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The Jewel in the Crown (The Raj Quartet, Book 1) (original 1966; edition 1998)

by Paul Scott

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1,064237,883 (3.99)1 / 245
Member:fuzzi
Title:The Jewel in the Crown (The Raj Quartet, Book 1)
Authors:Paul Scott
Info:University Of Chicago Press (1998), Paperback, 462 pages
Collections:Your library
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The Jewel in the Crown by Paul Scott (1966)

  1. 00
    A Suitable Boy by Vikram Seth (mcenroeucsb)
  2. 00
    Train to Pakistan by Khushwant Singh (mcenroeucsb)
  3. 01
    A Passage to India by E. M. Forster (Cecrow)
    Cecrow: These two novels bear close relationship in setting and circumstance.
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A wonderful book. Listened on audible. Now committed to the Raj Quartet. I had seen this on Masterpiece as a straightforward narrative. This book is an amazing circling. A web of indirection. Various voices. Never quite direct, but almost, on the story of the rape around which this novel circles. Various voices. Letters. Diaries. Someone, not quite focalized is in the 1960s trying to reconstruct this story that happens on a very specific day, at a very specific time, at a very specific place in 1942

I love India. Been there twice in the past few years. Trying to make sense. Reading from many angles. I had read the epilogue to the Quartet. Staying on. Now going forward. Watching again. This was a wonderful book. ( )
  idiotgirl | Dec 25, 2015 |
The Jewel in the Crown by Paul Scott; (4 1/2*)

Jewel in the Crown (1966) focuses on "an interracial love affair between Daphne Manners and Hari Kumar [AKA: Harry Coomer], and the repercussions of the rape of Daphne in the Bibighar Gardens in Mayapore [fictional city in India] on August 9, 1942. It is a moment when the [British] Raj feels (once again) threatened by the disturbances consequent on Gandhi's 'Quit India' campaign. Hari Kumar is arrested . . . and interrogated by a personage who will haunt the [Raj] Quartet, District Superintendent of Police Ronald Merrick. The 'imperial embrace' in which Britain and India are locked has become personal" (Brann 182).

"The Jewel in the Crown" is a novel that takes place primarily in British-controlled India in the 1940s. The central story is that of a young British woman named Daphne Manners who is living in Mayapore, a fictional Indian town. Daphne falls in love with an Indian man named Hari Kumar, who was raised in England but returned upon the death of his father. Their relationship is controversial in the small town where the Europeans, Indians, and those of mixed race are all segregated into separate parts of town.

Daphne and Hari meet one night in a secluded park called the Bibighar Gardens where they make love for the first time. Afterward they are attacked by a group of drunken Indian thugs. Hari is tied up and Daphne is raped.

Fearing Hari will be blamed for the rape Daphne makes him promise to say nothing about being with her in the gardens. He is later arrested along with some other young men by Ronald Merrick, a British police superintendent, who has designs on Daphne himself. Hari says nothing in his own defense except that he was not at the gardens that night. Daphne refuses to cooperate in identifying the other young men in fear of implicating Hari.

With no strong evidence the rape charges are dropped against Hari and the others but they are found guilty of political crimes against the British occupation and sent to prison. Daphne and Hari never see each other again. She becomes pregnant after the night in the garden and later dies in childbirth.

It is a time of political unrest in India. The British have promised to leave India to govern itself for many years, but when World War II breaks out Britain fears that the Japanese will invade India if they leave. Indian leaders like Mahatma Gandhi call for the British to leave and the British administrative and military establishment actively try to suppress any unrest in the towns.

It is against the backdrop of a short period of public protest and unrest that most of the events of The Jewel in the Crown take place. The tensions between the native Indian population of the town and the British civil and military authorities are high. Political, racial and religious differences create a dangerous and uncertain environment when the long standing traditions of British rule begin to unravel.

The novel is written in several episodes and Scott frequently changes the point of view, letting the same story be told through the eyes of different characters. Events are not presented in strict chronological order, and the actual facts of what happens on the night of Daphne's rape are not revealed until the final pages.

I loved this book and was enthralled by the writing style of Scott. I liked how he grew his characters and was fascinated by even the ones I came to hate, specifically Merrick. But reader, beware: the reading of this book may just cause you to fall in love with India as it did this one. I am looking forward to reading the other 3 books in the series. ( )
  rainpebble | Apr 27, 2015 |
This was a hard one to get into! It's written as a compilation of journal entries, letters, and interview extracts interspersed with more traditional narrative, kind of a House of Leaves-esque found document novel. What's frustrating is that all of the writing concerns the relationship between 2 people (well, 3, really) but we don't get to hear directly from either of them until about 250 pages in, which is where the book finally started to really grab me in more than just a "this is valuable for me to read even though it is a bit of a slog" sense.

I'm interested to read the next installment in the series to see where exactly this is going. ( )
  KLmesoftly | Oct 17, 2014 |
It took me a very long time to get into this. I think it benefits long sustained periods of reading, not a 10 minutes before bed type of reading. It also puts me in mind of the question"where does a story start" as this attempts to portray the events leading up to the rape of an English girl in India, during WW2. And it starts, in one sense, a very long way away from the story it is trying to tell. It uses a device of later investigation to present memories, letters, journals and answers to questions asked by an invisible enquirer. That this person is not identified left me intrigued. The cast of characters was very interesting, a real rag bag of people and types. And some people surfaced to say their bit before disappearing again. Knowing this is the first part of a quartet, I do wonder if they will be fleshed out later. ( )
  Helenliz | Jul 2, 2014 |
Six-word review: Interwoven narratives personalize 1940s British India.

Extended review:

The first volume in the acclaimed Raj Quartet weaves a complex web of causal and peripheral connections among people and events during the final few years of British rule in India. The rape of a young Englishwoman by a gang of Indian toughs is posed as a precipitating incident, but not an isolated one. Imperialism, racism, presumption of privilege, social class, military versus civilian mindsets, and cultural identity are among many themes that this weighty novel explores while illuminating a tumultuous place and period in recent world history.

I watched the miniseries based on this four-part novel on PBS's Masterpiece Theatre when it was first shown in the 1980s, and parts of it remain vivid in my mind even after thirty years. The principal characters in the novel have the faces that the TV production gave them. From this distance, I think my memory of the series enhances my experience of the novel rather than diminishing it. Naturally the novel treats the subject to far greater depth and breadth than is possible in a television script, even a long one.

After a pause for some lighter fare, I'm looking forward to continuing with volume 2, The Day of the Scorpion. ( )
1 vote Meredy | Jun 29, 2014 |
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Imagine, then, a flat landscape, dark for the moment, but even so conveying to a girl running in the still deeper shadow cast by the wall of the Bibighar Gardens an idea of immensity, of distance, such as years before Miss Crane had been conscious of standing where a lane ended and cultivation began: a different landscape but also in the alluvial plain between the mountains of the north and the plateau of the south.
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Table of Contents:

Part One - Miss Crane
Part Two - The Macgregor House
Part Three - Sister Ludmila
Part Four - An Evening at the Club
Part Five - Young Kumar
Part Six - Civil and Military
Part Seven - The Bibighar Gardens
Haiku summary

Amazon.com Amazon.com Review (ISBN 0226743403, Paperback)

"Ah no, waste no pity on young Kumar. Whatever he got while in the hands of the police he deserved. And waste no pity on her either. She also got what she deserved."

August 1942. World War II is reaching its apex, with the conflict consuming almost all of Asia and Europe. In Southeast Asia, the Japanese have driven the British army out of Burma and are threatening India, where Britain's beleaguered forces find themselves facing an increasingly hostile Indian populace tired of decades of unfulfilled promises of freedom. On a dark monsoonal night in the town of Mayapore, amid an outbreak of anti-British rioting, a gang of Indian men rape a young British woman. Through this rape, we are introduced to a cast of characters engulfed and subsequently carried away by the storm of events. Paul Scott's The Jewel in the Crown is part historical novel, part mystery, part love story, part allegory. But to reduce it to any of these elements is to miss its irony, poignancy, and beauty. Full of complex characters and rich in atmosphere and symbolism, this is a novel that works on many different levels.

The events unfold through the eyes of a varied cast of characters--both British and Indian--united by their inability to escape the straightjacket of race and social roles, no matter their class, education, or political views. This is particularly excruciating for the rape victim and the young Indian man accused of the crime. These two are drawn to each other by their alienation from the roles they are expected to play. Englishwoman Daphne Manners finds herself increasingly estranged from her countrymen, while Hari Kumar, an Indian who has lived in Britain for all but two years of his life and is so anglicized that he doesn't even speak Hindi, can't abide his native land. Their struggle with the identities and constraints that society imposes on them and the manifestations of their conflict form the core of the novel, providing the timelessness and richness that make it one of the great novels of the 20th century.

The Jewel in the Crown, originally published in 1966, is the first of the Raj Quartet, the sweeping epic that looks at the collapse in the 1940s of British rule in India. It was followed by The Day of the Scorpion, The Towers of Silence, and A Division of Spoils. --Jonathan King

(retrieved from Amazon Thu, 12 Mar 2015 18:08:38 -0400)

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In August of 1942, a young Englishwoman is raped in an Indian garden, and her fate and that of an elderly English schoolteacher entwine.

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