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Shadow Country by Peter Matthiessen
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Shadow Country (Modern Library Paperbacks)

by Peter Matthiessen

Series: Watson Trilogy (retelling)

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2971318,620 (3.91)29
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Modern Library (2008), Paperback, 912 pages

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Collections:Your libraryRating:**1/2
Tags:i tried and tried but i never could get into this
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Shadow Country is Peter Matthiessen’s reworked rendering of his earlier trilogy of historical fiction relating the life of the brutal Florida pioneer Edgar J. Watson. This version still consists of three “books” and runs to almost 900 pages. I did not read the earlier version and so cannot offer comparisons between the two.

Shadow Country is almost entirely set in the 1890’s and early 1900’s in a frontier region not widely known – the Ten Thousand Islands of south Gulf Coast Florida (the Everglades area). The area was absurdly remote at the time and presented such daunting challenges and dangers to any settlers that it was in fact nearly unsettled. And nearly all who did settle there were running or hiding from something, such as the law or deserted family members. Or they were just deeply anti-social. Aside from its remoteness, the area had almost nothing to recommend itself (I usually the qualified ‘almost nothing’ in the vent that I think of some redeeming feature). It is brutally hot and humid, resistant to agriculture, possessed of dangerous animals (on sea and land), prone to calamitous storms, infested with mosquitoes, and inhabited by a large proportion of suddenly violent men as well as sociopathic criminals. This is the place Edgar J. Watson chooses to live.

Within the first ten pages of Book One, the reader confronts this sentence: “Oh Lord God,” she cries. “They are killing Mr. Watson!” (Killing off the main character in the opening pages of a 900-page work of fiction proves Matthiessen is either brave or foolish.) The story is told with a dozen different narrators recalling Watson’s arrival and life in the islands. Matthiessen’s remarkable ability to produce so many distinctive voices makes this book incredibly readable. These people can all tell a story (they are in good practice life on the islands providing so much idle time). Matthiessen does not, however, make them all tell the same story; differences of viewpoint produce a fascinating ambiguity.

That Watson is an exceptional man is undoubted. Beginning with nothing, he manages to set himself up as a power to be reckoned with. He is also grandiose, violent, and merciless. But is he a murderer (several times over)? Opinions vary. He drinks too much. He loses what he has and what he wants and what he values. It is a hard life in a hard place.

Book Two traces the story of Lucius Watson’s “obsessive quest for the truth about his father” (NYT Review). It is the 1920’s and Lucius is writing a history of his father’s life (he has a doctorate in history), traveling to courthouse archives and interviewing long-forgotten family members. But he also has “the list” of the armed men who gunned down the elder Watson. The list naturally makes people nervous and some of them are quite dangerous. Book Two reveals some fascinating history, including the mostly unsavory operation of the law in south Florida, such as sheriff’s renting the labor of black inmates to business interests (and pocketing much of the money).

Book Three presents Edgar himself as the narrator of his life story from a child in South Carolina to various stopping places in Florida, Arkansas, and finally the Thousand Islands. The brutality of his childhood, the ready violence of white men toward blacks and of his own father toward him, makes Edgar’s later actions more understandable person, if not justified. He develops a rigid personal code that demands recompense in full for any slight. He attempts a justification that reveals some complexity and contradictions, but falls short of the mark.

Shadow Country is an American epic of a mysterious historical character (yes, Edgar Watson really lived and died in the islands). The writing is at times exquisite. The story it tells is often brutal or just about plain hard life. The writing is compelling, the reading can be draining. ( )
1 vote dougwood57 | Dec 31, 2009 |
Great writing. Confusing to keep characters and families straight in the beginning. The story of a murder told from three different points of view. Great history of the Everglades. Also the stories of the main characters are well told. ( )
  kimoqt | Aug 14, 2009 |
Mathiessen's historicized fictional Edgar Watson is a fascinating character. His story is interwoven with that of the state of Florida and a history of racism at the turn of the last century. The first section of the book is told from revolving viewpoints of people and relatives who knew Edgar Watson. The second segment is told by his son Lucius, a historian. The third is told by Edgar himself.

Few writers could handle these acrobatics of Point of View, yet Matthiessen manages it skillfully, turning the tapestry of the tales into one story, though it’s always shifting. It’s fascinating, compelling stuff. It won the National Book Award last year.

And yet. This would not be a book I would press on a stranger, or even someone I didn’t know very well. It’s clearly a life’s work for Matthiessen. While rewarding, it’s definitely not a book for general audiences. But if you’re interested in U.S. and Florida history, like thick books that you can sink into for weeks or months at a time, or love historical novels with complex characters, then this is certainly worth checking out. Just give yourself plenty of time to devote to it. ( )
  Girl_Detective | Jul 24, 2009 |
I'm a huge fan of historical fiction so when this book came out I was sure I'd like it. However, it had a lot going against it. First of all, its' daunting length-just short of 900 pages of dense writing. Then the absolutely incredible number of characters-impossible to keep straight and the lengthy list in the front of the book doesn't even scratch the surface. On page 715 I was still back pedalling, trying to refresh my memory about recurring characters. Then there was the southern dialect that I thought would make for difficult reading. With all that going against it, why did I absolutely LOVE this book? It was the writing! Matthiessen really can write. All the quotes on the first couple of pages, "epic," "masterpiece," "magnum opus," "touchstone of modern American literature" that usually seem like platitudes turned out to be dead on.

There's no way to summarize the book- as I said, too many characters. The novel is divided into three books and at the beginning of the first book, in the prologue, we learn about the killing of Mr. Watson, which the rest of the book explores from different viewpoints. Book One is divided into sections told by different characters-his neighbors, those people on the shore where he died and sections of his daughter Carrie's diary. Book Two is the story of Watson's son Lucius and his research into those responsible for his father's death. Along the way, he has to accept that the father he loved and adored was more and less than what he seemed. In Book Three, EJ Watson tells the story of his life and adventures, including all that led up to his death.

Set in southwestern Florida for the most part, with forays into northern Florida, South Carolina and the Oklahoma Indian Territory, in the years following the Civil War into the 1920's, Mattiessen tells a tale about the settling of and taming of the Florida Everglades and, in the telling, you learn about the frontier spirit that founded our great country. With a smattering of famous figures including Thomas Edison and Mark Twain, Matthiessen's themes include the unrelenting racism displayed in this part of the country during that time, nature's power, poverty, class struggle, man vs. nature, man vs. man and man vs. himself. In the end EJ Watson, who should be a hated figure, gives us much to think about. He will certainly go down as one of the most fascinating and riveting characters ever developed. Highly recommended. ( )
1 vote brenzi | Jul 12, 2009 |
Repetitious and way too long. Retelling of the events from several viewpoints was tedious and sometimes downright difficult to get through. Several times I asked myself why I continued to listen. I was always hoping the book would redeem itself in the end. I give it two stars only for the description of the time and place. I'd give the reader, Anthony Heald, five stars for making it as interesting as possible. Ah..two weeks of my life I could have been reading something else. ( )
1 vote sharlene_w | Apr 18, 2009 |
Showing 1-5 of 13 (next | show all)
To sum it up in a few words is impossible since its interest lies in the ambition of storytelling and inevitability of story.
 
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Epigraph
Look at a stone cutter hammering away at his rock, perhaps a hundred times without so much a crack showing in it. Yet at the hundre-and-first blow it will split in two, and I know it was not the last blow that did it, but all that had gone before. -- Jacob Riis
Dedication
With love to my brother Carey and my ever dear Maria
First words
Sea birds are aloft again, a tattered few.
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Book description

Amazon.com Product Description (ISBN 081298062X, Paperback)

2008 NATIONAL BOOK AWARD WINNER

Peter Matthiessen’s great American epic–Killing Mister Watson, Lost Man’s River, and Bone by Bone–was conceived as one vast mysterious novel, but because of its length it was originally broken up into three books. In this bold new rendering, Matthiessen has cut nearly a third of the overall text and collapsed the time frame while deepening the insights and motivations of his characters with brilliant rewriting throughout. In Shadow Country, he has marvelously distilled a monumental work, realizing his original vision.

Inspired by a near-mythic event of the wild Florida frontier at the turn of the twentieth century, Shadow Country reimagines the legend of the inspired Everglades sugar planter and notorious outlaw E. J. Watson, who drives himself relentlessly toward his own violent end at the hands of neighbors who mostly admired him, in a killing that obsessed his favorite son.

Shadow Country
traverses strange landscapes and frontier hinterlands inhabited by Americans of every provenance and color, including the black and Indian inheritors of the archaic racism that, as Watson’s wife observed, "still casts its shadow over the nation."

Peter Matthiessen’s lyrical and illuminating work in the Watson narrative has been praised highly by such contemporaries as Saul Bellow, William Styron, and W. S. Merwin. Joseph Heller said "I read it in great gulps, up each night later than I wanted to be, in my hungry impatience to find out more and more."

Praise for Shadow Country
Shadow Country is altogether gripping, shocking, and brilliantly told, not just a tour de force in its stylistic range, but a great American novel, as powerful a reading experience as nearly any in our literature. This magnificent, sad masterpiece about race, history, and defeated dreams can easily stand comparison with Ralph Ellison's Invisible Man and Robert Penn Warren's All the King's Men. Little wonder, too, that parts of the story of E.J. Watson call up comparisons with Dostoevsky, Conrad, and, inevitably, Faulkner. In every way, Shadow Country is a bravura performance, at once history, fiction, and myth–as well as the capstone to the career of one of the most admired and admirable writers of our time.” — The New York Review of Books

“Magnificent and capacious…. I'll just say right here that the book took my sleeve and like the ancient mariner would not let go. Matthiessen has made his three-part saga into a new thing…. Finally now we have these books welded like a bell, and with Watson's song the last sound, all the elements fuse and resonate….a breathtaking saga.”The Los Angeles Times

Gorgeously written and unfailingly compelling, Shadow Country is the exhilarating masterwork of [Matthiessen’s] career, every bit as ambitious as Moby Dick.” — National Geographic Adventure magazine

“Peter Mattiessen consolidates his epic masterpiece of Florida -- and crafts something even better…[He] deserves credit for decades of meticulous research and obsessive details and soaring prose that converted the Watson legend into critically acclaimed literature….Anyone wanting an explanation for what happened to Florida can now find it in a single novel, a great American novel.” — Miami Herald

“Matthiessen is writing about one man's life in Shadow Country, but he is also writing about the life of the nation over the course of half a century. Watson's story is essentially the story of the American frontier, of the conquering of wild lands and people, and of what such empires cost….Even among a body of work as magnificent as Matthiessen's, this is his great book.” — St. Petersburg Times

Shadow Country is a magnum opus. Matthiessen is meticulous in creating characters, lyrical in describing landscapes, and resolute in dissecting the values and costs that accompanied the development of this nation.” --Seattle Times

“Shadow Country” is an ambitious, lasting, and meaningful work of literature that will not soon fade away. It is a testament to Mr. Matthiessen’s integrity as an artist that he felt compelled to return to the Watson material to produce this work and satisfy his original vision….a multifaceted work that can be read variously or simultaneously as a psychological novel, a historical novel, a morality tale, a political allegory, or a mystery. -- East Hampton Star

“Matthiessen’s Watson trilogy is a touchstone of modern American literature…this reworking…is remarkable….Where Watson was a magnificent character before, he comes across as nothing short of iconic here; it’s difficult to find another figure in American literature so thoroughly and confincingly portrayed.” — Publishers Weekly, starred review, Pick of the Week
“Matthiessen has reinvigorated and rejoined the trilogy’s novels…a mosaic about the life and lynch-mob death of a turn-of-the century Florida Everglades sugar planter and serial killer named E. J. Watson — into the 900-plus-page Shadow Country. This is no mere repackaging: Four hundred pages were cut from the novels, previous background characters now tromp to the foreground, and the books’ rangy, Faulknerian essence is rendered more digestible. Deliciously digestible, that is; this is a thick porterhouse of a novel.” — Men’s Journal
"The fiction of Peter Matthiessen is the reason a lot of people in my generation decided to be writers. No doubt about it. SHADOW COUNTRY lives up to anyone's highest expectations for great writing." -- Richard Ford
"Peter Matthiessen is a brilliantly gifted and ambitious writer, an inspired anatomist of the American mythos. His storytelling skills are prodigious and his rapport with his subject is remarkable." -- Joyce Carol Oates
"Peter Matthiessen's work, both in fiction and non-fiction, has become a unique achievement in his own generation and in American literature as a whole. Everything that he has written has been conveyed in his own clear, deeply informed, elegant and powerful prose. The Watson saga-in-the-round, to which he has devoted nearly thirty years, is his crowning achievement. SHADOW COUNTRY, his distillation of the earlier trilogy, is his transmutation of it to represent his original vision. It is the quintessence of his lifelong concerns, and a great legacy." -- W.S. Merwin


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