellerman–relentlessly peeling back the skin and psyches of its characters and revealing the shadows and sins of the souls beneath. With jolt after jolt of galvanizing suspense, it drives the reader through its twists and turns toward a climax as satisfying as it is shattering. (retrieved from Amazon Tue, 19 Apr 2011 09:52:36 -0400) The anonymous caller has an ominous tone and an unnerving message about something "real dead ... buried in your marsh." The eco-volunteer on the other end of the phone thinks it's a prank, but when a young woman's body turns up in L.A.'s Bird Marsh preserve no one's laughing. And when the bones of more victims surface, homicide detective Milo Sturgis realizes the city's under siege to an insidious killer.… (more) (summary from another edition) |
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People killing other people for garden variety motives like jealousy or the prospect of a large inheritance isn't enough for Kellerman. If the world was as populated by knife-wielding psychopaths as he'd have us believe I'd never leave the house. Of course this is fiction and it doesn't have to be realistic but I think Kellerman constantly ascribing his murders to the most twisted of people (who of course aren't like 'us') allows him to avoid exploring an actual human emotion within the context of his stories.
The plot is equally uninspiring. It's convoluted (I'm convinced that he added one of the evil doers at the end and then inserted them randomly in the story already written) and has all the suspense of a tax return. This time there isn't even a fabrication of a reason why child psychologist Alex Delaware is involved in the case. In the earlier books there was at least be a pretence of a reason: a client of Alex's or the relative of one would be involved or the case would somehow relate to the mistreatment of children for example, but here it just seemed to be universally accepted that a private sector psychologist would be involved in every facet of an investigation.
In short the book was formulaic, the characters stereotypical and the brand-name laden writing was plodding. Kellerman can do much better, in a standalone novel called The Butcher's Theatre he tells a gripping tale and tackles some weighty political and social issues in the Jerusalem setting even though it too features a serial killer, but perhaps he lacks the incentive now that he's a brand name all of his own. (