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Kafka on the Shore by Haruki Murakami
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Kafka en la orilla (original 2002; edition 2008)

by Haruki Murakami (Author), Lourdes Porta (Translator)

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10,840269236 (4.09)560
Member:Menzel
Title:Kafka en la orilla
Authors:Haruki Murakami (Author)
Other authors:Lourdes Porta (Translator)
Info:TusQuets
Collections:Your library
Rating:****
Tags:japanese literature

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Kafka on the Shore by Haruki Murakami (2002)

(29) 1001 (48) 1001 books (56) 21st century (50) cats (110) coming of age (47) contemporary (38) contemporary fiction (47) fantasy (110) fiction (1,111) Haruki Murakami (41) Japan (575) Japanese (334) Japanese fiction (95) Japanese literature (248) library (32) literature (84) magical realism (275) murakami (96) novel (199) own (35) postmodern (29) read (116) Roman (54) surreal (119) surrealism (98) to-read (111) translated (46) translation (67) unread (60)
  1. 80
    The Master and Margarita by Mikhaíl Bulgakov (LottaBerling)
  2. 20
    Midnight's Children by Salman Rushdie (GaryN1981)
    GaryN1981: Rushdie is one of the masters of magic realism and anyone who appreciates the way Murakami weaves almost impenetrable surrealism into Kafka... will love Midnights Children
  3. 21
    1Q84 by Haruki Murakami (Kordo)
  4. 00
    The Infinities by John Banville (librorumamans)
    librorumamans: Like Kafka on the Shore, Infinities plays with multiple points of view, alternate realities, and riffs on other works (in this case Kleist's Amphitryon). Both Murakami and Banville tackle big ideas directly and indirectly through the structures of their books. Banville, in my opinion, pulls this off more coherently.… (more)
  5. 00
    Anathema Rhodes: Dreams by Iimani David (Mary_Z)
    Mary_Z: I enjoyed both these books for their mysticism and freshness. "Anathema Rhodes" has more challenges and is clearly more socially and politically conscious, but the feel and flow of the story reminds me of Murakami's "Kafka...". I sincerely recommend both!
  6. 01
    Cereus Blooms at Night by Shani Mootoo (LottaBerling)
  7. 38
    Life of Pi by Yann Martel (tandah)
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English (223)  French (9)  Dutch (9)  Spanish (7)  Danish (5)  Catalan (4)  Swedish (2)  Finnish (2)  Italian (2)  German (2)  Norwegian (1)  Hungarian (1)  Polish (1)  Estonian (1)  All languages (269)
Showing 1-5 of 223 (next | show all)
My least favorite of the 7 Murakami books I've read so far. It's about 100 pages longer than necessary with way too much mundane detail about Nakata's daily doings: he ate, he drank, he went to the toilet, he slept, repeated over and over, day after day with just slight variations. ( )
  DougJ110 | May 18, 2013 |
Where do I start. I'm going to have to revisit this comment a couple times. I think this is a masterpiece and one of the most fascinating books I've read. I had decided some months ago that I wasn't going to re-read anything I've read until after the end of this year. There's too much I'm in a hurry to start for the first time. I just changed my mind. I'm going to re-read this right after Jane in June. It was upsetting that the rest of life kept interrupting and I know I missed things about how the different elements related to each other because of the gaps in time when I couldn't read. Next time I'm setting the rest of life aside for a couple days and dedicating them to just this book. Even this first time I set it aside a couple times during the week until I had an adequate amount of time and a comfortable setting. Fascinating. In my very humble opinion, a great writer. So this is what magical realism is, huh? ( )
  Yona | May 2, 2013 |
What a strange experience to read this book.
My first try at understanding metaphysics, which I gather have to do with identity, substance, metaphor, and in this book, myth, the Oedipus complex, dreams, and World War II.

Two characters go on an odyssey which eventually you learn why they are related to each other. In fact, there are many sudden relatives discovered, just as in the Oedipus drama. I took pleasure in the location of much of the book, a library somewhere on the seacoast of Shikoku.

Murakami treats sex in a frank way. It is part of every day life. I like the way it just happens, and the male point of view on it, that it is necessary. The author also understands youth I think or does he? Would a fifteen year old really have the discipline to work out, to stay in a library and read, etc?

The book has little footing in reality though. After all, fish and leeches rain from the sky. But the cities are real, and the bus trips, and the hotel managers, and the cats who talk and share information with those who need to know.
( )
  paakre | Apr 27, 2013 |
I'm a bit conflicted. I definitely enjoyed reading this, I read nearly 400pgs of it in one day. It certainly grabs your interest, and keeps you on your toes. I really loved Nakata and the cats, and Hoshino once he got involved, made for some great light comedic moments. There was a lot of intriguing things going on that kept up my interest very much and I certainly wanted to see where things would lead.

However, as another reviewer said: "I was disappointed at the ending. Too many loose ties." The ending itself was alright, I mean, the big stuff was wrapped up. But after I finished, I sat there and started thinking about what I had just read, and I realized just how much was left completely hanging from earlier parts. All sorts of things that were made a fuss over at some point in the book, big key things, never went anywhere or got any explanation.

Slight possible spoilerish questions:
What happened to the children? What in the world went on with the teacher? Who the hell is Crow? Who the hell is Johnnie Walker/Colonel Sanders? Are they the same? Related? Completely separate manipulative entities?? What was going on with Crow in the forest at the end? What was the deal with the blood on Kafka's shirt? Why could Nakata make it rain random crap, and why did he make it rain fish?? What was up with his father's "prophecy"?
/spoilerish

All these questions and more. Plus he makes it seem like there's all sorts of potential future stuff that would go on with the characters, but then at the same time everything at the end seems so damn final, I don't get it. Plus the whole Colonel Sanders bit was just irritating.

So, I'd give the writing/plot 4.5★s but the ending & all the dangling unexplained bits get 2.5★s, for a 3.5 overall. ( )
  PolymathicMonkey | Apr 26, 2013 |
Talking cats. A prostitute who discusses Positivist philosophy. A magical stone. Incest and patricide. A semi-divine spirit that takes on the essence of KFC's Colonel Sanders. A discourse on Beethoven and his "Archduke Trio." A deeply enchanted forest. A sexy, mysterious librarian. "Kafka on the Shore" is Murakami at his most Murakami-esque!

(I don't know if you need to be a cat person in order to love this book, but it certainly helps.) ( )
  yooperprof | Apr 18, 2013 |
Showing 1-5 of 223 (next | show all)
The weird, stately urgency of Murakami's novels comes from their preoccupation with . . . internal problems; you can imagine each as a drama acted out within a single psyche. In each, a self lies in pieces and must be put back together; a life that is stalled must be kick-started and relaunched into the bruising but necessary process of change. Reconciling us to that necessity is something stories have done for humanity since time immemorial. Dreams do it, too. But while anyone can tell a story that resembles a dream, it's the rare artist, like this one, who can make us feel that we are dreaming it ourselves.
 

» Add other authors (51 possible)

Author nameRoleType of authorWork?Status
Haruki Murakamiprimary authorall editionsconfirmed
Gabriel, PhilipTranslatorsecondary authorsome editionsconfirmed
Gräfe, UrsulaTranslatorsecondary authorsome editionsconfirmed
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"So you're all set for money, then?" the boy named Crow asks in his characteristic sluggish voice.
Quotations
"... in everybody's life there's a point of no return. And in a very few cases, a point where you can't go forward anymore. And when we reach that point, all we can do is quietly accept the fact. That's how we survive."
"Listening to Fournier's flowing, dignified cello, Honshino was drawn back to his childhood. He used to go to the river everyday to catch fish. Nothing to worry about back then. he reminisced. Just live each day as it came. As long as I was alive, I was something. That was just how it was. But somewhere along the line it all changed. Living turned me into nothing. Weird...People are born in order to live, right? But the longer I've lived, the more I've lost what's inside me–and ended up empty. And I bet the longer I live, the emptier, the more worthless, I'll become. Something's wrong with this picture. Life isn't supposed to turn out like this! Isn't it possible to shift direction, to change where I'm headed?"
The air was damp and stagnant, with a hint of something suspicious, as if countless ears were floating in the air, waiting to pick up a trace of some conspiracy.
I'd never imagined that trees could be so weird and unearthly. I mean, the only plants I've ever really seen or touched till now are the city kind--neatly trimmed and cared-for bushes and trees. But the ones here--the ones living here--are totally different. They have a physical power, their breath grazing any humans who might chance by, their gaze zeroing in on the intruder like they've spotted their prey. Like they have some dark, prehistroric, magical powers. Like deep-sea creatures rule the ocean depths, in the forest trees reign supreme. If it wanted to, the forest could reject me--or swallow me up whole. A healthy amount of fear and respect might be a good idea.
There's only one kind of happiness, but misfortune comes in all shapes and sizes.
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With Kafka on the Shore, Haruki Murakami gives us a novel every bit as ambitious and expansive as The Wind-Up Bird Chronicle, which has been acclaimed both here and around the world for its uncommon ambition and achievement, and whose still-growing popularity suggests that it will be read and admired for decades to come. This magnificent new novel has a similarly extraordinary scope and the same capacity to amaze, entertain, and bewitch the reader. A tour de force of metaphysical reality, it is powered by two remarkable characters: a teenage boy, Kafka Tamura, who runs away from home either to escape a gruesome oedipal prophecy or to search for his long-missing mother and sister; and an aging simpleton called Nakata, who never recovered from a wartime affliction and now is drawn toward Kafka for reasons that, like the most basic activities of daily life, he cannot fathom. Their odyssey, as mysterious to them as it is to us, is enriched throughout by vivid accomplices and mesmerizing events. Cats and people carry on conversations, a ghostlike pimp employs a Hegel-quoting prostitute, a forest harbors soldiers apparently unaged since World War II, and rainstorms of fish (and worse) fall from the sky. There is a brutal murder, with the identity of both victim and perpetrator a riddle-yet this, along with everything else, is eventually answered, just as the entwined destinies of Kafka and Nakata are gradually revealed, with one escaping his fate entirely and the other given a fresh start on his own. Extravagant in its accomplishment, Kafka on the Shore displays one of the world's truly great storytellers at the height of his powers.… (more)

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