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One Hundred Years of Solitude by Gabriel García Márquez
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One Hundred Years of Solitude

by Gabriel García Márquez

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English (171)  Spanish (14)  French (4)  Italian (4)  Portuguese (3)  Dutch (2)  Danish (1)  Portuguese (Brazil) (1)  All languages (200)
Showing 1-5 of 171 (next | show all)
"One Hundred Years of Solitude" is a fascinating allegory of the unconscious -- a world of magical and mythical dreamscapes gradually reduced to the mundaneness of ordinary life. The work celebrates the fiery energy of creative expression, but also the dissipation of that energy. By the end of the novel, the reader is drawn not to the story particularly but to the imagination behind the story. We are left to contemplate the mysterious relationship between imagination and actuality. Does the profound impression by the author's imagination constitute something real? The author presumably and resoundingly says yes, as the final chapters, pages, and sentences inch towards actualization ( completion! wholeness! ). Only in decline and death can the imagination's creation be actualized -- a stirring of the soul to a greater awareness and love. ( )
1 vote jakjonsun | Nov 12, 2009 |
Es uno de esos libros que te envuelve con sus historias, no queres dejar de leer,...y te hace comprender como puede llegar a sentir una persona en este mundo, las diferentes maneras de amar,..me encanto! ( )
  mesalina | Nov 5, 2009 |
This book is a dense, richly woven tapestry of language and characters, so tighly intertwined and overlapped that by the end it is impossible to pull the thread of a single life free from the others around it. For all the density, though, it was a surprisingly fast read. The only confusion I had at any point was with the repetition of the names (in the most extreme example, there are at least twenty characters named Aureliano), and even this need to do a double take about which Aureliano or which José Arcadio we're checking back in with fits the circular and cyclical patterns of the story.

The Buendía family, the house they live in, and the town of Macondo are so connected that it is hard not to think of them as a single entity, and the clashes and periods of relative peace within the microcosm of this one household as representative of the atmosphere in the town as a whole. Also, the surreal elements that Márquez incorporates are done with great subtlety, and within lives and circumstances that are otherwise almost entirely unremarkable. By the time we start questioning Colonel Aureliano Buendía's uncanny ability to thwart attempts on his life, we're too invested in this family and this town and this story to not just take it in stride. And once we've accepted this, it's a short series of very small steps to believing that Ursula or Pilar lived to ages bordering on the absurd, or that there really could be a man who is followed everywhere by a cloud of butterflies, or that one room in the house remains impeccably clean so long as it's inhabited by the ghost of a gypsy watching the progress of generations of the Buendía family attempting to interpret his mysterious parchments...

Excellent read, lovely prose, fascinating characters, highly recommended. ( )
  nicolecr | Oct 20, 2009 |
-
  mulliner | Sep 20, 2009 |
My alltime favourite ( )
  henning_kuehn | Sep 17, 2009 |
Showing 1-5 of 171 (next | show all)
[García Márquez] creates a continuum, a web of connections and relationships. However bizarre or grotesque some particulars may be, the larger effect is one of great gusto and good humor and, even more, of sanity and compassion. The author seems to be letting his people half-dream and half-remember their own story and what is best, he is wise enough not to offer excuses for the way they do it. No excuse is really necessary. For Macondo is no never-never land. Its inhabitants do suffer, grow old and die, but in their own way.
 
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for jomí garcía ascot and maría luisa elío
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Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice.
Muchos años después, frente al pelotón de fusilamiento, el coronel Aureliano Buendía había de recordar aquella tarde remota en que su padre lo llevó a conocer el hielo.
(Bulgarian)
Много години по-късно, пред взвода за разстрел, полковник Аурелиано Буендия щеше да си спомни онзи далечен подиробед, когато баща му го заведе да види леда.
(Croatian)
Mnogo će se godina kasnije, pred streljačkim vodom, pukovnik Aureliano Buendía sjetiti tog davnog poslijepodneva kada ga je otac poveo da upozna led.
(Czech)
O mnoho let později, když stál před popravčí četou, vzpomněl si plukovník Aureliano Buendía na ono vzdálené odpoledne, kdy ho otec vzal k cikánům, aby si prohlél led.
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One Hundred Years of Solitude

Book description

Amazon.com Product Description (ISBN 0060883286, Paperback)

One Hundred Years of Solitude tells the story of the rise and fall, birth and death of the mythical town of Macondo through the history of the Buendía family. Inventive, amusing, magnetic, sad, and alive with unforgettable men and women -- brimming with truth, compassion, and a lyrical magic that strikes the soul -- this novel is a masterpiece in the art of fiction.

(retrieved from Amazon Fri, 24 Apr 2009 07:58:04 -0400)

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