HomeGroupsTalkZeitgeist
Hide this

Results from Google Books

Click on a thumbnail to go to Google Books.

Art Deco: 1910-1939 by Charlotte Benton
Loading...

Art Deco: 1910-1939

by Charlotte Benton, Tim Benton (Editor), Ghislaine Wood (Editor)

Other authors: Anna Jackson (Contributor)

MembersReviewsPopularityAverage ratingConversations
164172,634 (4.5)None

None.

None
Loading...

Sign up for LibraryThing to find out whether you'll like this book.

No current Talk conversations about this book.

What is best about this survey of Art Deco and allied design styles is that it aspires to a truly world-wide examination of the phenomena, from the 1925 Paris Exhibition to how the elitist style eventually became filtered through the dream factory of Hollywood and the new mass media to become the popular image of the Modern around the world, much to the dismay of the Functionalists. On the whole, this book should probaly be rated at 3.5, seeing as it could use formal chapters on the channels by which the new style was alternately disseminated and dismissed. ( )
  Shrike58 | Dec 11, 2007 |
no reviews | add a review

» Add other authors (36 possible)

Author nameRoleType of authorWork?Status
Charlotte Bentonprimary authorall editionscalculated
Benton, TimEditormain authorall editionsconfirmed
Wood, GhislaineEditormain authorall editionsconfirmed
Jackson, AnnaContributorsecondary authorall editionsconfirmed
You must log in to edit Common Knowledge data.
For more help see the Common Knowledge help page.
Series (with order)
Canonical title
Original title
Alternative titles
Original publication date
People/Characters
Important places
Important events
Related movies
Awards and honors
Epigraph
Dedication
First words
Quotations
Last words
Disambiguation notice
Publisher's editors
Blurbers
Publisher series
Original language

References to this work on external resources.

Wikipedia in English (2)

Book description
Haiku summary

Amazon.com Amazon.com Review (ISBN 082122834X, Hardcover)

Sexy, modern, and unabashedly consumer-oriented, Art Deco was a new kind of style, flourishing at a time of rapid technological change and social upheaval. Lacking the philosophical basis of other European design movements, Deco borrowed motifs from numerous sources--Japan, Africa, ancient Egyptian and Mayan cultures, avant-garde European art--simply to create novel visual effects. Art Deco 1910-1939 surveys the sources and development of the popular style with more than 400 color illustrations and 40 chapters by numerous design specialists. The authors track Deco around the globe, from Paris to the United States—-where it got its biggest boost from mass production—-to Northern and Central Europe, Latin America, Japan, India, and New Zealand. The book's broad focus encompasses industrial artifacts (the Hindenburg blimp, the Burlington Zephyr locomotive), as well as architecture, furniture, accessories, fashion, jewelry, typography and poster design. Despite the existence of other prominent artistic movements during the 1920s and '30s, the authors tend to hang the Deco label on virtually any object that portrays the effects of technology or employs color, luxury materials or artificial light in striking ways. It does seem a stretch to include Man Ray's photographs, Sonia Delaunay's textiles and the movie King Kong in the Deco pantheon. But the great strength of Art Deco 1910-1939 is that it reveals the social context of Deco, not just its pretty face. The book accompanies an exhibition (organized by the Victoria and Albert Museum in London) at the Royal Ontario Museum in Toronto through January 4, 2004; subsequent venues are San Francisco and Boston. —Cathy Curtis

(retrieved from Amazon Thu, 12 Mar 2015 18:25:14 -0400)

"Spanning the boom of the roaring Twenties and the bust of the Depression-ridden 1930s, Art Deco came to epitomise all the glamour, luxury and hedonism of the jazz age. It was the style of the flapper girl, the luxury ocean liner, the Hollywood film and the skyscraper. It burst onto the world stage at the 1925 'Paris Exposition international des arts decoratifs et industriels modernes', and quickly swept across the globe. Its influence was everywhere : it transformed the skylines of cities from New York to Shanghai and shaped the design of everything from fashionable evening wear to plastic radios. Above all it became the style of the pleasure palaces of the age - hotels, cocktail bars, night-clubs and cinemas." - book jacket.… (more)

» see all 2 descriptions

Quick Links

Swap Ebooks Audio
26 wanted1 pay

Popular covers

Rating

Average: (4.5)
0.5
1
1.5
2
2.5
3 1
3.5
4 5
4.5 2
5 8

Is this you?

Become a LibraryThing Author.

 

About | Contact | Privacy/Terms | Help/FAQs | Blog | Store | APIs | TinyCat | Legacy Libraries | Early Reviewers | Common Knowledge | 119,595,936 books! | Top bar: Always visible