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It is Paris, 1772, and Sigismundo Celine knows he is destined to play an important part in this history-behind-history. The masons, the English nobil ity, the Jabobites, the Rosicrucians, the ruling clique of pre-Revolution France: these are but a few of the factions involved in the machinations and intrigue in which Sigismundo has become enmeshed. Thrown into the Bastille, shot at, assaulted by assassins, tortured, and brutally interrogated, he knows only what he is and what he must do to become the one spoken of in the old texts.
But what he doesn't know could kill him: the secret powers of Maria, the Italian beauty who has become an English Lady; the Irish fisherman, Moon, who stumbles across the inner workings of an unsuspected cult; and the question they keep asking: the identity of The Widow's Son.
(retrieved from Amazon Fri, 24 Apr 2009 07:58:03 -0400)
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In this book, Wilson's eccentricities creep in and the reader is bombarded with crazy footnotes that offer historical insights, personal comments, and suppositions about which historical figures and writers were in an `altered state' (that is, smoking dope). Wilson's drug induced paranoia isn't quite as annoying as Hunter S. Thompson, but it does get to be a bit much at times and detracts from the narrative. Still, the writing is competent and the conspiracy is more plausible than the fluffy Dan Brown novels. This book is far better than Dan Brown but not as competent as Umberto Eco's Foucault's Pendulum. (