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Loading... Extremely Loud and Incredibly Close (Movie Tie-In): A Novel (original 2005; edition 2011)by Jonathan Safran Foer
Work detailsExtremely Loud and Incredibly Close by Jonathan Safran Foer (2005)
What Foer did here was amazing. To be able to tell not only the story of 9-year old Oskar Schell, but also that of his grandmother and grandfather in such a beautiful and real way was incredible. This is one of those books that will stay with you throughout your life. ( )By far one of the best books I have listened to this year is Jonathan Safran Foer's Extremely Loud, and Incredibly Close. Appropriately, I finished this book yesterday, 8 years after the attack on the World Trade Center. The 9 year old hero, Oskar Schell, loses his father in the 9/11 terrorist attack. After finding a key hidden in his father's closet, Oskar embarks on a search of the 5 boroughs of NYC, looking for the lock that will fit this key. In the days and weeks following 9/11, I remember reading every article about what was happening in NYC. But eventually, all those sad stories - families torn apart, people putting up posters looking for someone, people holding hands as they jumped out of the WTC - would make me cry and I had to stop. This book made me relive some of the horror and sadness of those days. But while I was listening, I found the process cathartic. Did I cry? Buckets -but I also laughed and I absolutely loved this book. Extremely well done and Incredibly moving - 5 stars. This may be a five star -- I just finished it today and need to let it "settle" to be sure. See the movie, also -- after you've read the book. The book considerably enhances the movie. Yes! The author Jonathan Safran Foer (born 1977) is an American writer best known for his 2002 novel Everything Is Illuminated. He lives in Brooklyn, New York, with his wife, the novelist Nicole Krauss, and their son, Sasha. The synopsis Nine-year-old Oskar Schell is an inventor, amateur entomologist, Francophile, letter writer, pacifist, natural historian, percussionist, romantic, Great Explorer, jeweller, detective, vegan, and collector of butterflies. When his father is killed in the September 11th attacks on the World Trade Centre, Oskar sets out to solve the mystery of a key he discovers in his father's closet. It is a search which leads him into the lives of strangers, through the five boroughs of New York, into history, to the bombings of Dresden and Hiroshima, and on an inward journey which brings him ever closer to some kind of peace The review I am sure I read this book a few years ago. Though I could not really recall what it was about exactly I remember I had a problem reading it. There was something about it that made me wonder if it would be a good idea to pick this up again but as I could not remember what it was exactly I felt obliged to at least find that out. After the first 5 pages I remembered. I had a hard time reading this book cause the story was weird and going everywhere. I did not understand the whole idea behind the book the last time I read it. So I decided to continue, finish the book and see if I would get it better this time. That worked. I did get the story better this time but still am not very enthusiastic about the book. There seem to be two or maybe even three layers in this book discussing a lot of things. Example, I still do not have any idea if Oskar was behaving like he is before his loss or if it is the psychological reaction to the event. There are signs he was behaving like it before, but he also says at one point he will behave normal again once this is over. Actually the whole Oskar story already gives you a lot of feelings. He annoyed me a lot but still I felt sympathetic too and sometimes I just wanted to hit him right in the face. Next you got the grandpa and grandma story, which is a sad story on its own but is woven with Oskar's too. Both traumatized and having to deal with great loss, trying to survive together or not so together. I also had some trouble recognizing the woman in grandfathers story as Oskar's grandmother. What did become clear in this story is how important it is to actually say things out loud. Grandpa is writing things to his son which would have made his life easier if he told his wife. But the other way around too, grandma had feelings and ideas about it that had she told grandpa it would have been easier to get over things. Oskar and his mother have the same problem. Oskar does not feel like his mother understands him even though she might be on to him more than he knows. Despite all the negative feelings this book leaves me with I cannot say it is a bad book. It did make me feel things and challenged me to find the meaning of things, but I know now for sure I will not ever read it again.
The bigger problem is that Foer never lets his character wander off without an errand. In fact, there is hardly a line in this book that has not been written for the purpose of eliciting a particular emotion from the reader. The novel is a tearjerker. ...The skepticism and satire that marked the best parts of Everything Is Illuminated are nowhere in evidence here. The search for the lock that fits a mysterious key dovetails with related and parallel quests in this (literally) beautifully designed second novel from the gifted young author (Everything Is Illuminated, 2002). The searcher is nine-year-old Oskar Schell, an inventive prodigy who (albeit modeled on the protagonist of Grass's The Tin Drum) employs his considerable intellect with refreshing originality in the aftermath of his father Thomas's death following the bombing of the World Trade Center. That key, unidentified except for the word "black" on the envelope containing it, impels Oskar to seek out every New Yorker bearing the surname Black, involving him with a reclusive centenarian former war correspondent, and eventually the nameless elderly recluse who rents a room in his paternal grandma's nearby apartment. Meanwhile, unmailed letters from a likewise unidentified "Thomas" reveal their author's loneliness and guilt, while stretching backward to wartime Germany and a horrific precursor of the 9/11 atrocity: the firebombing of Dresden. In a riveting narrative animated both by Oskar's ingenuous assumption of adult responsibility and understanding (interestingly, he's "playing Yorick" in a school production of Hamlet) and the letter-writer's meaningful silences, Foer sprinkles his tricky text with interpolated illustrations that render both the objects of Oskar's many interests and the memories of a survivor who has forsworn speech, determined to avoid the pain of loving too deeply. The story climaxes as Oskar discovers what the key fits, and also the meaning of his life (all our lives, actually), in a long-awaited letter from astrophysicist Stephen Hawking. Much more is revealed as this brilliant fiction works thrilling variations on, and consolations for, its plangent message: that "in the end, everyone loses everyone." Yes, but look what Foer has found. Film rights to Scott Rudin in conjunction with Warner Bros. and Paramount; author tour.
References to this work on external resources.
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(retrieved from Amazon Thu, 03 Jan 2013 03:49:22 -0500)
Nine-year-old Oskar Schell is a precocious Francophile who idolizes Stephen Hawking and plays the tambourine extremely well. He's also a boy struggling to come to terms with his father's death in the World Trade Center attacks. As he searches New York City for the lock that fits a mysterious key he left behind, Oskar discovers much more than he could have imagined.… (more)
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