Click on a thumbnail to go to Google Books.
Loading... One Vacant Chair (edition 2003)by Joe Coomer
Work InformationOne Vacant Chair by Joe Coomer
Loading...
Sign up for LibraryThing to find out whether you'll like this book. No current Talk conversations about this book. I read this for a bookclub. Not really my cup of tea. I read the first third and the last third. The writing and imagery were good. ( ) The beginning of the book had some good one-liners. But overall the tone dims down as real lift issues are dealt with and a twist at the end. Coomer writes from a woman's perspective which is interesting for a male writer. Characters are developed in some cases and left to the reader in others. Overall a good read. I discovered Joe Coomer's books years ago through another reading friend's recommendation. Then I chose one of his books for my summer book club last summer to help spread the word a bit farther. There's just something wonderful about the quirky characters he creates and the way in which he can tackle deep philosophical issues in the guise of a humorous, thinking novel that makes his work shine. One Vacant Chair is the latest I've read and thoroughly enjoyed. This novel opens with the Hutton family gathering for the memorial service to bury their mother and grandmother. Edna, an unmarried school cafeteria worker and artist who paints portraits of chairs had taken care of her cantankerous, bedridden mother for twenty odd years. But Edna (and grandma) lived lives that would have surprised the rest of the family and after the reading of the will where grandma asked for her ashes to be scattered in Scotland, a place she'd never been, the details of their lives start to emerge. Sarah, Edna's niece, reeling from her husband's infidelity, offers to stay and help her aunt pull together all the lose ends involved in international travel for those who have never left home. She also has the chance to observe her aunt's artistic process and to get in touch her own artistic roots while in the presence of a wonderful artist, one who will be revered posthumously as small comments scattered throughout Sarah's telling of the story make clear. While living with Edna and then traveling with her to Scotland, Sarah learns the secrets, large and small, of her aunt's life and comes face to face with the delicate realities of living and dying. On the surface, a quirky tale filled with unusual characters, Coomer has a knack for delving deeply into the things that drive our lives. Here the examination is not only of life and death as points on the same continuum but also of the place of family and love on our own personal time lines. With Sarah telling the story from the benefit of hindsight, the reader knows much of the territory that the narrative will cover but that doesn't make it dismissively predictable. Instead, it freights the conversations between Sarah and aunt Edna with more portents than perhaps would have been possible otherwise. And still there are major twists that are surprising in their deviation from the expected. As the two women travel through Scotland doling out ashes in the places they have chosen, they each struggle with the path their lives are on, trying to find the right thing for themselves in balance with those surrounding them. The book is never preachy and always accessible but it is full of the symbolic and the philosophical. It is beautifully presented and entertainingly drawn, well-written and appealing. You'll warm to the characters, ache with their indecision and weaknesses, and laugh with their eccentricities. You might even learn something about art and art process (I sure did). Readers looking for an unusual story will be richly rewarded with this one. It's a gem. no reviews | add a review
A hilarious and irresistible new novel by Joe Coomer, whomThe Washington Timescalls "a marvelously creative comic writer" It's where you sit down that determines everything in life. Sarah's aunt Edna paints portraits of chairs. Not people in chairs, just chairs. The old house is filled with the paintings, and the chairs themselves surround her work-a silent yet vigilant audience. At the funeral of Grandma Hutton-whom Edna has cared for through an agonizingly long and vague illness-Sarah begins helping her aunt clean up the last of a life. This includes honoring Grandma's surprising wish to have her ashes scattered in Scotland. "We were two fat women, eighteen years apart, a chair artist and a designer of Christmas ornaments, who only knew we had troubles and a hot summer to get through," says Sarah. But as it turns out, there is a great deal more to quirky Aunt Edna's troubles than Sarah could possibly imagine. As the novel turns from the hot, oppressive heat of Texas to the misty beauty of Scotland, she learns of her aunt's remarkable secret life and comes to fully understand the fragile business of living, and even of dying. Praised for his richly drawn characters and as a master storyteller, Joe Coomer is at the height of his powers inOne Vacant Chair. Winner of the S. Mariella Gable Fiction Prize No library descriptions found. |
Current DiscussionsNonePopular covers
Google Books — Loading... GenresMelvil Decimal System (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999LC ClassificationRatingAverage:
Is this you?Become a LibraryThing Author. |