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Kafka on the Shore by Haruki Murakami
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Kafka on the shore (original 2002; edition 2005)

by Haruki Murakami

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10,851274239 (4.09)568
Member:Counterfeit
Title:Kafka on the shore
Authors:Haruki Murakami
Info:London : Vintage , 2005
Collections:Your library
Rating:*****
Tags:read in 2009

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Kafka on the Shore by Haruki Murakami (2002)

(29) 1001 (50) 1001 books (56) 21st century (50) cats (111) coming of age (48) contemporary (38) contemporary fiction (48) fantasy (111) fiction (1,114) Haruki Murakami (42) Japan (576) Japanese (334) Japanese fiction (95) Japanese literature (251) library (32) literature (84) magical realism (274) murakami (96) novel (200) own (35) postmodern (29) read (116) Roman (56) surreal (120) surrealism (99) to-read (116) translated (45) translation (67) unread (60)
  1. 80
    The Master and Margarita by Michail Bulgakov (LottaBerling)
  2. 20
    Midnight's Children by Salman Rushdie (GaryN1981)
    GaryN1981: Rushdie is one of the masters of magic realism and anyone who appreciates the way Murakami weaves almost impenetrable surrealism into Kafka... will love Midnights Children
  3. 21
    1Q84 by Haruki Murakami (Kordo)
  4. 00
    The Infinities by John Banville (librorumamans)
    librorumamans: Like Kafka on the Shore, Infinities plays with multiple points of view, alternate realities, and riffs on other works (in this case Kleist's Amphitryon). Both Murakami and Banville tackle big ideas directly and indirectly through the structures of their books. Banville, in my opinion, pulls this off more coherently.… (more)
  5. 00
    Anathema Rhodes: Dreams by Iimani David (Mary_Z)
    Mary_Z: I enjoyed both these books for their mysticism and freshness. "Anathema Rhodes" has more challenges and is clearly more socially and politically conscious, but the feel and flow of the story reminds me of Murakami's "Kafka...". I sincerely recommend both!
  6. 01
    Cereus Blooms at Night by Shani Mootoo (LottaBerling)
  7. 38
    Life of Pi by Yann Martel (tandah)
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English (228)  French (9)  Dutch (9)  Spanish (7)  Danish (5)  Catalan (4)  Swedish (2)  Finnish (2)  Italian (2)  German (2)  Norwegian (1)  Hungarian (1)  Polish (1)  Estonian (1)  All languages (274)
Showing 1-5 of 228 (next | show all)
Kafka on the Shore is powered by two remarkable characters: a teenage boy, Kafka Tamura, who runs away from home either to escape a gruesome oedipal prophecy or to search for his long-missing mother and sister; and an aging simpleton called Nakata, who never recovered from a wartime affliction and now is drawn toward Kafka for reasons that, like the most basic activities of daily life, he cannot fathom. As their paths converge, and the reasons for that convergence become clear, Haruki Murakami enfolds readers in a world where cats talk, fish fall from the sky, and spirits slip out of their bodies to make love or commit murder. Kafka on the Shore displays one of the world’s great storytellers at the peak of his powers.
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  tauruseducation | Jun 7, 2013 |
I picked up this one since it made it onto the 1001 Books to Read Before You Die list. For the first 10 hours of the book, I was completely enthralled. The writing style is lyrical - wonderful imagery and a captivating plot. The hero, Kafka Tamura, runs away from home, trying to thwart his father's prophecy that Kafka will kill his father and sleep with his mother (yes - another Greek classic!). The book has some interesting magical realism (talking cats, Colonel Sanders of KFC fame comes to life, etc.) and some unexplained plot twists. The problem I had with this book is at the end, the plot twists were still unexplained. Definitely one of those 'huh?' moments. I loved the writing style, so I will try other Murakami books - he has won several awards and has other titles on the 1001 list. Anyone out there read this book? I'd love to hear an explanation!


( )
  jmoncton | Jun 3, 2013 |
Probably one of the most ambitious Murakami books, linking metaphysics with a classic Greek tragedy plot. A 15 year old boy runs from home, and in merit of his virtues follows an ungenerous faith. On top of the complex texture, the sharp setting of characters, flexible style and perfect balance, the book is filled with memorable scenes, making their point with great irony: above all, the scene in which Oshima resists the attack of two stupid feminist activists by quoting Sofocles. ( )
  Peppuzzo | May 25, 2013 |
I first came across Haruki Murakami’s novels when I read The Wind-up Bird Chronicle, a long and meandering tale which I enjoyed enough that it convinced me to try some of his other books. Although I’m normally a fan of magic realism I found most of them disappointing until I finally picked up Kafka On The Shore, in a translation from the Japanese by Philip Gabriel. I really enjoyed this novel. It’s a surreal quest for a teenager’s identity where cats regularly converse with people and mackerel rain down from the sky. I wouldn’t recommend it to anyone who requires a proper ending, likes things to make sense or wants to see things neatly tied up, but if you are prepared to go along for the ride you’ll find a complex novel which is both fulfilling and frustrating in turns. ( )
  Michael_Gallagher | May 23, 2013 |
My least favorite of the 7 Murakami books I've read so far. It's about 100 pages longer than necessary with way too much mundane detail about Nakata's daily doings: he ate, he drank, he went to the toilet, he slept, repeated over and over, day after day with just slight variations. ( )
  DougJ110 | May 18, 2013 |
Showing 1-5 of 228 (next | show all)
The weird, stately urgency of Murakami's novels comes from their preoccupation with . . . internal problems; you can imagine each as a drama acted out within a single psyche. In each, a self lies in pieces and must be put back together; a life that is stalled must be kick-started and relaunched into the bruising but necessary process of change. Reconciling us to that necessity is something stories have done for humanity since time immemorial. Dreams do it, too. But while anyone can tell a story that resembles a dream, it's the rare artist, like this one, who can make us feel that we are dreaming it ourselves.
 

» Add other authors (50 possible)

Author nameRoleType of authorWork?Status
Haruki Murakamiprimary authorall editionsconfirmed
Gabriel, PhilipTranslatorsecondary authorsome editionsconfirmed
Gräfe, UrsulaTranslatorsecondary authorsome editionsconfirmed
Westerhoven, JacquesTranslatorsecondary authorsome editionsconfirmed
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"So you're all set for money, then?" the boy named Crow asks in his characteristic sluggish voice.
Quotations
"... in everybody's life there's a point of no return. And in a very few cases, a point where you can't go forward anymore. And when we reach that point, all we can do is quietly accept the fact. That's how we survive."
"Listening to Fournier's flowing, dignified cello, Honshino was drawn back to his childhood. He used to go to the river everyday to catch fish. Nothing to worry about back then. he reminisced. Just live each day as it came. As long as I was alive, I was something. That was just how it was. But somewhere along the line it all changed. Living turned me into nothing. Weird...People are born in order to live, right? But the longer I've lived, the more I've lost what's inside me–and ended up empty. And I bet the longer I live, the emptier, the more worthless, I'll become. Something's wrong with this picture. Life isn't supposed to turn out like this! Isn't it possible to shift direction, to change where I'm headed?"
The air was damp and stagnant, with a hint of something suspicious, as if countless ears were floating in the air, waiting to pick up a trace of some conspiracy.
I'd never imagined that trees could be so weird and unearthly. I mean, the only plants I've ever really seen or touched till now are the city kind--neatly trimmed and cared-for bushes and trees. But the ones here--the ones living here--are totally different. They have a physical power, their breath grazing any humans who might chance by, their gaze zeroing in on the intruder like they've spotted their prey. Like they have some dark, prehistroric, magical powers. Like deep-sea creatures rule the ocean depths, in the forest trees reign supreme. If it wanted to, the forest could reject me--or swallow me up whole. A healthy amount of fear and respect might be a good idea.
There's only one kind of happiness, but misfortune comes in all shapes and sizes.
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With Kafka on the Shore, Haruki Murakami gives us a novel every bit as ambitious and expansive as The Wind-Up Bird Chronicle, which has been acclaimed both here and around the world for its uncommon ambition and achievement, and whose still-growing popularity suggests that it will be read and admired for decades to come. This magnificent new novel has a similarly extraordinary scope and the same capacity to amaze, entertain, and bewitch the reader. A tour de force of metaphysical reality, it is powered by two remarkable characters: a teenage boy, Kafka Tamura, who runs away from home either to escape a gruesome oedipal prophecy or to search for his long-missing mother and sister; and an aging simpleton called Nakata, who never recovered from a wartime affliction and now is drawn toward Kafka for reasons that, like the most basic activities of daily life, he cannot fathom. Their odyssey, as mysterious to them as it is to us, is enriched throughout by vivid accomplices and mesmerizing events. Cats and people carry on conversations, a ghostlike pimp employs a Hegel-quoting prostitute, a forest harbors soldiers apparently unaged since World War II, and rainstorms of fish (and worse) fall from the sky. There is a brutal murder, with the identity of both victim and perpetrator a riddle-yet this, along with everything else, is eventually answered, just as the entwined destinies of Kafka and Nakata are gradually revealed, with one escaping his fate entirely and the other given a fresh start on his own. Extravagant in its accomplishment, Kafka on the Shore displays one of the world's truly great storytellers at the height of his powers.… (more)

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