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Cell by Stephen King
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by Stephen King

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English (134)  Dutch (3)  Italian (3)  Danish (2)  French (2)  German (1)  Portuguese (1)  Finnish (1)  All languages (147)
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One of the better of the latter day King books but, as is often the case, he seems like he loses interest before we do. ( )
  Soultalk | Nov 27, 2009 |
Such a quick read. I'm dying to know certain things. Such as - how plausible is this? Could something like this theoretically be accomplished? How would it work? Who did it? Was it terrorists, like the characters theorized? What happened to them? What would have happened if you could have taken one of the original phoners and kept them in some kind of a medical containment room and studied them? What exactly would their body be doing to itself? Where did the Raggedy Man come from - i.e., how did the "flock" first begin to come together and form their collective hive-mind? Was someone behind that? Or are we supposed to just believe that this is some kind of Jungian collective unconscious at work? Ok, whew, I'm out of questions. But it was a nice, fast read. Though I agree with the reviewers who said it had quite a bit in common with The Stand. And funny, in real life with the swine flu scare, it seems that we've come full circle as a society, and are now more afraid of the superflu than we are of our own technology again. But this is King doing what I like to see him do most - the fast-paced scare. Only he could make cell phones that kill people anything other than laughable, even for an afternoon. ( )
  annie1378 | Nov 20, 2009 |
What a great take on a modern zombie story. Mr. King did a great job as he usually does. The ending left one wondering if it was a happy ending or not. ( )
  Anagarika | Nov 3, 2009 |
Great action packed horror which will keep you reading till the blurb.
  JPenton | Oct 28, 2009 |
On a beautiful October day in Boston, Clay Riddell, an artist from Maine, is on top of the world because he has just sold a graphic novel to a publisher. Little does he realize that the world as he knows it is about to change. A "pulse" has been sent through cell phones that turns anyone using their cell phone into zombies. Clay doesn't have a cell phone and he watches in disbelief as people around him attack each other and even themselves. Clay soon hooks up with Tom McCourt and fifteen year old Alice Maxwell, who were both unaffected by the Pulse. Clay is anxious to find his wife and son, so the three head out to Maine to find them. They have a long, strange journey ahead of them.

After several non-horror novels, Stephen King returns to horror with "Cell" and what a return it is. The "Pulse" hits just a few pages into the book and it's non-stop action from that point forward. "Cell" is told entirely from Clay's point of view and readers are privy to his thoughts only, so his is the best defined character, although I could picture Tom very well also. King's strong point is his story telling, reading his books you can picture what his happening, as if you were watching a movie instead of reading a book. It's the little touches that make his writing special - a street littered with discarded cell phones; an abandoned child's sneaker; a pregnant zombie falling on her stomach; a hamburger feast in the middle of chaos - all these stay with the reader long after the novel is over.

This being a Stephen King novel, readers can't predict what will happen and just when you think you know where the novel is going, "Cell" has some unexpected twists, starting with the visit to Gaiten Academy. The novel has plenty of gore mixed in with King's trademark humor. And while many readers will complain about the (non-) ending, I liked it.

"Cell" may not be his best novel, but it's one of his better ones and a must read for Stephen King fans. ( )
  drebbles | Oct 20, 2009 |
Showing 1-5 of 134 (next | show all)
If you have ever worried that using mobile phones might scramble your brain, Stephen King suggests you may just be right. It all happens at 3.02pm one afternoon, when everyone in the world using a cellphone suddenly becomes a violent maniac.
added by stephmo | editThe Guardian, Matthew Lewin (Feb 25, 2006)
 
Stephen King is supposed to have retired. A year ago, he published the final part of his seven-book Dark Tower saga with the book of the same name - a novel so crushingly disappointing that, reluctantly, all but King's most ardent fans were forced to agree with the author himself that it was probably time for him to stop and enjoy the royalties from his 40 or so bestsellers.
 
Cell is Stephen King's first full-length novel since his threatened retirement in 2003. Of course, this most prolific of authors has not been idle during this period, penning a collaborative non-fiction book about baseball, a regular column for the popular US magazine Entertainment Weekly, several short stories, and even a short (and slightly puzzling) noir novel, The Colorado Kid, for small publisher Hard Case Crime. This is the first of two new novels to be published this year, with Lisey's Story to follow in October.
added by stephmo | editThe Independent, Matt Thorne (Feb 12, 2006)
 
This is the way the world ends... not with a bang, but a whimper.
— T. S. Elliot


Actually, it ends with a "pulse" -- an errant cell phone signal that wipes away the user's humanity, 'rebooting' their brain back to something basic... primordial... and evil. Even those within earshot of the gray matter draining signal suffer a kind of evolutionary epilepsy, reverting to a state of pure impulse and mental confusion. As the feeling consumes its host, madness takes over, and there is only one way to satisfy this cruel craving. The insanity must be met with violence, quelling the instinctual bloodlust that lay dormant inside every person's DNA. Thus the world ends, and it's the very people who protected and prospered upon it who are now intent on taking it down.
added by stephmo | editPop Matters, Bill Gibron (Feb 9, 2006)
 
If the stretch of years between Sept. 11 and last fall's Kashmir earthquake has reminded us of anything, it's that history can take a drastic turn in one day. Stephen King jumps into the middle of one such day on the opening pages of Cell, his first full-length novel since he came off what has to be the shortest-ever retirement not involving professional boxing. Happily wandering Boston after selling a comic-book pitch, artist Clay Riddell watches as the world goes mad when a mind-wiping electronic pulse turns everyone using a cell phone into a violent zombie.
 
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Epigraph
The id will not stand for a delay in gratification. It always feels the tension of the unfulfilled urge. - Sigmund Freud
Human aggression is instinctual. Humans have not evolved any ritualized aggression-inhibiting mechanisms to ensure the survival of the species. For this reason man is considered a very dangerous animal. - Konrad Lorenz
Can you hear me now? - Verizon
Dedication
For Richard Matheson and George Romero
First words
The event that came to be known as The Pulse began at 3:03 p.m., eastern standard time, on the afternoon of October 1.
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(Click to show. Warning: May contain spoilers.)
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Wikipedia in English (1)

Cell (novel)

Book description
Cell is an apocalyptic horror novel concerning a New England artist struggling to reunite with his young son after a mysterious signal broadcast over the global cell-phone network turns masses of his fellow humans into zombies.

Amazon.com (ISBN 0743292332, Hardcover)

Witness Stephen King's triumphant, blood-spattered return to the genre that made him famous. Cell, the king of horror's homage to zombie films (the book is dedicated in part to George A. Romero) is his goriest, most horrific novel in years, not to mention the most intensely paced. Casting aside his love of elaborate character and town histories and penchant for delayed gratification, King yanks readers off their feet within the first few pages; dragging them into the fray and offering no chance catch their breath until the very last page.

In Cell King taps into readers fears of technological warfare and terrorism. Mobile phones deliver the apocalypse to millions of unsuspecting humans by wiping their brains of any humanity, leaving only aggressive and destructive impulses behind. Those without cell phones, like illustrator Clayton Riddell and his small band of "normies," must fight for survival, and their journey to find Clayton's estranged wife and young son rockets the book toward resolution.

Fans that have followed King from the beginning will recognize and appreciate Cell as a departure--King's writing has not been so pure of heart and free of hang-ups in years (wrapping up his phenomenal Dark Tower series and receiving a medal from the National Book Foundation doesn't hurt either). "Retirement" clearly suits King, and lucky for us, having nothing left to prove frees him up to write frenzied, juiced-up horror-thrillers like Cell. --Daphne Durham

(retrieved from Amazon Fri, 24 Apr 2009 07:57:56 -0400)

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