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Seeking Whom He May Devour by Fred Vargas
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Seeking Whom He May Devour

by Fred Vargas

Series: Chief Inspector Adamsberg (2)

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English (13)  Italian (2)  French (1)  Afrikaans (1)  All languages (17)
Showing 1-5 of 13 (next | show all)
Strong character development, captures the mood and landscape wonderfully, good plot without alot of sentimentality. ( )
  eagleeye2009 | Aug 31, 2009 |
I loved the two Fred Vargas books translated by Sian Reynolds (The Three Evangelists & Wash This Blood) which I read before this. I wanted to love this one as much but was regularly distracted by the clunking translation by David Bellos.

The prose was often too flat and clumsy to carry the skill this writer has shown in other books and the so-called idioms either dated or simply opaque. The translator clearly couldn’t make up his mind if he was going for an English tone (‘old chap’) or an earthy American detective (‘you'll be in the slammer for the rest of your twatty lives’). Whichever, it doesn’t work. The Head Deputy at the Gendarmerie peppers his sentences with the words "how should I say?" ("So we've come across a ... how should I say ... a lycanthrope", "It's that poor woman who was killed ... how should I say? ... on Sunday") and repeatedly calls Adamsberg ‘old chap’. And the difficulties characters had in remembering the name of the shepherd’s dog – Woof – were equally irritating. While we’re told that the name is intended to mean the yarn drawn over the warp in weaving, in English it is a very, very obvious name for a dog. If I’d read these affectations one more time, I might have thrown this out the window.

It's a passable story, with good characterisation and an interesting depiction of rural life France. But there was simply not enough of Adamsberg’s unique approach to crime solving to keep my attention.

I'm glad I didn't read this one first because, despite its intriguing mystery and Jaques Tati-like cast of characters, I might have attributed the flawed prose to Fred herself and have been put off her other works. Overall then, a light read but one that one suspects would have had far more impact in its original language ... or a better translation. ( )
  Jawin | Jul 5, 2009 |
Vargas has got to be the most distinctive contemporary crime writer in France. Her rules are simple: place and character are everything. Inspector Adamsberg is a holy fool, a resolutely irrational detective whose intuitions triumph where cold logic fails. Backed up by a host of secondary characters whose talents and foibles make of them an unruly but wholly sympathetic family, he muses his way through the convoluted crimes Vargas throws in his path. ( )
  davidbarrie | Jun 17, 2009 |
Premier roman de Fred Vargas que je lis. L'intrigue est très bien ficelée : on se laisse mener par le bout du nez. Et puis les personnages sont extrêmement bien travaillés dans leur caractère. Je n'ai qu'une envie : reprendre la série des Adamsberg depuis le début. ( )
  Blablabibli | Sep 17, 2008 |
Boeiende, originele en intelligente wodunit, die vanaf de eerste bladzijde origineel is én blijft tot het einde. ( )
  fantajacko | Apr 29, 2008 |
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On Tuesday, four sheep were killed at Ventebrune in the French Alps.
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(Click to show. Warning: May contain spoilers.)
Disambiguation notice
Original French title: L'homme à l'envers
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Seeking Whom He May Devour

Book description

Amazon.com Product Description (ISBN 074328402X, Paperback)

A small mountain community in the French Alps is roused to terror when they awaken each morning to find yet another of their sheep with its throat torn out. One of the villagers thinks it might be a werewolf, and when she's found killed in the same manner, people begin to wonder if she might have been right. Suspicion falls on Massart, a loner living on the edge of town.

The murdered woman's adopted son, one of her shepherds, and her new friend Camille decide to pursue Massart, who has conveniently disappeared. Their ineptness for the task soon becomes painfully obvious, and they summon Commissaire Adamsberg from the city to bring his exceptional powers of intuition to bear on layer upon layer of buried hatred and secrets.

France's queen of crime writing pits the maverick genius of Commissaire Jean-Baptiste Adamsberg against ancient, primal fears in a novel that "establishes Vargas as one of the most unusual voices in European crime fiction" (The Sunday Times [London]).

(retrieved from Amazon Fri, 24 Apr 2009 07:58:03 -0400)

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