Amazon.com Product Description (ISBN 030726808X, Hardcover)

A stunningly inventive, deeply moving fiction debut: stories that take us from the slums of Colombia to the streets of Tehran; from New York City to Iowa City; from a tiny fishing village in Australia to a foundering vessel in the South China Sea, in a masterly display of literary virtuosity and feeling.

In the magnificent opening story, “Love and Honor and Pity and Pride and Compassion and Sacrifice,” a young writer is urged by his friends to mine his father’s experiences in Vietnam—and what seems at first a satire of turning one’s life into literary commerce becomes a transcendent exploration of homeland, and the ties between father and son. “Cartagena” provides a visceral glimpse of life in Colombia as it enters the mind of a fourteen-year-old hit man facing the ultimate test. In “Meeting Elise,” an aging New York painter mourns his body’s decline as he prepares to meet his daughter on the eve of her Carnegie Hall debut. And with graceful symmetry, the final, title story returns to Vietnam, to a fishing trawler crowded with refugees, where a young woman’s bond with a mother and her small son forces both women to a shattering decision.

Brilliant, daring, and demonstrating a jaw-dropping versatility of voice and point of view, The Boat is an extraordinary work of fiction that takes us to the heart of what it means to be human, and announces a writer of astonishing gifts.

Amazon.com Product Description (ISBN 0385665563, Hardcover)

With his immensely imaginative and gifted voice, Nam Le brings us a haunting collection of stories that resonate like those of JD Salinger, ZZ Packer, and Canada’s own Vincent Lam.

A stunningly inventive fiction debut: stories that take us from the slums of Colombia to the streets of Tehran; from New York City to Iowa City; from a fishing village in Australia to a floundering vessel in the South China Sea, in a masterful display of literary virtuosity and feeling.

In the magnificent opening story, a young writer is urged by his friends to mine his father’s experiences in Vietnam–and what seems at first a satire of turning one’s life into literary commerce becomes a transcendent exploration of the ties between father and son. “Cartagena” provides a visceral glimpse of life in Colombia as a fourteen-year-old hit man faces the ultimate test. In “Meeting Elise” an aging New York painter mourns his body’s decline as he prepares to meet his daughter on the eve of her Carnegie Hall debut. The title story returns us to Vietnam, to a fishing trawler crowded with refugees, where a young woman’s bond with a mother and her small son forces both women to a harrowing decision.

Adam Haslett praises Nam Le for “the kind of courage and directness it takes most writers years to achieve.” Charles D’Ambrosio says, “The Boat nails our collective now with an urgency and relevance that feel visionary.”