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At Swim-Two-Birds by Flann O'Brien
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At Swim-Two-Birds (1939)

by Flann O'Brien

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English (28)  Swedish (1)  All languages (29)
Showing 1-5 of 28 (next | show all)
Metafiction is not my favorite thing; that said, this book is a pretty stunning early example. Maybe you have to be Irish to do it without being unbearably ponderous? William Gass's introduction to this edition was very worthwhile. ( )
  savoirfaire | Apr 6, 2013 |
This was a lot of fun to read. It's not a novel in the traditional sense, but several stories mashed together, and the characters rebel from the author at one point and so forth and so forth. Cowboy stories, trials, and Irish mythology. It's almost confusing, but very entertaining. I'll be reading more Flann O'Brien soon enough. ( )
  HadriantheBlind | Mar 30, 2013 |
In the recent Dalkey reissue there is a nice intro from William Gass about O'Brien and the book. The book itself was a good read once I brought my expectations back to a reasonable level. It contains a wealth of decent to fine pastiche of Irish lit in addition to its structural shenanigans. Representative quote:

The passage, however, served to provoke a number of discussions with my friends and acquaintances on the subject of aestho-psycho-eugenics and the general chaos which would result if all authors were disposed to seduce their female characters and bring into being, as a result, offspring of the quasi-illusory type. It was asked why Trellis did not require the expectant mother to make a violent end of herself and the trouble she was causing by the means of drinking a bottle of disinfectant fluid usually to be found in bathrooms. The answer I gave was that the author was paying less and less attention to his literary work and was spending entire days and nights in the unremitting practice of his sleep. This explanation, I am glad to say, gave instant satisfaction and was represented as ingenious by at least one of the inquirers concerned. ( )
4 vote slickdpdx | Jan 26, 2013 |
This is an incredibly imaginative book, with often-amazing linguistic play. Highly recommended, even though it may take a bit to get into it. ( )
  KatrinkaV | Nov 6, 2012 |
This is a writer's book. It's for those who are fascinated by the writing process and those who fear their creation or obsession could overwhelm them. Reading up on this book afterwards, I found out that most early fans were writers, but not so much the general public. Even Borges praised it in a famous essay When Fiction Lives in Fiction:

"At Swim Two Birds is not only a Labyrinth: it is a discussion of the many ways to Concieve the Irish novel and a repertory of exercises in prose and verse which illustrate or parody all the styles of Ireland."

This is one of those books that could have been the inspiration for movies like Inception. The unnamed author is writing a story about an author creating a mythology tale that includes devils, fairies, and other figures of Irish mythology and Legend. The main author is attending college with an occasionally drinking binge. It's a worry by his uncle that he may not complete his studies. Indeed as the story progresses more and more time is spent with the author's author's characters who defy him when he is asleep. Inciting his son to write a story about the author where the characters rebel and then try the author in court. It becomes a surreal Alice in Wonderland situation. Will these characters overwhelm it's author? Will the story overwhelm the author's studies?

A very wild ride that goes deeper and deeper into the idea of writing and creating. It reminded me of If on a Winter's night as it covers this same territory of the fascination over the writing process.

"In reply to an inquiry, it was explained that a satisfactory novel should be a self-evident sham to which the reader could regulate at will the degree of his credulity." p. 21

"Your father is dead, said Linchehaum. That has seized me with a blind agony, said Sweeny.
Your mother is likewise dead. Now all the pity in me is at an end.
Dead is your brother. Gaping open is my side on account of that.
She has died too, your sister. A needle for the heart is an only sister.
Ah, dumb dead is the little son that called you pop.
Truly, said Sweeny, that is the last blow that brings a man to the ground. p. 67

"When things go wrong and will not come right
Though you do the best you can
When life looks black as the hour of night
A pint of Plain is your only man. p. 74

He is a great man that never gets out of bed, he said. He spends the days and nights reading books and occasionally he writes one. He makes his characters live with him in his house. Nobody knows whether they are there at all or whether it is all imagination. A great man. p. 97 ( )
  shadowofthewind | Aug 28, 2012 |
Showing 1-5 of 28 (next | show all)
At Swim-Two-Birds has such a strong claim to be one of the founding texts of literary postmodernism. All the markers of that baggy but indispensable cultural category—the deconstruction of narrative, the replacement of nature by culture, an ahistoric sensibility in which tropes and genres from different eras can be mixed and matched promiscuously, the prominence of pastiche, the notion of language itself as the real author of the work—are openly declared in At Swim.
 
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Having placed in my mouth sufficient bread for three minutes' chewing, I withdrew my powers of sensual perception and retired into the privacy of my mind my eyes and face assuming a vacant and preoccupied expression.
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I'm thirsty, he said. I have sevenpence. Therefore I buy a pint.
...
The conclusion of your syllogism, I said lightly, is fallacious, being based on licensed premises.
Licensed premises is right, he replied, spitting heavily. I saw that my witticism was unperceived and quietly replaced it in the treasury of my mind.
The passage, however, served to provoke a number of discussions with my friends and acquaintances on the subject of aestho-psycho-eugenics and the general chaos which would result if all authors were disposed to seduce their female characters and bring into being, as a result, offspring of the quasi-illusory type. It was asked why Trellis did not require the expectant mother to make a violent end of herself and the trouble she was causing by the means of drinking a bottle of disinfectant fluid usually to be found in bathrooms. The answer I gave was that the author was paying less and less attention to his literary work and was spending entire days and nights in the unremitting practice of his sleep. This explanation, I am glad to say, gave instant satisfaction and was represented as ingenious by at least one of the inquirers concerned.
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Amazon.com Amazon.com Review (ISBN 156478181X, Paperback)

In a 1938 letter to a literary agent, Flann O'Brien described his first novel as "a very queer affair, unbearably queer perhaps." The book in question was At Swim-Two-Birds--and if we take queer to mean diabolically eccentric, then truer words were never spoken. The author, whose real name was Brian O'Nolan, had successfully stirred Gaelic legend, pulp fiction, and grimy Dublin realism into a hilarious cocktail. His mastery of modernist collage would have been an ample accomplishment itself. But O'Brien was also blessed with the writer's equivalent of perfect pitch, and in At Swim-Two-Birds he squeezes the maximum beauty and banality out of the English language. All he lacks is a tragic register, but he makes up for this deficit with a sense of comedy so acute that even James Joyce couldn't resist blurbing his fellow Dubliner's creation: "A really funny book."

O'Brien labored mightily to make At Swim-Two-Birds summary-proof. But here, anyway, are the bare bones: the narrator, a university student, is writing a novel, which keeps morphing from mock-heroics to middlebrow naturalism. Meanwhile, one of his characters, Dermot Trellis, is himself writing a Western--an Irish Western--whose cowpunching protagonists will eventually throw off their fictional shackles and attempt to murder their creator. (Talk about the death of the author!) There's enough structural shenanigans here to keep an entire industry of critics afloat. Still, what matters most is the pungency of O'Brien's prose. His dialogue is agreeably grungy, his parodies delicious, and the narrator speaks in the sort of Jesuitical dialect that we associate with Samuel Beckett:

That same afternoon I was sitting on a stool in an intoxicated condition in Grogan's licensed premises. Adjacent stools bore the forms of Brinsley and Kelly, my two true friends. The three of us were occupied in putting glasses of stout into the interior of our bodies and expressing by fine disputation the resulting sense of physical and mental well-being. In my thigh pocket I had eleven and eightpence in a weighty pendulum of mixed coins.
Snippets, alas, do little justice to At Swim-Two-Birds, which relies heavily on cumulative chaos for its effect. Graham Greene, an early fan, compared its comic charge to "the kind of glee one experiences when people smash china on the stage." A half century after its initial appearance, O'Brien's masterpiece remains a gleeful read--a marvelous, inventive, and (last but not least) really funny book. --James Marcus

(retrieved from Amazon Thu, 14 Feb 2013 13:41:00 -0500)

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Penguin Australia

An edition of this book was published by Penguin Australia.

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