This is easily the worst of this series. The style even changes, as this volume is somewhat less hardboiled than the rest of it.

Pitt, now exiled out of his usual area thanks to everyone being pissed off at him is trying to get along. It isn't long before he is dragged back in, but by just about everyone, Society, Coalation, Amanda Horde and her research facility for the Cure and home for strays, and others. Even the Count, now at the Enclave.

Then the book sort of just stops, a bit disappointing. Pitt's a lot beaten up and beaten down now, maybe he's planning to polish him off in the next one.

http://notfreesf.blogspot.com/2009/02... ( )

"The man breeds lies. He spawns them asexually, with no need for any assistance. He exhales, and lies fill the air. Alone in a room, he mutters lies to himself to keep from falling into the trap of truth-telling. In the day, sleeping in his bed, deep in the safest heart of Coalition headquarters, he dreams in lies. The better to keep his left hand from knowing what betrayals his right has planned." – Joe Pitt, Every Last Drop

Sometimes the truth hidden underneath is even more dangerous than the lies we use to obscure it. And sometimes secrets are better off being left unrevealed. In “Every Last Drop”, the latest novel in the Joe Pitt Casebooks by writer extraordinaire Charlie Huston, we see just how dangerous some truths can be, and how being ignorant can occasionally be the safer course of action. This is because certain truths can fundamentally change you, transforming you, in essence, into a completely different person, as if your selfhood has been reimagined. To play on a cliché, truth doesn’t just set you free, it kills you. Then it brings you back utterly alien from your former self. It is reverse reincarnation: the body persists, but becomes inhabited by a different soul.

Interestingly, this is not unlike the transformative effects that the Vyrus has on those who are infected with it. Contracting the Vyrus is the moment of truth as it completely changes the person in both body and soul. One who has contracted the Vyrus has no choice but to leave their old life behind, which includes their family and friends. Family and friends know you and maintain a certain perception about you. But what happens when you can never go out in the sun again, or you must feed on blood? What explanations can you give to them? How can you live under the constraints of a life that is no longer your own? The answer is: you can’t. Your only choice is to walk away and start a new life. To go from being Simon to being Joe Pitt.

This concept of truth being potentially transformative to one’s idea of self is a major theme in “Every Last Drop”. Nowhere is this more evident than in a crucial event near the end of the novel. As Joe prepares to unravel one of the Coalition’s deepest mysteries, one of the characters remarks: “I will not see you again. You will not come back. If someone comes back, it will not be you.” This raises one of the most interesting aspects of Huston’s work: how are we to understand Joe Pitt. It would be incredibly simplistic to pigeonhole Joe as a “good” vampire; this is, in fact, terribly misguided. It is impossible to judge Joe in terms of our basic concept of morality as either good or evil. His actions may be categorized in this light, but what Joe really is, is honest to himself even if that requires him taking a course of action that is difficult and ugly, or even seemingly self-destructive. Honesty as being potentially self-destructive goes back to the idea of truths being transformative. What Joe ultimately symbolizes is a person willing to sacrifice himself and others for truth, willing to explore the ugliness that is sometimes hidden in the shadows of what we consider as “doing good”. This is, in essence, the argument of whether to kill a few people in order to save many. It is a fascinating idea which Huston has deftly explored during the course of the series, particularly within the context of Joe and Evie’s relationship.

After the earthshaking events of the last book, “Half the Blood of Brooklyn”, Joe Pitt finds himself as a rogue, unaffiliated with the Clans, living in the shadow of Yankee Stadium in the Bronx. Needing to replenish his blood supply, Joe knocks around a neighborhood drug dealer one night in order to grab a few pints. After introducing the dealer to unconsciousness, Joe is interrupted by a gang of young delinquents trying to hone in on his score. It seems the youngsters also have the Vyrus and a taste for blood. Soon a confrontation ensues and Joe is subdued and hauled back to Lament. Lament, who is responsible for infecting this gang of street hoodlums, controls them through fear and humiliation. During the course of an unforgettable introductory scene between Lament and Joe, events are interrupted by Maureen Vandewater. It seems that Ms. Vandewater is to escort Joe to a very important meeting with Dexter Predo, the head of Coalition security.

Despite their past history, Predo explains his problem to Joe, a situation he believes Joe would be most helpful in solving. Amanda Horde, the extremely wealthy head of a cutting-edge biotech corporation, has started a new clan called Cure. While Amanda is aware of vampires, she is not one herself. Still, she wishes to discover a cure for the Vyrus. Horde quickly gathers a large group of vampires sympathetic to her cause. But it isn’t the large army that Amanda is massing that worries Predo, rather he fears Amanda will publicize the existence of vampires to the mainstream press. Predo, who wishes to exploit the close relationship Joe has with Amanda whose life he previously saved, forces Joe to join Cure and act as his spy.

Immediately upon returning to Manhattan, Joe visits Amanda Horde and reveals Predo’s plan to her, starting a chain of events that eventually leads him to factory in Queens which harbors the Coalition’s biggest secret. Upon unraveling the hideous truth, Joe is shaken to his very core. It is a truth he must endure in order to gain what he really wants: to once again live in Manhattan. Because only in Manhattan will he have an opportunity to find out if Evie is still alive.

Huston shows a masterful ability to craft stories that ooze realism. Not only is his main character brutally honest, his novels are too. There is an immediacy and elegance to his prose that resonates with the reader. Words are not wasted. Sentences are short, simple, and on point. Convolution of plot and contrived moments don’t exist in his books. If Charles Bukowski had written in the urban fantasy genre, he would have been Charlie Huston.

In a sense, lumping Huston into urban fantasy is ludicrous, as he occupies a level in the genre all to himself. While the entire urban fantasy genre borrows greatly from noir literature, Huston is the only one that I’ve read who gets it right. Unlike other novels in the genre, “Every Last Drop” is first and foremost an amazing mystery-noir novel. It is secondly a novel about vampires. It’s a book that can only come from a writer who understands and, even more importantly, loves noir fiction.

If noir is gritty and hard-edged, “Every Last Drop” would be bundle of raw, exposed nerve endings. It’s as visceral and violent as a deafening shotgun blast, filled with a rat-a-tat dialogue seemingly fired straight out of a machine-gun. Huston is a great stylist of dialogue that is sparse and blunt, creating conversations that flow seamlessly and have that “cool” factor most writers can only dream about. It’s dialogue that doesn’t shirk away from being honest and ugly, even at the same time. Like the other novels in the series, “Every Last Drop” is extremely fast-paced and engrossing; an afternoon read that will never give you a dull moment.

Since this is the fourth book in a five book series, “Every Last Drop” doesn’t really work as an entry point into the series. A reader who starts here will likely miss most of the nuances in the story, which will undoubtedly lessen the emotional impact of the book. My suggestion would be to start with the first Joe Pitt novel, “Already Dead”, so you can savor the build up. I doubt you’ll be disappointed. Now for fans of the previous books in the series, “Every Last Drop” will not only satisfy your expectations, it may take them to a whole different level. Be warned though, after the events in this novel it may be hard to wait a year for what is shaping up to be a stunning conclusion.

Last Word:
By this point in the series, it’s obvious that Charlie Huston is really doing something special here. Huston, once again, has written a novel that should define the urban fantasy genre in years to come. Filled with an intelligence and literary style all its own, “Every Last Drop” is one of the best books of 2008. ( )

Let me start by saying, I love this series. I also have to say this book is a bit of a disappointment. I feel that the book is a bit repetitive, echoing the first book in the series.

In this book Joe has cut all his ties to the various vampire clans who were supporting/employing/tolerating him in Manhattan. His behavior has exiled him to the Bronx, and he can't return to Manhattan on pain of death. He of course yearns to return, because that is where his home is, and because, his girlfriend, Evie is there.

Joe has apparently been exiled for a couple of years when the book opens. He ends up being grabbed up by a gang of teeny vamps who are part of a sanctioned training program by the powers that be in Manhattan. Seems the big honcho in the Coalition, wants Joe to go on a super secret mission (sound familiar). The whole process to get Joe from the Bronx back to Manhattan, was awkward, and unsatisfying the read.

Joe is given money and a promise of return to Manhattan if he spies on a new group that has formed around Amanda Horde, the rich, high profile young woman whom Joe rescued when she was still a child. Now she is old enough to act for herself, and being a bio-expert (ha, ha) like her parents, she is looking into the Vyrus with an eye to a cure. Not only is she doing that but she has started a new clan, and will take in any vampire who wants to join. She is upsetting the balance of power, and the territoriality the other clans live by, yet she is too powerful, and public for them to attack. They also worry she may decide to go public and present them as 'diseased' and in need of a cure.

Joe of course likes Amanda and if there was one place he belonged, it was with her. But in true Joe form, he can't accept anything offered, he has to go it alone, and fight against any type of structure. He has refused her offer of sanctuary in the past. Its getting tiresome.

So in this book he ends up where he should have been all along, but now he is there unwillingly, and as a spy. He of course tells Amanda that he is there to spy, and then wanders off.

He is grabbed next by the Society people, that he almost killed the last time he was there. They want to execute him, but for cash will give him a pass. Joe needs to get the cash from Amanda, and she needs blood to feed her clan.

Her price to bail Joe out, is for him to go to Queens where the Coalition's unlimited blood supply comes from. Amanda wants to find out where the blood is coming from, for a chance to out-bid the Coalition with the supplier.

Of course if you have been paying attention to the series and how the vamps work, you know where it comes from. So while everyone in the book is horrified and disgusted, I saw it coming. I also don't see the big deal the vamps have about it. Its not like they treat non-vamps with respect, or care about using them, or hurting them. All they care about is getting their blood, and not getting caught and publicized. Joe brings to light a dirty secret, and Manhattan gears up for a vampire-clan war.

So it seems to me that Joe is just doing the same things, for the same people. Very little changes, and its predictable what is going to happen. Each new scene is just another opportunity for Joe to mouth off and act tough. Its getting a bit tiresome. Joe's attitude is also getting annoying. He can't accept help from anyone. He can't work with anyone, and he can't get along with anyone.

In this book he gets to spend some time with Evie and that relationship takes a predictable path.

I will keep reading the series, and hope that Huston comes up with something new, but I am worried that perhaps he has reached the end of his imagination. ( )