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England, England by Julian Barnes
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England, England (original 1998; edition 1998)

by Julian Barnes

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1,878388,892 (3.26)123
A replica of Britain is created on the Isle of Wight, complete with Robin Hood, Princess Di and replays of the Battle of Britain. It is the idea of a millionaire to show tourists the real Britain, a land with a great past and no future.
Member:lauraliisamaria
Title:England, England
Authors:Julian Barnes
Info:London : Cape, 1998.
Collections:Your library
Rating:**1/2
Tags:None

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England, England by Julian Barnes (1998)

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» See also 123 mentions

English (34)  Spanish (2)  German (1)  French (1)  All languages (38)
Showing 1-5 of 34 (next | show all)
Funnier the first time I read it, over 15 years ago, in an pre-Trump era; now it's a bit less funny and a bit more sad. A smart Everywoman, disillusioned in love at an early age when her father leaves, takes control of a corporate world that is a nation-state unto itself, an England more English than England, on the Isle of Wight: a theme park that celebrates history as photo collage with fun captions. It continues the theme of historical fiction presented in Flaubert's Parrot: how all history is fictionalized to various extents, and all our fictions have a history. Also continued are themes of lovers ennui, despair as way of life, and what makes truth truthful in the larger context. Some easy shots, a bit snarky in places, but redeemed by the main character, who is really the only character with development. ( )
  saschenka | Mar 12, 2023 |
A very well researched and funny (satirical) book that is let down a little by a very slow build-up. The central concept of simulacra is well maintained and this is an enjoyable read for large sections. ( )
  ephemeral_future | Aug 20, 2020 |
I'm afraid I did not finish this book. It starts well enough, with a short section introducing Martha Cochrane as a child, and talking about memory and accuracy of memory.

The next section I found less interesting. Here we meet Sir Jack Pitman, who wants to turn the Isle of Wight into a theme park representing all things English, and Paul Harrison, an ideas catcher, who becomes Martha's lover.

Not one for me, it was chosen as this month's book club read, and I discovered at the meeting that I was not the only one who had not finished it. I gather by not finishing it, I have missed some funny and interesting bits, so I've put it to one side to revisit at some point. ( )
  Deborah_J_Miles | May 25, 2020 |
I did not enjoy this at all, there were some funny moments though ( )
  karenshann | Dec 31, 2019 |
I really wanted to enjoy this, and the premise was wonderful: a tycoon decides to buy the Isle of Wight and create a miniature England, with all the sights and none of the bad parts, everything close together. The possibilities for a satire of English life and commercialism, with this little comparison offshore, are excellent. But the main characters never take hold. Tycoon Jack has little depth, which is fine, but his foil, Martha, is presented as a fuller version of a person, and yet somehow I never knew her or cared to know her. ( )
1 vote lisahistory | Apr 15, 2019 |
Showing 1-5 of 34 (next | show all)
Mit liebevoll zynischem Blick stellt Barnes in "England, England" einen ganzen Strauß von philosophischen, politischen und gesellschaftlichen Zeitphänomenen zusammen. Beispielsweise gehören die wenig familienverträglichen Reflexionen des angestellten Historikers Dr. Max über den Mythos des Freiheitskämpfers Robin Hood - über den jede und jeder Bescheid zu wissen glaubt - sicher zu den humorigen Glanzlichtern des Romans. Gelungen ist Barnes so eine komisch-absurde Satire auf die Ferienpark-Industrie und das allseits propagierte Primat der Ökonomie unter neoliberalen Vorzeichen.
 
Barnes uses his copious talents as a writer -- his lapidary prose, his eye for the askew detail, his ear for the circumlocutions of contemporary speech -- to turn the saga of England, England into an uproarious farce that mocks both our postmodernist suspicion of the authentic and our Disney-like willingness to turn that embrace of the ersatz into a money-making machine. He examines the arbitrary nature of history writing and the cyclical nature of history, and he satirizes the ideas that the English hold about themselves.
 
A mischievous satire on the marketing of illusion and a trenchant analysis of a rootless woman’s interrupted pursuit of authenticity are joined in a highly original way in this consummately entertaining novel, the eighth by the dependably clever British author.
added by Nickelini | editKirkus Reviews (May 10, 1999)
 

» Add other authors (15 possible)

Author nameRoleType of authorWork?Status
Julian Barnesprimary authorall editionscalculated
Basso, SusannaTranslatorsecondary authorsome editionsconfirmed
Gower, NeilCover artistsecondary authorsome editionsconfirmed
Versluys, MarijkeTranslatorsecondary authorsome editionsconfirmed

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'What's your first memory?' someone would ask.
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[The sleaze journalist's victim] felt initially calmed both by Gary's manner and by his lies.... Instead of suggestive pencil-licking, he made slow notes with a gold-nibbed fountain-pen, the sort of semi-antique that could become a talking-point ... And the tape-recorder would turn and turn - the likeable fountain-pen having long been put away ... By this time you had already signed the contract and seen the air-tickets.
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A replica of Britain is created on the Isle of Wight, complete with Robin Hood, Princess Di and replays of the Battle of Britain. It is the idea of a millionaire to show tourists the real Britain, a land with a great past and no future.

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Book description
Imagine an England where all the pubs are quaint, where the Windsors behave themselves (mostly), where the cliffs of Dover are actually white, and where Robin Hood and his merry men really are merry. This is precisely what visionary tycoon Sir Jack Pitman seeks to accomplish on the Isle of Wight, a "destination" where tourists can find replicas of Big Ben (half size), Princess Di's grave, and even Harrod's (conveniently located inside the tower of London).
Martha Cochrane, hired as one of Sir Jack's resident "no-people," ably assist him in realizing his dream. But when this land of make-believe gradually gets horribly and hilariously out of hand, Martha develops her own vision of the perfect England. Julian Barnes delights us with a novel that is at once a philosophical inquiry, a burst of mischief, and a moving elegy about authenticity and nationality.
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