|
Loading...
LibraryThing recommendationsMember recommendations
Loading...
won't like
will probably not like
will probably like
will like
will love Sign up for LibraryThing to find out whether you'll like this book. D- I cry every time I read this book. "He told me not to seek revenge, but to seek the Buddha," said the fox spirit, sadly. "I shall seek the Buddha," said the fox, with a toss of her head. "But first I shall seek revenge." An exceedingly beautiful story of a monk and a fox, told in the way only Neil Gaiman can. He truly has the gift of being able to weave even a simply fairy tale into something special, and something that will always be a part of you. Amano's art perfectly adds to the story. And honestly, I'm not used to seeing quite this quality in a Sandman story. Most of the time, you read Sandman for the writing, not the art, though at times the art is quite good. But here, the art and story blend perfectly together in a way that I had always wanted for the Sandman. Such a story deserves such art, and at last we have it. BEAUTIFUL pictures. Worth it just for that :) Although the concept was interesting and the illustrations were beautiful, I entered this expected the same level of depth as the main Sandman volumes and found myself disappointed. no reviews | add a review
Amazon.com (ISBN 156389629X, Paperback)Sandman fans should feel lucky that master fantasy writer Neil Gaiman discovered the mythical world of Japanese fables while researching his translation of Hayao Miyazaki's film Princess Mononoke. At the same time, while preparing for the Sandman 10th anniversary, he met Yoshitaka Amano, his artist for the 11th Sandman book. Amano is the famed designer of the Final Fantasy game series. The product of Gaiman's immersion in Japanese art, culture, and history, Sandman: Dream Hunters is a classic Japanese tale (adapted from "The Fox, the Monk, and the Mikado of All Night's Dreaming") that he has subtly morphed into his Sandman universe.Like most fables, the story begins with a wager between two jealous animals, a fox and a badger: which of them can drive a young monk from his solitary temple? The winner will make the temple into a new fox or badger home. But as the fox adopts the form of a woman to woo the monk from his hermitage, she falls in love with him. Meanwhile, in far away Kyoto, the wealthy Master of Yin-Yang, the onmyoji, is plagued by his fears and seeks tranquility in his command of sorcery. He learns of the monk and his inner peace; he dispatches demons to plague the monk in his dreams and eventually kill him to bring his peace to the onmyoji. The fox overhears the demons on their way to the monk and begins her struggle to save the man whom at first she so envied. Dream Hunters is a beautiful package. From the ink-brush painted endpapers to the luminous page layouts--including Amano's gate-fold painting of Morpheus in a sea of reds, oranges, and violets--this book has been crafted for a sensuous reading experience. Gaiman has developed as a prose stylist in the last several years with novels and stories such as Neverwhere and Stardust, and his narrative rings with a sense of timelessness and magic that gently sustains this adult fairy tale. The only disappointment here is that the book is so brief. One could imagine this creative team being even better suited to a longer story of more epic proportions. On the final page of Dream Hunters, in fact, Amano suggest that he will collaborate further with Mr. Gaiman in the future. Readers of Dream Hunters will hope that Amano's dream comes true. --Patrick O'Kelley (retrieved from Amazon Fri, 24 Apr 2009 07:58:01 -0400) The first test round has been closed. Visit the Open Shelves Classification group for details. |
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
While this volume was written by Gaiman, and is indeed part of the universe many readers are familiar with, there are very drastic differences to be had. First and foremost is the style of the book - while all the previous volumes were the standard comic format, this volume is a book complete with illustrations on roughly every other page. The dialogue is not shown in speech bubbles above characters heads, rather it takes place with the rest of the narrative in traditional story style. However different the style may be, Gaiman spins one of the best tales that has taken place in the Sandman universe - a dramatic tale of love and East Asian religion. This is only complete with Yoshitaka Amano's amazing artwork, which does not merely add to the story, as many illustrators have, but literally creates a richness so deep the story would be lost without his wonderful work.
Perhaps this particular volume may not be included in the canon of the Sandman series, but it does take place in the universe, and through Gaiman's exceptional writing and Amano's stellar art the reader is treated to one of the greatest stories in the Sandman universe. (