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The Empire writes back : theory and practice…
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The Empire writes back : theory and practice in post-colonial literatures (edition 2002)

by Bill Ashcroft, Gareth Griffiths, Helen Tiffin

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2571103,071 (3.96)4
The experience of colonization and the challenges of a post-colonial world have produced an explosion of new writing in English. This diverse and powerful body of literature has established a specific practice of post-colonial writing in cultures as various as India, Australia, the West Indies and Canada, and has challenged both the traditional canon and dominant ideas of literature and culture. The Empire Writes Back was the first major theoretical account of a wide range of post-colonial texts and their relation to the larger issues of post-colonial culture, and remains one of the most significant works published in this field. The authors, three leading figures in post-colonial studies, open up debates about the interrelationships of post-colonial literatures, investigate the powerful forces acting on language in the post-colonial text, and show how these texts constitute a radical critique of Eurocentric notions of literature and language. This book is brilliant not only for its incisive analysis, but for its accessibility for readers new to the field. Now with an additional chapter and an updated bibliography, The Empire Writes Back is essential for contemporary post-colonial studies.… (more)
Member:thorold
Title:The Empire writes back : theory and practice in post-colonial literatures
Authors:Bill Ashcroft
Other authors:Gareth Griffiths, Helen Tiffin
Info:London : Routledge, 2002.
Collections:Your library
Rating:***1/2
Tags:literature, postcolonial, 1980s, Australia, theory, criticism

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The Empire Writes Back: Theory and Practice in Post-Colonial Literatures (New Accents) by Bill Ashcroft

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Taking its title from an article by Salman Rushdie in the Times in 1982, this classic of literary theory was the first proper undergraduate-ready guide to post-colonial literatures. And it's still in print - and therefore presumably still on the syllabus - thirty years after it originally came out in 1989.

Like many famous books, it turns out to be much thinner than you expect - just over 220 pages of text (plus bibliography, index and notes) in the 2002 second edition. After setting out what post-colonial literature is and going through the main issues it has to deal with, the authors look in more detail at the ways post-colonial writers in English have tackled the tricky problem of their relationship with the language of the former colonial power. Then we get a chapter of case-studies of half a dozen very different post-colonial works, and two chapters on theory, one dealing with the ways post-colonial critics have applied indigenous theoretical models (old, e.g. the Indian tradition of Sanskrit scholarship; and new, e.g. Fanon's négritude) to post-colonial writing, the other with ways post-colonial writing fits into - or undermines - western literary theory (marxism, poststructuralism, feminism, ...).

The second edition concludes with a new chapter responding to problems readers raised about the original book in 1989, and also bringing us up to date on some of the new ways post-colonial theory has been applied since then, e.g. to environmental problems in the developing world (Arundhati Roy, Ken Saro-Wiwa).

The Australian authors insist on a very wide definition of "post-colonial": "all the culture affected by the imperial process from the moment of colonisation to the present day". And they spend a good page and a half defending that hyphen - these things matter (to the sort of people who earn their living writing books about literary theory, if not to the rest of us...). But it is important to know that they think of that "post" as being rather different from the "post" in postmodern. As far as they are concerned, colonialism has started to exert its effect the moment someone plants a flag on your beach and says "we are more important than you are", and it keeps on doing it indefinitely. As long as the experience of having been colonised is relevant to the work we're discussing, we are free to discuss it as a post-colonial work, even if it's from one of the famous borderline cases, like Ireland or the USA or Mexico. Slavery is definitely on-topic, and so is oppression of indigenous peoples or minorities within (post-)colonial places. But obviously, we're most likely to be applying the lessons of The empire writes back to writing from Africa, South Asia, or the Caribbean (the explicit coverage of the book is limited to writings in English, but they acknowledge that writings in non-European languages and in the languages of other colonial powers, especially Spanish, would be very relevant).

Because of its concise and sometimes rather dense format and its focus on sometimes quite abstract theoretical issues, this is more likely to be a book you turn to when writing essays than something you would choose to read for pleasure. But it is clearly a very influential book in its field. If you haven't heard of it, you probably don't need it, and if you have heard of it then you know what you're getting into... ( )
  thorold | Sep 21, 2019 |
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» Add other authors (3 possible)

Author nameRoleType of authorWork?Status
Bill Ashcroftprimary authorall editionscalculated
Griffiths, Garethmain authorall editionsconfirmed
Tiffin, Helenmain authorall editionsconfirmed

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The experience of colonization and the challenges of a post-colonial world have produced an explosion of new writing in English. This diverse and powerful body of literature has established a specific practice of post-colonial writing in cultures as various as India, Australia, the West Indies and Canada, and has challenged both the traditional canon and dominant ideas of literature and culture. The Empire Writes Back was the first major theoretical account of a wide range of post-colonial texts and their relation to the larger issues of post-colonial culture, and remains one of the most significant works published in this field. The authors, three leading figures in post-colonial studies, open up debates about the interrelationships of post-colonial literatures, investigate the powerful forces acting on language in the post-colonial text, and show how these texts constitute a radical critique of Eurocentric notions of literature and language. This book is brilliant not only for its incisive analysis, but for its accessibility for readers new to the field. Now with an additional chapter and an updated bibliography, The Empire Writes Back is essential for contemporary post-colonial studies.

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