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THE FOREIGN CORRESPONDENT, A NOVEL. (original 2006; edition 2006)

by Alan. Furst

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987248,696 (3.73)58
Authors:Alan. Furst
Info:Random House, (2006), Hardcover
Collections:Your library, To read
Tags:espionage, journalism, Award-Booker, xyz, HM12, mystery

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The Foreign Correspondent by Alan Furst (2006)

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English (22)  Portuguese (1)  Spanish (1)  All languages (24)
Showing 1-5 of 22 (next | show all)
I wouldn't call Furst's World War II-era spy novels page turners, but they are addictive. In this one, Carlo Weisz is an Italian ex-pat living in Paris, working as a journalist for the Reuters news service, and secretly writing and editing an anti-fascist newspaper distributed covertly in Italy. As if that isn't enough, the Italian secret police are trying to put an end to the underground newspaper and British Intelligence has plans for him. Even the Paris police are interested him and his fellow Italian ex-pats when the editor of Liberazione and his mistress, the wife of a prominent Frenchman, are brutally murdered in an act made to look like murder-suicide. And finally, Carlo's German girlfriend won't leave Germany despite her anti-Hitler activities putting her in danger.

There's a lot going on in this book, yet Furst takes his usual pace laying out the story, giving readers a feel of life in 1940 Europe, from the civil war in Spain, to fascist Italy, life-as-usual Paris, and tense Berlin. The civilian-enlisted-as-spy, painstakingly researched and recreated settings are Furst's stock-in-trade, yet the stories never feel old or repetitive. Carlo is an engaging protagonist trying to do the right thing for his homeland, and Furst is a skilled storyteller, a perfect combination. ( )
1 vote ShellyS | Oct 20, 2016 |
Minimal plot but exceptional Resistance in Paris atmospherics. ( )
  ltfitch1 | Jun 5, 2016 |
Furst doing Furst. The quality of all Furst's books are very similar, very good. This time it's Carlo Weisz, the foreign correspondent, doing his spy thing in Paris and Berlin. A good read but I don't think it's his best. ( )
  viking2917 | Mar 3, 2016 |
Yet another book that causes me to lament the fact that genre fiction gets no respect. This is beautifully written, beautifully crafted and much more than a "spy novel." ( )
  susan259 | Jan 20, 2016 |
The Foreign

Promised much, delivered little.
It felt a little like he was avoiding telling the story he should have, maybe even really wanted to. A huge missed opportunity, no matter how languid, evocative and well-written it was.
I'll give some of his others a go, but there's gonna have to be a dramatic improvement after this let-down. ( )
  Speesh | Mar 29, 2014 |
Showing 1-5 of 22 (next | show all)
...this time around Furst has produced a curiously inert book that is missing both the percussive drive of more commercial spy novels and the fully realized characters of le Carré and Greene. It is an honest effort — Furst is too good a writer and too professional to offer anything less — and it has its pleasures, but they are served dutifully and without great vigor. No one will ask for a second helping of Carlo Weisz.

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Alan Furstprimary authorall editionsconfirmed
Giacobbo, ValeriaTranslatorsecondary authorsome editionsconfirmed
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Amazon.com Product Description (ISBN 0812967976, Paperback)

From Alan Furst, whom The New York Times calls “America’s preeminent spy novelist,” comes an epic story of romantic love, love of country, and love of freedom–the story of a secret war fought in elegant hotel bars and first-class railway cars, in the mountains of Spain and the backstreets of Berlin. It is an inspiring, thrilling saga of everyday people forced by their hearts’ passion to fight in the war against tyranny.

By 1938, hundreds of Italian intellectuals, lawyers and journalists, university professors and scientists had escaped Mussolini’s fascist government and taken refuge in Paris. There, amid the struggles of émigré life, they founded an Italian resistance, with an underground press that smuggled news and encouragement back to Italy. Fighting fascism with typewriters, they produced 512 clandestine newspapers. The Foreign Correspondent is their story.

Paris, a winter night in 1938: a murder/suicide at a discreet lovers’ hotel. But this is no romantic traged–it is the work of the OVRA, Mussolini’s fascist secret police, and is meant to eliminate the editor of Liberazione, a clandestine émigré newspaper. Carlo Weisz, who has fled from Trieste and secured a job as a foreign correspondent with the Reuters bureau, becomes the new editor.
Weisz is, at that moment, in Spain, reporting on the last campaign of the Spanish civil war. But as soon as he returns to Paris, he is pursued by the French Sûreté, by agents of the OVRA, and by officers of the British Secret Intelligence Service. In the desperate politics of Europe on the edge of war, a foreign correspondent is a pawn, worth surveillance, or blackmail, or murder.

The Foreign Correspondent is the story of Carlo Weisz and a handful of antifascists: the army officer known as “Colonel Ferrara,” who fights for a lost cause in Spain; Arturo Salamone, the shrewd leader of a resistance group in Paris; and Christa von Schirren, the woman who becomes the love of Weisz’s life, herself involved in a doomed resistance underground in Berlin.

The Foreign Correspondent is Alan Furst at his absolute best–taut and powerful, enigmatic and romantic, with sharp, seductive writing that takes the reader through darkness and intrigue to a spectacular denouement.

From the Hardcover edition.

(retrieved from Amazon Thu, 12 Mar 2015 18:24:52 -0400)

In 1939 Paris, the murder of an Italian political emigre OVRA, Mussolini's secret police, brings new danger to his successor, Carlo Weisz, who finds himself the target of OVRA, MI6, Stalin's NKVD, and Hitler's Gestapo.

(summary from another edition)

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