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Hard-Boiled Wonderland and the End of the…
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El fin del mundo y un despiadado pais de las maravillas (Spanish Edition) (original 1985; edition 2009)

by Haruki Murakami

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6,000107614 (4.14)193
Member:ehonorio
Title:El fin del mundo y un despiadado pais de las maravillas (Spanish Edition)
Authors:Haruki Murakami
Info:Tusquets (2009), Edition: 1, Paperback, 528 pages
Collections:Your library
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Hard-Boiled Wonderland and the End of the World by Haruki Murakami (1985)

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English (96)  French (3)  Spanish (3)  Dutch (2)  Italian (1)  German (1)  All languages (106)
Showing 1-5 of 96 (next | show all)
I'd previously read two Haruki Murakami novels, A Wild Sheep Chase, and After Dark, his earliest and most recent that have been translated into English, respectively. After hearing about how he was one of Japan's most beloved authors, I was really underwhelmed by those two offerings. Sheep was almost too bizarre to really appreciate, and After Dark was short and enjoyable, but nothing special. After reading Hardboiled Wonderland and the End of the World, however, I suddenly Got It.

The title refers to the two portions of the book - Hardboiled Wonderland is about a man who mentally processes information for a living - it's vaguely sci-fi-ish, but not enough to turn off readers who aren't interested in sci-fi. This nameless man finds himself running for his life underground when various groups suddenly decide they want him for their purposes. The End of the World is about a man who suddenly arrives in a unicorn-filled town that is surrounded by a Wall. He doesn't know how he got there or where he was before, and he must have his shadow cut away from him in order to live within the Wall. The novel goes back and forth between each half, which eventually start to tie together.

It's kind of similar to Neil Gaiman's Neverwhere, but that comparison will only take you so far. Murakami's nameless protagonists are more introspective than Gaiman's Richard Mayhew, and in the end, the focus is on what's going on within, rather than the action outside.

Despite flipping back and forth between the two halves, the novel flows very well. It kept my attention so well that I was eagerly looking forward to picking it up each time I had a chance to read, which is something I haven't felt about the last half-dozen or so books I've read. The novel was written in 1985, but other than the mention of cassettes, there was no sign that it was written over twenty years ago.

I'm really glad I didn't give up on Murakami after being disappointed by his first two that I read. Hopefully the rest of his books will hold some of the magic that Hardboiled Wonderland has, because I'll really feel let down if I go back to being underwhelmed again. ( )
  BrookeAshley | May 19, 2013 |
The thing I love about Murakami is the way reading his books makes my brain do flip-flops. It's like the sensation I get contemplating a koan. I wonder which consciousness I would choose, had I the option. ( )
  ImperfectCJ | May 4, 2013 |
Great Murakami work. The near-scifi history and the totally magical "End of the world" create a great narrative spiral toward a sad end. Perfectly Murakami. Absolutely recommendable. ( )
  pperez333 | Apr 26, 2013 |
The truth is, this isn't the best Murakami book I've read. To me it doesn't seem as sophisticated as some of the others, and I had a few issues with the prose that I've decided to put down to translation issues.

I can't decide whether to give this four or five stars, because even if it's not completely brilliant for Murakami, it's still pretty brilliant. The plot is interesting and strange. The literary allusions are many (and I'm sure I only recognized a few). The best part was the philosophical implications and questions. This book doesn't solve any philosophical problems, but it brings them to the forefront and makes you think.

So, no, it's not my favorite Murakami, but it is still really good. ( )
  CassieLM | Apr 5, 2013 |
A somewhat disappointing Murakami work, I wished for more psychological than sci-fi aspects as I was reading (as I am more of a Norwegian Wood/Kafka on the Shore fan...).
Some good quotes and pieces throughout-some existential/daily-life stuff that Murakami always nails. I also enjoyed the librarian/libraries themes, but overall it seemed like a Murakami core with some wonderful aspect missing?

( )
  alycias | Apr 4, 2013 |
Showing 1-5 of 96 (next | show all)
He has become the foremost representatives of a new style of Japanese writing: hip, cynical and highly stylized, set at the juncture of cyberpunk, postmodernism, and hard-boiled detective fiction.... Murakami [is] adept at deadpan wit, outrageous style.
added by GYKM | editLos Angeles Times Magazine
 
Murakami's bold willingness to go straight over the top [is] a signal indication of his genius... a world-class writer who has both eyes open and takes big risks.
added by GYKM | editWashington Post Book World
 

» Add other authors (28 possible)

Author nameRoleType of authorWork?Status
Haruki Murakamiprimary authorall editionsconfirmed
Birnbaum, AlfredTranslatorsecondary authorsome editionsconfirmed
Camp, Marion Op denTranslatorsecondary authorsome editionsconfirmed
Ortmanns, AnnelieTranslatorsecondary authorsome editionsconfirmed
Winter, Maxim deTranslatorsecondary authorsome editionsconfirmed
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First words
The elevator continued its impossibly slow ascent.
Quotations
But on the phenomenological level, this world is only one out of countless possibillities. As you create memories, you're creatin' a parallel world
Last words
(Click to show. Warning: May contain spoilers.)
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Book description
From Library Journal
The last surviving victim of an experiment that implanted the subjects' heads with electrodes that decipher coded messages is the unnamed narrator of this excellent book by Murakami, one of Japan's best-selling novelists and winner of the prestigious Tanizaki prize. Half the chapters are set in Tokyo, where the narrator negotiates underground worlds populated by INKlings, dodges opponents of both sides of a raging high-tech infowar, and engages in an affair with a beautiful librarian with a gargantuan appetite. In alternating chapters he tries to reunite with his mind and his shadow, from which he has been severed by the grim, dark "replacement" consciousness implanted in him by a dotty neurophysiologist. Both worlds share the unearthly theme of unicorn skulls that moan and glow. Murakami's fast-paced style, full of hip internationalism, slangy allegory, and intrigue, has been adroitly translated. Murakami is also author of A Wild Sheep Chase ( LJ 10/15/89); his new work is recommended for academic libraries and public libraries emphasizing serious contemporary fiction.
- D.E. Perushek, Univ. of Tennessee, Knoxville
Haiku summary

Amazon.com Product Description (ISBN 0679743464, Paperback)

Japan's most widely-read and controversial writer, author of A Wild Sheep Chase, hurtles into the consciousness of the West with this narrative about a split-brained data processor, a deranged scientist, his shockingly undemure granddaughter, and various thugs, librarians, and subterranean monsters--not to mention Bob Dylan and Lauren Bacall.

(retrieved from Amazon Mon, 20 Sep 2010 02:27:08 -0400)

(see all 3 descriptions)

The last surviving victim of an experiment that implanted the subjects' heads with electrodes that decipher coded messages is the unnamed narrator. Half the chapters are set in Tokyo, where the narrator negotiates underground worlds populated by INKlings, dodges opponents of both sides of a raging high-tech infowar, and engages in an affair with a beautiful librarian with a gargantuan appetite. In alternating chapters he tries to reunite with his mind and his shadow, from which he has been severed by the grim, dark "replacement" consciousness implanted in him by a dotty neurophysiologist. Both worlds share the unearthly theme of unicorn skulls that moan and glow.… (more)

(summary from another edition)

» see all 4 descriptions

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