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The Confessions of Max Tivoli: A Novel by Andrew Sean Greer
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The Confessions of Max Tivoli: A Novel

by Andrew Sean Greer

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Showing 1-5 of 24 (next | show all)
It has a very interesting premise. It is well-written. It keeps you turning the pages to find out how it will end...

Did I mention it has a very interesting premise?

But... it lacks a connection to the reader. There is little feeling/sympathy generated for Max. It's an interesting "study" of a very odd "disease" from an outsiders look in, but... Max himself is uninteresting and un-engaging, making the book feel like a non-fiction.

Not that this makes it bad, just that it doesn't end up being as good as I had hoped. ( )
crazybatcow | May 15, 2009 | 1 vote
Ages backward like Benjamin Button. ( )
susan62423 | Mar 2, 2009 |  
Compelling storyline, fluid and unique style, interesting premise. ( )
tehriah | Feb 20, 2009 |  
Max Tivoli has a unique problem. He was born as a 70 year old infant who shortly grew into the body of a 70 year old man with the mind of an infant. His chronology was reversed his entire life except for one brief period of time when his age and his appearance came together. This is an unusual premise I thought posed all kinds of interesting situations for an author to resolve. Unfortunately, Andrew Sean Greer chose to focus on one particular element in Max's life, and he made it an obsession.

Max first meets Alice Levy when she is 14 years old; mentally he is close to the same age. However, Max looks like a man in his 60's, so it is inappropriate for a man with his appearance to be pursuing a young girl with any kind of serious intentions. Yet Max has serious intentions. He deeply loves Alice and wants to spend his life with her. This is impossible for him at the time in which they meet.

The rest of Max's story is about his obsession with Alice and how it affects everything else in his life. With that in mind, the author skips over or minimizes details that should have some priority in Max's life. For instance: Max has the same job for 20 years, yet no one with whom he works ever notices that while they're growing older, Max is getting younger? He might be able to carry that off for a few years, but it's odd that his co-workers didn't question that the 50-something year old man who was hired for the job became a 30-something hunk.

There were times reading about Max became very tedious. He's so self-involved to the exclusion of everything else that he becomes less and less sympathetic as the story progresses. The convenience with which problems seem to miraculously melt away from him stretches credibility entirely too far.

Max's story begins with the words We are each the love of someone's life." Eliminate all the flaws in this book, and what Green has written is the tragic confession of a man who, through no fault of his own, was dealt a terrible hand at birth. The way his circumstances impact the lives of those around him make this book worth reading. ( )
sloepoque | Feb 13, 2009 |  
So, I didn’t feel quite that strongly about Max, but I did return it to the library as soon as I was finished, and I did thank the book gods that I hadn't bought it. I was so anxious to be done with this book that I forgot to keep it around long enough for reviewing purposes, so I have no quotes or passages to back up anything I say. You’ll just have to take my word for it.

I was so ready to love this book. It had a super interesting premise and it was well-written. A male child is born to a couple and has the face and body of an old man. Now, I understand that certain books require a suspension of disbelief, and I’m okay with that as long as authors follow their own rules. Max Tivoli is born infant sized. There is no description of his mother being torn apart while trying to, literally, birth a man-child, yet later on in the book we are lead to believe that Max appears as an adult (when he is a child) and will shrink in height and physically grow younger until he turns into an infant- which seems to contradict him being born an infant. He starts off as a child appearing to be about 70 years old.

We are told that from the very beginning that Max's mother has advised him to act the age that he appears to be as opposed to the age his is, but I don't feel that we ever got any insight as how he goes about doing that or how such deception makes him feel. There are so many interesting places that this book should have lead. How does it feel to grow up with the face of an old man? How does it feel as a child to be forced to interact with people older than you? How does it feel to be physically old when you should be want to run around and play? How does it affect your interactions with your family and people who know your family; people in general? There were so many interesting questions that I would have liked to have just a glimmer of in the narration. Nope. The character is totally isolated and doesn’t make friends or try to interact with anyone besides Hughie, Alice and Madame Dupont - a brothel owner who used to be a maid in his house.

I think Greer was trying to build this great love story where we watch Max get his shot at love three times over a lifetime, as he appears to his love, Alice, as three different versions of himself. The main problem with this is the character of Max Tivoli. The novel collapses under the weight of a completely self centered and uninteresting narrator. It’s never clear why he loves Alice so much, and so his great love always seems like a juvenile crush that he hasn’t had the opportunity to mature into the depths of love that man might feel. Max is also too self-centered to give any of the other characters more than cursory consideration so we don’t get to know or understand them. I found the character of Hughie to be intriguing from the little I could glean from Max’s spare treatment of him, and he appears to be tormented by a secret, but Max doesn’t ever think to ask his best friend what is bothering him, and by the time Hughie’s secret is revealed it’s anti-climactic and to me, implausible.

Greer is a talented writer. He knows his way around a sentence and his descriptive abilities are very good, but the character of Max failed to move me, which is the kiss of death for any character and also kills the book when that character is the one telling the story. I was bored. This would have been helped had the narrative more fully addressed the realities and limitations/benefits of Max’s unique existence, but as a character he always fails to engage. He even meets someone he suspects is like him, and he doesn’t even talk to the person! Greer is a good writer, so I would be curious to read something else of his, but knowing what I know about Max Tivoli I would be quicker to jump ship if his next main character didn’t engage me rather quickly. ( )
daniellnic | Jan 2, 2009 | 1 vote
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Series (with order)
Canonical Title
Original publication date
People/Characters
Important places
Important events
Awards and honors
Epigraph
Love..., ever unsatisfied, lives always in the moment that is about to come.--Marcel Proust
Dedication
For Bill Clegg
First words
We are each the love of someone's life.
Quotations
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
Publisher's editors
Blurbers
Book description

Amazon.com (ISBN 0312423810, Paperback)

Out of the womb in 1871, Max Tivoli looked to all the world like a tiny 70-year-old man. But inside the aged body was an infant. Victim of a rare disease, Max grows physically younger as his mind matures. In Andrew Sean Greer's finely crafted novel, The Confessions of Max Tivoli, Max narrates his life story from the vantage point of his late fifties, though his body is that of a 12-year-old boy. He has known since a young age that he is destined to die at 70, and he wears a golden "1941" as a constant reminder of the year he will finally perish in an infant form. His mother, a Carolina belle concerned over her son's troubling appearance, curses Max with "The Rule": "Be what they think you are." Max fails to keep this Rule only a handful of times in his life, but it is the burden of living by it that wounds him and slowly alienates him from the people he loves.

Over Max's narration of the preceding decades of his life, he offers outsider's snapshots of San Francisco and all of America across the late 19th and early 20th centuries. Throughout, Greer uses the literary device of reverse aging to interrogate the evolution of social conventions, the finitude of a human life, and the decay of memory. Max wants love. But his curse destines him to deception. He loses his wife, Alice, changes his name, and remains hidden from his own son to keep his true identity secret. Only his lifelong friend, Hughie, stands by Max and can see the person inside the anachronistic body. Like the best science fiction and myth, the novel uses its central conceit to reveal human prejudice and explode all assumptions of normalcy to profound effect.

Love is a destructive force in The Confessions of Max Tivoli. But Greer recognizes that in the failure of love is also hope. He artfully captures Max's fragile world with a delicacy that never crosses into sentimentality but also avoids the monumental scale of tragedy. As Max says near the end of the novel, "It is a brave and stupid thing, a beautiful thing to waste ones life for love." A journey with Max, while brave and beautiful, is hardly a waste. --Patrick O'Kelley

(retrieved from Amazon Fri, 24 Apr 2009 07:58:10 -0400)

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