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The Passion of Artemisia by Susan Vreeland
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The Passion of Artemisia

by Susan Vreeland

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910174,604 (3.71)20
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Penguin (Non-Classics) (2002), Paperback

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Showing 1-5 of 16 (next | show all)
I enjoyed this as historical fiction and a lesson in art and art history. I was pleased that Galileo played a small part, it helped me put it in the right time context. Very nice to get a little women's history in a novel. I found a good short bio and some images of her paintings at http://www.artchive.com/artchive/G/ge... ( )
  LCB48 | Aug 3, 2009 |
I thoroughly enjoyed this book. I may, perhaps, be a bit biased since the author also happens to have been my high school English teacher, but I thought the writing was phenomenal. I felt like I entered the 17th century Italian world of Artemisia and didn't want the story to end. Vreeland beautifully mixes fact and fiction in a story that left me wanting to learn all I can about the real Artemisia Gentileschi. ( )
  isk8jewel | Feb 21, 2009 |
This excellent historical romance novel reflects on the life of the post-Italian Renaissance era painter Artemisia Gentileschi. She encounters many struggles throughout her career by being mocked at her own rape trial and living as an unhappy wife in an arranged marriage but succeeds with her established talents as an artist; she gains national recognition and becomes a member of one of the highest cultural institutions in Italy. A compassionate tale of a woman who overshadows her hardships by following her dreams.
  blueoc23 | Jul 7, 2008 |
The book club really likes historical fiction, especially about art and artists, so this was a great choice. ( )
  Eveningbookclub | Dec 15, 2007 |
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Book description
A historical novel based on post-Italian Renaissance period where a female expresses herself as the artist and painter.

Amazon.com (ISBN 0142001821, Paperback)

Like her bestselling debut, Girl in Hyacinth Blue, Susan Vreeland's second novel, The Passion of Artemisia, traces a particular painting through time: in this case, the post-Renaissance painter Artemisia Gentileschi's violent masterpiece, "Judith." Although the novel purports to cover the life of the painter, the painting serves as a touchstone, foreshadowing Artemisia's rape by Agostino Tassi, an assistant in her father's painting studio in Rome; the well-documented (and humiliating) trial that followed; the early days of her hastily arranged marriage; and her eventual triumph as the first woman elected to the Accademia dell' Arte in Florence. Although Vreeland makes a bit free with her characters (which she admits in her introduction), attributing some decidedly modern attitudes to people who would not have thought that way at the time, her book is beautifully researched and rich with casual detail of clothing, interiors, and street life. She deftly works history and politics into the background of her canvas, keeping her focus on Artemisia and her family. Beyond the paintings Artemisia left behind, Vreeland's vision may be as close as we can come to understanding the anger and ambition that kept this talented woman at the doors of the Accademia, demanding entrance, in a time when respectable women rarely left their homes. --Regina Marler

(retrieved from Amazon Fri, 24 Apr 2009 07:58:17 -0400)

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