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Loading... Lullabyby Chuck Palahniuk
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will love Sign up for LibraryThing to find out whether you'll like this book. Chuck Palahnuik cannot seem to write a bad book. The 4th book of his that I've read, I'm continually impressed by each novel. The man really knows how to write an ending..this one does not fall short. How does one rate this book? It is not really a fantasy, though the premise is fantastic (as in "ridiculous", not as in "terrific"). If I had to pick one word to describe this story it would be "insane". The book is a spoof/satire of modern life and has very little grounding in reality so you really have to suspend your disbelief from the start or you'll never make it through the story. There were several points I was about to give up because, well, the story is ridiculous, but then there are some parts that are absolutely hilarious. I don't recall any other book that caused me to waffle between laughing out loud (naked wiccan meeting anyone?) and throwing it out. It is certainly a book you'll either like or really really REALLY dislike. The author goes off on long tirades of made up words (noiseoholics, silenceophobes, etc) which gets rather irritating after awhile. This was the first I'd heard of Palahniuk and while I liked his writing enough to read Haunted, the long winded tirades were just too, well, long winded and the ridiculous a little too ridiculous. A bookclub choice - I think it will make for really good discussion about power, good vs. evil, loss . . . the pacing and characterizations were good. 'The details about X character are...' was clever. I love all books by Palahniuk, but this one was weirder than I had anticipated. With his main charecters, I can usually end up likeing them, just because I feel like I've gone through part of their lives with them, but with the anonomys main charecter (Carl Streator), he doesn't really have much of a personality to me at all through out the book. 0.074 seconds to build listing
Amazon.com (ISBN 0385504470, Hardcover)The consequences of media saturation are the basis for an urban nightmare in Lullaby, Chuck Palahniuk's darkly comic and often dazzling thriller. Assigned to write a series of feature articles investigating SIDS, troubled newspaper reporter Carl Streator begins to notice a pattern among the cases he encounters: each child was read the same poem prior to his or her death. His research and a tip from a necrophilic paramedic lead him to Helen Hoover Boyle, a real estate agent who sells "distressed" (demonized) homes, assured of their instant turnover. Boyle and Streator have both lost children to "crib death," and she confirms Streator's suspicions: the poem is an ancient lullaby or "culling song" that is lethal if spoken--or even thought--in a victim's direction. The misanthropic Streator, now armed with a deadly and uncontrollably catchy tune, goes on a minor killing spree until he recognizes his crimes and the song's devastating potential. Lullaby then turns into something of a road trip narrative, with Streator, Boyle, her empty-headed Wiccan secretary Mona, and Mona's vigilante boyfriend Oyster setting out across the U.S. to track down and destroy all copies of the poem.In his previous works, including the cult favorite Fight Club, Palahniuk has demonstrated a fondness for making statements about the condition of humanity, and he uses Lullaby like a blunt object to repeatedly overstate his generally dim view. Such dogmatic venom undermines the persuasiveness of his thesis about mass communication and free will, but thankfully, Palahniuk offers some respite here by allowing for sympathy and love, as well as through his razor-sharp humor, such as his mock listings for Helen's possessed properties: "six bedrooms, four baths, pine-paneled entryway, and blood running down the kitchen walls...." At such moments, Lullaby casts a powerful spell. --Ross Doll (retrieved from Amazon Fri, 24 Apr 2009 07:57:57 -0400) The first test round has been closed. Visit the Open Shelves Classification group for details. |
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The sub-plots were more entertaining than the main plot though. I liked the haunted house broker. What a scam! She could keep on turning over the couple dozen or so houses she had because no one could live in them for more than a few weeks. Excellent.
I also kind of liked it when Streator simply killed off the people who got him angry (mister mcgee, don’t make me angry, you wouldn’t like me when I’m angry). Oh how wonderful a power like that would be sometimes. Although, I’m not sure I would have the necessary control to avoid becoming a mass killer!
Another sub-plot is Streator and a character named Sarge are tracking down all kinds of purported ‘miracles’. Like a talking cow that tells people not to eat meat. A roadside jesus who brings roadkill back to life. A flying holy Mary type woman. It turns out that Sarge is really Helen the real estate lady. She found some master book of spells and she took over the body of this old cop. She had to do this because Oyster also got a hold of one of the spells and took over her body and made her drink drain cleaner. So to escape death, she transported over. Now she and Streator are after Oyster and the Wiccan chick. Oyster wanted to make everyone his slaves and if he finds the culling song, they’re screwed. But I couldn’t tell that this was really the conclusion of the book interwoven with the rest of it. By the first person point of view it was obvious that Streator lived in the end, but I couldn’t figure out who Sarge was until near the end when Helen first took over his body in order to spring Streator from jail. He was brought in because of a string of killings (all his fault of course) and he really wanted to be locked up an stopped because he couldn’t control it anymore.
Helen, as it turns out, knew about the culling song all along. She lost a son to it and then killed her husband because he blamed her. Yeah, it was her fault but she didn’t knowingly kill her kid. So she begins to work as a killer for hire. She kills drug lords and evil dictators and assassins, all for different governments. She figures if you do something for money, a lot of money, you won’t do it for free. It almost works.