|
Loading... Cause Celebby Helen Fielding
LibraryThing recommendationsMember recommendationsLoading...
won't like
will probably not like
will probably like
will like
will love Sign up for LibraryThing to find out whether you'll like this book. Rosie Richardson works at a refugee camp in Nambula, Africa, where she's been for the last four years after breaking off a toxic relationship with the famous television man Oliver Merchant in London. It took me a while to get into this book, as it couldn't decide whether it wanted to be a serious look at starvation in the Third World, or Bridget Jones Goes to Africa (yes, I know it was written before Bridget Jones's Diary, but you get my drift). Some parts were very funny, and others made me feel like Fielding was trying to browbeat me into donating to charity. At first it stirred my compassion, but by the end it felt more like a lecture than a story. Fielding also relied a bit too heavily on dialect for differentiation, turning her characters into charicatures. Still, there was a fair bit of humor and reasonably engrossing drama; this was certainly not a bad first novel, but I can understand why Bridget Jones is so much more popular. ( )This book was entertaining and thought provoking. Not just your average chick lit. As someone who has visited a third world country intending to "help", it really hit home. This was a good book. It was darker than I expected, with serious subject matter infiltrating the author's usual absurd take on British social situations. No where near as good as the Bridget Jones books Boring, stupid, trying to be clever and coming out obnoxious. Celebrities are spoiled? Who knew?! Avoid this, and stick with Bridget. no reviews | add a review
Amazon.com (ISBN 0142000221, Paperback)Helen Fielding's novel Bridget Jones's Diary had a meandering, rather shapeless shape (as diaries will). Both fans and critics of that 1998 smash hit will be surprised to find that the author's first novel, previously unpublished in the United States, is a lot more sophisticated in structure. And Cause Celeb is nearly as fun as Bridget Jones's Diary, which is saying a lot, especially since Fielding's debut is about African famine. The narrator, Rosie Richardson, runs a relief camp in the invented country of Nambula. Henry, the most flippant member of her staff, wears a T-shirt that tersely lists the various motivations for relief workers to come to Africa: "(a) Missionary? (b) Mercenary? (c) Misfit? (d) Broken heart?" As Rosie herself admits, she is "a c/d hybrid and soft in the head to boot."Flashbacks reveal that in London, Rosie had fallen in love with an erratic, emotionally abusive (but adorable!) newscaster. As she trailed about town in Oliver's wake, she came to know his in-crowd of movie stars, directors, and musicians. Her split with this media magnet is what initially sent her to Africa. Four years into Rosie's exile, however, a plague of locusts descends on the crops of a neighboring country, and refugees begin to flood her camp. She decides there's only one thing to do: go back home and round up her old celeb pals for a benefit TV special. It should come as no shock that the London sequences are great fun, as is the climactic collision between movie stars and refugees. But the real treat is Fielding's handling of the camp sequences. Rosie and her staff struggle with their petty emotions as they confront the incredible suffering in front of them. Henry watches in disbelief as some starving refugees move their tent to a better location: "Never mind the old malnutrition--you go for the view." A newswoman visits the camp, and, fraught with emotion after first seeing the starving children, she caresses Rosie, whose response is this: "I hope the famine hadn't turned her into a lesbian." Fielding has found a voice that is both compassionate and irreverent, a rare and wonderful combination. --Claire Dederer (retrieved from Amazon Fri, 24 Apr 2009 07:58:19 -0400) The first test round has been closed. Visit the Open Shelves Classification group for details. |
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||