HomeGroupsTalkZeitgeist
This site uses cookies to deliver our services, improve performance, for analytics, and (if not signed in) for advertising. By using LibraryThing you acknowledge that you have read and understand our Terms of Service and Privacy Policy. Your use of the site and services is subject to these policies and terms.
Hide this

Results from Google Books

Click on a thumbnail to go to Google Books.

Coming up Roses: The Broadway Musical in the…
Loading...

Coming up Roses: The Broadway Musical in the 1950s (edition 2000)

by Ethan Mordden

MembersReviewsPopularityAverage ratingConversations
641263,268 (4.15)None
Member:grunin
Title:Coming up Roses: The Broadway Musical in the 1950s
Authors:Ethan Mordden
Info:Oxford University Press, USA (2000), Paperback, 272 pages
Collections:Your library
Rating:*****
Tags:Music Theater, read

Work details

Coming up Roses: The Broadway Musical in the 1950s by Ethan Mordden

None.

None
Loading...

Sign up for LibraryThing to find out whether you'll like this book.

No current Talk conversations about this book.

Popular Music
  Budzul | Jun 1, 2008 |
no reviews | add a review
You must log in to edit Common Knowledge data.
For more help see the Common Knowledge help page.
Series (with order)
Canonical title
Original title
Alternative titles
Original publication date
People/Characters
Important places
Important events
Related movies
Awards and honors
Epigraph
Dedication
First words
Quotations
Last words
Disambiguation notice
Publisher's editors
Blurbers
Publisher series
Original language
Canonical DDC/MDS

References to this work on external resources.

Wikipedia in English

None

Book description
Haiku summary

Amazon.com Amazon.com Review (ISBN 0195140583, Paperback)

This book begins its survey of a seminal decade in American theater in 1950, when the Broadway musical method in which stars like Ethel Merman slogged it out show after show, formula after formula, success after success had run its course, sparking the need for innovation. It ends in 1959, after a decade of innovation had raised the musical to new heights--heights that the genre would not maintain in later decades. In between, Ethan Mordden paints a picture of the musical that is warm and sympathetic, even as it pours cold water on what the author considers the medium's excesses and failures. Mordden isn't shy about sharing his opinions. He links the legendary director George Abbott to the stagnation that set in during the early '50s: "He was a journeyman, not a visionary. He was very, very good at what he knew how to do, and, like all conservatives, never attempted to do anything else." Regarding Can Can he writes, "Clearly, what saved it at first was the score and the production; at length, its dippy book destroyed it." And, at odds with the millions who revere The Sound of Music, Mordden acknowledges its "slight but extremely tuneful score," concluding that the show has a "somewhat disappointing position in the Rodgers and Hammerstein canon."

Mordden praises Guys and Dolls--"a classic" and My Fair Lady--"it's culturally imperative ... capitalism at its best." Lenny Bernstein's Candide is the "uniquely influential title" of the 1950s, "perhaps the last crucial revolutionary development in the musical's history." All this praise is lovingly spelled out in chapters that dwell on the productions themselves in a chunky narrative cluttered with an insider's look behind the scenes. Mordden's book forces readers to rethink much of what they know about the Broadway musical and to listen, and listen again, to their favorite soundtracks. --Roy Wadia

(retrieved from Amazon Thu, 12 Mar 2015 18:20:44 -0400)

The 1950s saw an explosion in the American musical theater. The Broadway show, catapulted into the limelight in the 1920s and solidified during the 1940s thanks to Rodgers and Hammerstein, now entered its most revolutionary phase, brashly redefining itself and forging a new kind of storytelling. In Coming Up Roses: The Broadway Musical in the 1950s, Ethan Mordden gives us a guided tour of this rich decade.With loving detail, Mordden highlights the shift in Broadway from shows that were mere star vehicles, showcasing big-name talents, to the bolder stories, stuffed with character and atmosphere. During this period, subject matter became more intricate, even controversial, and plots more human and complex. Mordden demonstrates how, in response, musical conventions were polished, writing became more finely crafted, and dance became truly indispensable. Along the way we meet the key players, such greats as Ethel Merman, George Abbott, Jerome Robbins, Gwen Verdon, Bob Fosse, Stephen Sondheim, Frank Loesser, Cole Porter, Leonard Bernstein, and many others. We get the backstage scoop on why Guys and Dolls is so well made, why West Side Story is so timeless, why The King and I and Gypsy push the envelope, and why no one ever talks about Ankles Aweigh.… (more)

(summary from another edition)

Quick Links

Popular covers

Rating

Average: (4.15)
0.5
1
1.5
2
2.5
3 2
3.5
4 7
4.5
5 4

Is this you?

Become a LibraryThing Author.

 

About | Contact | Privacy/Terms | Help/FAQs | Blog | Store | APIs | TinyCat | Legacy Libraries | Early Reviewers | Common Knowledge | 128,967,316 books! | Top bar: Always visible