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Loading... The Hoursby Michael Cunningham
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will love Sign up for LibraryThing to find out whether you'll like this book. Well... meant as a parody of Virginia Woolf's Mrs. Dalloway, I cannot say I was strongly impressed: newer people, newer problems - populating the same old story. An actualization of the tale - using end-of-the-century people, with different problems and thoughts; well realized though - a great script for a bestselling movie. All the couples used are gay in this book - as opposed to the original one; that changes a lot on the main character, to me. In terms of a parody - unquestionably a good one. Kinda strange - to imagine one of Virginia Woolf's stories, with people wearing blue-jeans ! I had several reasons to read this book. First, Mrs. Dalloway is one of my favorite books and the film adaptation of The Hours is one of my favorite movies. So, I was prepared for something profound, but I was not expecting a book that would speak to me the way this one did. Michael Cunningham has a way of describing his characters' thoughts and feelings that makes me feel like he's inside my own mind. The fears, sensations, and oddities of Virginia, Laura, and Clarissa are so much like my own and it forced private feelings that I have never really acknowledged to come to the surface. Reading this book was a a very personal experience for me, but I believe that any reader will be able to enjoy it. Cunningham explores an incredible variety of emotions and demonstrates a unique understanding of human nature. I would recommend this book to pretty much everyone I know. In my opinion this book was just a pale shadow of Mrs. Dalloway. There really is no comparison with the Virginia Woolf novel - neither the writing or the story is particularly notable. I think it is highly overrated! Hours of uncertainty surround the characters from the past and present in this book. Mrs. Brown (Laura) is a young mother who wrestles with thoughts of suicide. She wants to fade away like Virginia Woolf, as she reads of Mrs. Dalloway. Yet she has obligations to her husband, young son Richard, and her unborn child. Cunningham swings between past and present, as far back to the days of Virginia Woolf, with insights into the characters' minds and reflections on their daily lives. Clarissa, renamed Mrs. Dalloway by her friend, Richard, lives in the present and is planning a party for Richard who has just won a literary award for his poetry. Richard is dying of AIDS and before the party jumps from the 5th floor to his death. In the end of the story, Mrs. Brown reappears as an 80 yr-old woman, Richard's mother. She has lived and survived her earlier suicidal contemplations. Her young son, now grown, has carried out what she only imagined. He has died, leaving her and the rest to cel...more Hours of uncertainty surround the characters from the past and present in this book. Mrs. Brown (Laura) is a young mother who wrestles with thoughts of suicide. She wants to fade away like Virginia Woolf, as she reads of Mrs. Dalloway. Yet she has obligations to her husband, young son Richard, and her unborn child. Cunningham swings between past and present, as far back to the days of Virginia Woolf, with insights into the characters' minds and reflections on their daily lives. Clarissa, renamed Mrs. Dalloway by her friend, Richard, lives in the present and is planning a party for Richard who has just won a literary award for his poetry. Richard is dying of AIDS and before the party jumps from the 5th floor to his death. In the end of the story, Mrs. Brown reappears as an 80 yr-old woman, Richard's mother. She has lived and survived her earlier suicidal contemplations. Her young son, now grown, has carried out what she only imagined. He has died, leaving her and the rest to celebrate his life while remaining to face the days ... hours they have left to live. 0.160 seconds to build listing no reviews | add a review
Amazon.com (ISBN 0312305060, Paperback)The Hours is both an homage to Virginia Woolf and very much its own creature. Even as Michael Cunningham brings his literary idol back to life, he intertwines her story with those of two more contemporary women. One gray suburban London morning in 1923, Woolf awakens from a dream that will soon lead to Mrs. Dalloway. In the present, on a beautiful June day in Greenwich Village, 52-year-old Clarissa Vaughan is planning a party for her oldest love, a poet dying of AIDS. And in Los Angeles in 1949, Laura Brown, pregnant and unsettled, does her best to prepare for her husband's birthday, but can't seem to stop reading Woolf. These women's lives are linked both by the 1925 novel and by the few precious moments of possibility each keeps returning to. Clarissa is to eventually realize:There's just this for consolation: an hour here or there when our lives seem, against all odds and expectations, to burst open and give us everything we've ever imagined.... Still, we cherish the city, the morning; we hope, more than anything, for more.As Cunningham moves between the three women, his transitions are seamless. One early chapter ends with Woolf picking up her pen and composing her first sentence, "Mrs. Dalloway said she would buy the flowers herself." The next begins with Laura rejoicing over that line and the fictional universe she is about to enter. Clarissa's day, on the other hand, is a mirror of Mrs. Dalloway's--with, however, an appropriate degree of modern beveling as Cunningham updates and elaborates his source of inspiration. Clarissa knows that her desire to give her friend the perfect party may seem trivial to many. Yet it seems better to her than shutting down in the face of disaster and despair. Like its literary inspiration, The Hours is a hymn to consciousness and the beauties and losses it perceives. It is also a reminder that, as Cunningham again and again makes us realize, art belongs to far more than just "the world of objects." --Kerry Fried (retrieved from Amazon Fri, 24 Apr 2009 07:58:03 -0400) The first test round has been closed. Visit the Open Shelves Classification group for details. |
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Woolf herself is one of the main characters, just beginning to write Mrs. D while dealing with the repercussions of what today would probably be diagnosed as bipolar disorder. Mrs. Brown is reading the novel in post-World War II Los Angeles, a where where she feels completely out of place, unfulfilled and trapped. And in the present day, “Mrs. Dalloway”—as she is nicknamed by her oldest friend—bustles through the day preparing for a party she is giving in her dying friend’s honor (another author).
Following the same structure as Mrs. D, the novel spans only one pivotal day in the life of each woman, a day that seems like a microcosm of their entire lives. And as their stories unfold, we gradually learn that all three women are more closely linked than it seemed at first—indeed, their lives are inextricable entwined with one another’s. (