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A Wild Sheep Chase by Haruki Murakami
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3,31738753 (3.97)67

Member recommendations

  1. cpav55 recommends Dance Dance Dance by Haruki Murakami, "Dance Dance Dance (Dans Dans Dans) maakt met Pinball 1973 en De jacht op het verloren schaap min of meer deel uit van de serie, maar het zijn wel losstaande (see more) verhalen."
  2. cpav55 recommends Pinball, 1973 by Haruki Murakami, "Pinball 1973, Dans Dans Dans en De jacht op het verloren schaap vormen min of meer een serie, maar zijn wel losstaande verhalen."
  3. cpav55 recommends Hard-Boiled Wonderland and the End of the World by Haruki Murakami, "Ademt dezelfde sfeer als De jacht op het verloren schaap."
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English (25)  French (3)  Dutch (3)  Spanish (3)  Portuguese (2)  Norwegian (1)  Hungarian (1)  All languages (38)
Showing 1-5 of 25 (next | show all)
I LOVE Murakami! I haven't felt like this about an author in a good while. I want to read everything he's written. He is quirky, poetic, philosophical, and entertaining. His language is beautiful in translation. I wonder what it's like in Japanese! Sheep Chase is a weird, but compelling story, with deep and playful one-liners throughout. Dance Dance Dance continues the story. I get big crushes on his protagonists, even though I think they'd frustrate the hell out of me if I actually met them. ( )
  sarainoakland | Aug 26, 2009 |
As always, Haruki Mirakami, weaves a story that feels at once real and unreal. You never know where it is going to lead or how it will end. It is part mystery, part mind game. ( )
  joyharmon | Aug 19, 2009 |
A well-written existential noir. A little slow going at first, but builds into a beautiful and brilliant finale. I enjoyed it more than its sequel "Dance, Dance, Dance", but not more than Murakami's more acclaimed works like "Norwegian Wood" and "Kafka on the Shore". A solid addition to Murakami's brilliant corpus. ( )
  MellowOwl | Jul 23, 2009 |
This is not a review, but some notes I want to attach to this book.

The letter from The Rat seemed to come out of the blue, and it wasn't until I learned that this is the third book that Murakami wrote with these characters (and linked in what's called "The Rat Trilogy") that I understood lines like "you remind me of when I was a comparatively regular guy" have a context that justify them.

All the references to the narrator's reading Sherlock Holmes underscores the "cover story invented just for me" aspect of this book that appears in "The Red-Headed League."

There is a real Junitaki or "Twelve Falls" waterfall, but it's not in Hokkaido. ( )
  montclairnj | Apr 30, 2009 |
Ok you can blame the bookstore at my school for this one XD I picked this up at the bookstore because I had very little of 'the wanting seed' left to read so well I was looking around at random books and this sort of caught my eye. Once I read the synopsis I decided it was at least worth a try so I read through maybe a chapter and ended up buying it. This book is very well written. Honestly while reading it, it doesn't seem as long as it is. The story progression was very natural (although the story's content is weird) and by the end of the book it didn't seem like all that much happened. Thats not to say the story wasn't interesting though. I really liked it, and I think I liked it because the story is pretty odd. I don't think the synopsis actually says this but essentially its about the quest to find a mutant sheep with a star on its back. Why? Well you have to read it to know now don't you XD Anyway back to my lets not give away the story review, I really liked this book and will likely end up reading others by Murakami as a result. ( )
  na-chan | Apr 17, 2009 |
Showing 1-5 of 25 (next | show all)
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Series (with order)
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People/Characters
Important places
Important events
Awards and honors
Epigraph
Dedication
First words
It was a short one-paragraph item in the morning edition.
Quotations
I went back to the riverside road, and by the time I'd managed to catch a taxi the rain was coming down in a drizzle. To the hotel, I said.

"Here on a trip?" asked the old driver.

"Uh-huh."

"First time in these parts?"

"Second time," I said.
There are symbolic dreams — dreams that symbolize some reality. Then there are symbolic realities — realities that symbolize a dream. Symbols are what you might call the honorary town councillors of the worm universe. In the worm universe, there is nothing unusual about a dairy cow seeking a pair of pliers. A cow is bound to get her pliers sometime. It has nothing to do with me.

Yet the fact that the cow chose me to obtain her pliers changes everything. This plunges me into a whole universe of alternative considerations. And in this universe of alternative considerations, the major problem is that everything becomes protracted and complex. I ask the cow, "Why do you want pliers?" And the cow answers, "I'm really hungry" So I ask, "Why do you need pliers if you're hungry?" The cow answers, "To attach them to branches of the peach tree." I ask, "Why a peach tree?" To which the cow replies, "Well, that's why I traded away my fan, isn't it?" And so on and so forth. The thing is never resolved, I begin to resent the cow, and the cow begins to resent me. That's a worm's eye view of its universe. The only way to get out of that worm universe is to dream another symbolic dream.

The place where that enormous four-wheeled vehicle transported me this September afternoon was surely the epicenter of the worm universe. In other words, my prayer had been denied.

I took a look around me and held my breath. Here was the stuff of breath taking.
To sleep with a woman: it can seem of the utmost importance in your mind, or then again it can seem like nothing much at all. Which only goes to say that there's sex as therapy (self-therapy, that is) and there's sex as pastime.

There's sex for self-improvement start to finish and there's sex for killing time straight through; sex that is therapeutic at first only to end up as nothing-better-to-do, and vice-versa. Our human sex life — how shall I put it? — differs fundamentally from the sex life of the whale.

We are not whales — and this constitutes one great theme underscoring our sex life.
"Let me be as frank as possible with you," the man spoke up. his speech had the ring of a direct translation from a formulaic text. his choice of phrase and grammar was correct enough, but there was no feeling in his words.

"Speaking frankly and speaking the truth are two different things entirely. Honesty is to truth as prow is to stern. Honesty appears first and truth appears last. The interval between varies in direct proportion to the size of the ship. With anything of size, truth takes a long time in coming. Sometimes it only manifests itself posthumously. Therefore, should I impart you with no truth at this juncture, that is through no fault of mine. Nor yours."
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
Publisher's editors
Blurbers
Canonical titleA Wild Sheep Chase
Original publication date1982 (original japanese), 1989 (English: Birnbaum)
SeriesTrilogy of the Rat (3), 羊をめぐる冒険 (1|上), 羊をめぐる冒険 (2|下)
People/CharactersThe Sheep Man, Tony Takitani, The Rat, The Boss, J, The Sheep Professor
Important placesTokyo, Japan, Hokkaido, Japan, Junitaki township, Hokkaido, Japan (fictional | township)
Awards and honorsNoma Literary Newcomer's Prize
First wordsIt was a short one-paragraph item in the morning edition.
QuotationsI went back to the riverside road, and by the time I'd managed to catch a taxi the rain was coming down in a drizzle. To the hotel, I said.

"Here on a trip?" asked the old driver.

"Uh-huh."

"First time in... (show all)
Last words(Click to show. Warning: May contain spoilers.)
BlurbersBarthelme, Frederick
Book description

Amazon.com Product Description (ISBN 037571894X, Paperback)

A marvelous hybrid of mythology and mystery, A Wild Sheep Chase is the extraordinary literary thriller that launched Haruki Murakami’s international reputation.

It begins simply enough: A twenty-something advertising executive receives a postcard from a friend, and casually appropriates the image for an insurance company’s advertisement. What he doesn’t realize is that included in the pastoral scene is a mutant sheep with a star on its back, and in using this photo he has unwittingly captured the attention of a man in black who offers a menacing ultimatum: find the sheep or face dire consequences. Thus begins a surreal and elaborate quest that takes our hero from the urban haunts of Tokyo to the remote and snowy mountains of northern Japan, where he confronts not only the mythological sheep, but the confines of tradition and the demons deep within himself. Quirky and utterly captivating, A Wild Sheep Chase is Murakami at his astounding best.

(retrieved from Amazon Fri, 24 Apr 2009 07:58:04 -0400)

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