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will love Sign up for LibraryThing to find out whether you'll like this book. Great writing. Confusing to keep characters and families straight in the beginning. The story of a murder told from three different points of view. Great history of the Everglades. Also the stories of the main characters are well told. Mathiessen's historicized fictional Edgar Watson is a fascinating character. His story is interwoven with that of the state of Florida and a history of racism at the turn of the last century. The first section of the book is told from revolving viewpoints of people and relatives who knew Edgar Watson. The second segment is told by his son Lucius, a historian. The third is told by Edgar himself. Few writers could handle these acrobatics of Point of View, yet Matthiessen manages it skillfully, turning the tapestry of the tales into one story, though it’s always shifting. It’s fascinating, compelling stuff. It won the National Book Award last year. And yet. This would not be a book I would press on a stranger, or even someone I didn’t know very well. It’s clearly a life’s work for Matthiessen. While rewarding, it’s definitely not a book for general audiences. But if you’re interested in U.S. and Florida history, like thick books that you can sink into for weeks or months at a time, or love historical novels with complex characters, then this is certainly worth checking out. Just give yourself plenty of time to devote to it. I'm a huge fan of historical fiction so when this book came out I was sure I'd like it. However, it had a lot going against it. First of all, its' daunting length-just short of 900 pages of dense writing. Then the absolutely incredible number of characters-impossible to keep straight and the lengthy list in the front of the book doesn't even scratch the surface. On page 715 I was still back pedalling, trying to refresh my memory about recurring characters. Then there was the southern dialect that I thought would make for difficult reading. With all that going against it, why did I absolutely LOVE this book? It was the writing! Matthiessen really can write. All the quotes on the first couple of pages, "epic," "masterpiece," "magnum opus," "touchstone of modern American literature" that usually seem like platitudes turned out to be dead on. There's no way to summarize the book- as I said, too many characters. The novel is divided into three books and at the beginning of the first book, in the prologue, we learn about the killing of Mr. Watson, which the rest of the book explores from different viewpoints. Book One is divided into sections told by different characters-his neighbors, those people on the shore where he died and sections of his daughter Carrie's diary. Book Two is the story of Watson's son Lucius and his research into those responsible for his father's death. Along the way, he has to accept that the father he loved and adored was more and less than what he seemed. In Book Three, EJ Watson tells the story of his life and adventures, including all that led up to his death. Set in southwestern Florida for the most part, with forays into northern Florida, South Carolina and the Oklahoma Indian Territory, in the years following the Civil War into the 1920's, Mattiessen tells a tale about the settling of and taming of the Florida Everglades and, in the telling, you learn about the frontier spirit that founded our great country. With a smattering of famous figures including Thomas Edison and Mark Twain, Matthiessen's themes include the unrelenting racism displayed in this part of the country during that time, nature's power, poverty, class struggle, man vs. nature, man vs. man and man vs. himself. In the end EJ Watson, who should be a hated figure, gives us much to think about. He will certainly go down as one of the most fascinating and riveting characters ever developed. Highly recommended. Repetitious and way too long. Retelling of the events from several viewpoints was tedious and sometimes downright difficult to get through. Several times I asked myself why I continued to listen. I was always hoping the book would redeem itself in the end. I give it two stars only for the description of the time and place. I'd give the reader, Anthony Heald, five stars for making it as interesting as possible. Ah..two weeks of my life I could have been reading something else.
To sum it up in a few words is impossible since its interest lies in the ambition of storytelling and inevitability of story.
References to this work on external resources.
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| Book description |
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(retrieved from Amazon Tue, 05 Jan 2010 12:31:17 -0500)
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Shadow Country is almost entirely set in the 1890’s and early 1900’s in a frontier region not widely known – the Ten Thousand Islands of south Gulf Coast Florida (the Everglades area). The area was absurdly remote at the time and presented such daunting challenges and dangers to any settlers that it was in fact nearly unsettled. And nearly all who did settle there were running or hiding from something, such as the law or deserted family members. Or they were just deeply anti-social. Aside from its remoteness, the area had almost nothing to recommend itself (I usually the qualified ‘almost nothing’ in the vent that I think of some redeeming feature). It is brutally hot and humid, resistant to agriculture, possessed of dangerous animals (on sea and land), prone to calamitous storms, infested with mosquitoes, and inhabited by a large proportion of suddenly violent men as well as sociopathic criminals. This is the place Edgar J. Watson chooses to live.
Within the first ten pages of Book One, the reader confronts this sentence: “Oh Lord God,” she cries. “They are killing Mr. Watson!” (Killing off the main character in the opening pages of a 900-page work of fiction proves Matthiessen is either brave or foolish.) The story is told with a dozen different narrators recalling Watson’s arrival and life in the islands. Matthiessen’s remarkable ability to produce so many distinctive voices makes this book incredibly readable. These people can all tell a story (they are in good practice life on the islands providing so much idle time). Matthiessen does not, however, make them all tell the same story; differences of viewpoint produce a fascinating ambiguity.
That Watson is an exceptional man is undoubted. Beginning with nothing, he manages to set himself up as a power to be reckoned with. He is also grandiose, violent, and merciless. But is he a murderer (several times over)? Opinions vary. He drinks too much. He loses what he has and what he wants and what he values. It is a hard life in a hard place.
Book Two traces the story of Lucius Watson’s “obsessive quest for the truth about his father” (NYT Review). It is the 1920’s and Lucius is writing a history of his father’s life (he has a doctorate in history), traveling to courthouse archives and interviewing long-forgotten family members. But he also has “the list” of the armed men who gunned down the elder Watson. The list naturally makes people nervous and some of them are quite dangerous. Book Two reveals some fascinating history, including the mostly unsavory operation of the law in south Florida, such as sheriff’s renting the labor of black inmates to business interests (and pocketing much of the money).
Book Three presents Edgar himself as the narrator of his life story from a child in South Carolina to various stopping places in Florida, Arkansas, and finally the Thousand Islands. The brutality of his childhood, the ready violence of white men toward blacks and of his own father toward him, makes Edgar’s later actions more understandable person, if not justified. He develops a rigid personal code that demands recompense in full for any slight. He attempts a justification that reveals some complexity and contradictions, but falls short of the mark.
Shadow Country is an American epic of a mysterious historical character (yes, Edgar Watson really lived and died in the islands). The writing is at times exquisite. The story it tells is often brutal or just about plain hard life. The writing is compelling, the reading can be draining. (