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Loading... Liver: A Fictional Organ with a Surface Anatomy of Four Lobes (edition 2009)by Will Self
Work detailsLiver: A Fictional Organ with a Surface Anatomy of Four Lobes by Will Self
None. This review was written for LibraryThing Early Reviewers. ) This review was written for LibraryThing Early Reviewers. This review was written for LibraryThing Early Reviewers.Unfortunately, instead of being delivered a lovely selection of pates to sift through and sample, we were handed a plate full something that suspiciously resembles cat food. It's not the unlikable characters; I have a library full of books and characters I can't stand. It's not that some of these plots meander and go off the track at times, for I have read many a book that seemed to do this for the better part of the novel only to pull things off at the end in a brilliant way. But combine these issues with the plot points ripped off from Twilight Zones that have been remade into Treehouse of Horror episodes, or grabbing plot elements from a film as awful as Stigmata or trying to re-create Trainspotting with a pop-culture bond...well, that doesn't even get into the horror that is a modern-day Bewitched with Greek Gods that sounds like some re-worked treatment for a bad television series pitch (we'll do a major myth every week, but we'll have the drama of the ad agency and plenty of sex and romance!). It's not that these things were ripped off whole cloth, but you get the gist... In short, it's like sitting down at a restaurant that promises exciting and innovating food only to discover that their appetizer course is not only straight out of the 90s, but done by a chef that felt that he could rely on the reputation of foie gras instead of learning to cook it properly. This review was written for LibraryThing Early Reviewers.Liver is a collection of four long stories, linked both thematically by the titular organ and by references to certain people and places. Self seems to like depicting the human race as tools or manipulated beasts, since three of the stories — two explicitly, one implicitly — do so. Unfortunately, all the stories are unpleasant, unsatisfying, or both. The first story, "Foie Humain," sets the stage, centered on the Plantation Club, a private bar in London. The characters, especially the (apparent) protagonist, are so repellent that I found it difficult to finish the story. The surprise ending comes out of nowhere, and while certainly these characters deserve to have aliens harvest their livers, I find it difficult to believe that a cirrhotic liver could be a delicacy, even for extraterrestrials. After finishing that first piece, it took me a couple of days to pick up the book again, because I dreaded meeting more unlikeable characters. Fortunately, "Leberknödel" is the best of the four stories, with a complex but sympathetic protagonist. I found the story unsatisfying because of plot problems. (I know, how lowbrow of me, to care about plot!) The main action of the story seems to come from the urge by a small group of Catholics to prove to the Church that the protagonist's cancer remission is a miracle, and her difficulty in deciding how much to cooperate. However, that part of the story just peters out without being properly resolved. There's a brief interval in which the author writes as though the character's body is controlling her against her will, which is odd because it was not previously set up in any way. The ending is depressing but believable, although I felt that the character's suicide was insufficiently motivated. "Prometheus" is a story full of Greek mythological figures, or at least characters with their names, participating in the modern business world. I was intrigued by the idea of an adman whose liver is devoured three times a day. However, the story ends oddly, indicating that — the last scene? the entire story? It's unclear — was all a dream, er, a commercial. The story has the feel of a gimmick Self couldn't quite figure out what to do with, so he went with cheap irony and an even cheaper ending. Finally, "Birdy Num Num" brings us another set of unlikeable characters, although these heroin addicts are less repugnant than the alcoholics of "Foie Humain." Self uses the device of having the story narrated by an AIDS virus, once again depicting humans as prey or food, although this time that is clear from early in the story. The conceit of one of the addict's obsession with the 1968 movie The Party is clever, but otherwise the story feels irrelevant and dated (it is set in 1998), not to mention pointless. Will Self is clearly a talented writer with a gift for language and creating memorable characters (though he really needs a better copy editor, or at least one who knows a little Latin). But I cannot recommend Liver to anyone who actually enjoys stories, not just clever fictional creations with no real point. This review was written for LibraryThing Early Reviewers.
Ecstatically evoking miasma, Self’s prose is feral in pace, always zeroing in for the kill: ad men are “coddled by a warm albumen of piped-in pop culture”; a woman, after a bout of joyless sex at a hotel, confronts “the pathos of the hand towels.” But the characters, pruned of any redeeming virtue, are difficult to like, and too often the cup of bile runs over. Certainly, there are real and original pleasures to be had from these stories, particularly from Self's extravagant and startling sense of language, as well as from the imaginative extremity of his vision. But they are not warm or merciful. These are for those who like their stories brainy, cunning, hard-edged and diabolical. Is life worth living? The corny old answer, that it all depends on the liver, is one that Will Self, in this smart, beguiling and occasionally stomach-turning book of four linked stories, finds only partly adequate.
References to this work on external resources.
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